INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (420,2,'2013-12-02 16:00:18','2013-12-02 21:00:18','Latino communities transform public places in their communities into personal ones. These transformations fit with the idea of making a home, for a specific place is more than a house or address; it is the space plus the emotional and intellectual connections that were built into it over time. In the book<i> Diálogos, Placemaking in Latino Communities</i>, the writers discuss one definition of place as referring to “territorialized local communities, collective memories associated with territory, claims of authenticity by local actors, phenomenological associations with locales, and social relationships among people in territorial communities.”<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn1\">[1]</a><b> In other words, place connotes a community’s shared history and experience.</b> The Latino communities of Philadelphia demonstrate this with the music blaring from windows, the murals they choose to put on the sides of their buildings, and the colors with which they embellish their shops. It is, too, in the names they use to identify their areas (el Barrio, el Centro de Oro) and in the names of institutions and businesses that string neighborhoods together (HACE, Centro Musical, Roberto Clemente High School, Congreso de Latinos Unidos, Taller Puertorriqueño). It is also marked in the colors and patterns of their national symbols that adorn their busineses, like the white cross with the alternating red &amp; blue of the Dominican Republic’s flag, in the bands of green, white and red of the Mexican flag or in the sky blue, white and red stripes of the Puerto Rican flag. Each can be read as a multifaceted proclamation of identity, of coming from one region, of having staked a claim in this area, in this space and for this moment in time.\r\n<div>\r\n<table cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td><a title=\"IMG_3925 by tallerpr.org, on Flickr\" href=\"http://www.flickr.com/photos/tpr_visual_arts/8250002602/\"><img class=\"aligncenter\" alt=\"IMG_3925\" src=\"http://farm9.staticflickr.com/8338/8250002602_785db4ae81_n.jpg\" width=\"320\" height=\"240\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td>Betsy Casañas mural, \"Cruzando el Charco,\" N. 5th  and Dauphin</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</div>\r\nTaller Puertorriqueño (Taller) recognizes its connection to the community. It knows that through its work it has been questioning the misnomer of \"Badlands\" to the area it is in, and reclaiming the pride of culture and contributions of Latinos in this community. With its Meet the Author Series<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn2\">[2]</a>, its Annual Arturo Schomburg Symposium<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn3\">[3]</a> and collaborations with universities and colleges, Taller crosses boundaries, challenges stereotypes and inspires civic engagement. In its youth education programs it fosters knowledge of arts, cultural history and critical thinking; its 20 years of association with the Philadelphia Art Museum is a great indicator of being a leader in using art as a bridge to cultural and community understanding. It knows it has been playing a role as an anchor of the neighborhood’s identity, and as a resource and gateway to and for the Latino community. Students and patrons, both from around the city and within the neighborhood, come to Taller to learn about the city’s Puerto Rican roots and its ever-increasing Latino diversity. More importantly within its programs, it offers context and a safe place to discuss and confront very delicate and volatile issues such as gentrification and the long history of prejudice and classism towards Latino\'s in this country. To better understand Taller’s place and its place-making role in the Latino community of Philadelphia, we must look to its\r\norigin.\r\n<table cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td><a title=\"Flag Raising 9-2011 2 by tallerpr.org, on Flickr\" href=\"http://www.flickr.com/photos/tpr_visual_arts/8254397017/\"><img class=\"aligncenter\" alt=\"Flag Raising 9-2011 2\" src=\"http://farm9.staticflickr.com/8069/8254397017_c96561ac14.jpg\" width=\"240\" height=\"320\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td>Raising the Puerto Rican flag in Taller  Puertorriqueño</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<a name=\"more\"></a>\r\n<div>\r\n<table cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td><a title=\"taller026 by tallerpr.org, on Flickr\" href=\"http://www.flickr.com/photos/tpr_visual_arts/8167148313/\"><img class=\"aligncenter\" alt=\"taller026\" src=\"http://farm9.staticflickr.com/8203/8167148313_6813eda8fc_n.jpg\" width=\"320\" height=\"218\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td>Taller Puertorriqueño\'s first home</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</div>\r\nTaller was founded in 1974 in the basement of Aspira, Inc.<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn4\">[4]</a>, with a focus on bringing to the forefront, through practice, the arts and culture of the Puerto Rican community in Philadelphia. In the beginning, it ran a silk-screening operation where its members learned printmaking skills and a “practical understanding of their history.”<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn5\">[5]</a> This was during a time of tremendous upheavals and activism coming after the 60’s when, as Lorrin Thomas writes when talking about the Puerto Rican experience in NY, “With deindustrialization as a stark backdrop of the community’s struggles in the sixties, along with new debates about its “culture of poverty” and then the radicalization of the African American civil rights movements, politicized young Puerto Ricans began to challenge the moderate, liberal approach of the older second generation and embrace a more radical agenda that would shift the balance of Puerto Rican activism in New York by 1970.”<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn6\">[6]</a>\r\n<table cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td><a title=\"taller020 by tallerpr.org, on Flickr\" href=\"http://www.flickr.com/photos/tpr_visual_arts/8167141201/\"><img class=\"aligncenter\" alt=\"taller020\" src=\"http://farm9.staticflickr.com/8064/8167141201_7ba138fc29_n.jpg\" width=\"320\" height=\"222\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td>Silk screening in Taller.</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<div>\r\n<table cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td><a title=\"taller011 by tallerpr.org, on Flickr\" href=\"http://www.flickr.com/photos/tpr_visual_arts/8167132125/\"><img class=\"aligncenter\" alt=\"taller011\" src=\"http://farm9.staticflickr.com/8205/8167132125_4252787d06_n.jpg\" width=\"320\" height=\"210\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td>T-Shirts, designed and printed in 1970\'s Taller</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</div>\r\nAs in New York, the same activism in Puerto Ricans in Philadelphia “emphasized the demands for recognition as a group alongside more standard claims for individual rights.”<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn7\">[7]</a> This was Philadelphia in the heyday of the Young Lords, who on some of their posters demanded “Health, Food, Housing and Education” in reaction to the massive under- and unemployment, deteriorating public services and lack of housing.<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn8\">[8]</a> This was at the time of “the increasing militancy of young radicals who were animated by the Cuban revolution, by decolonization struggles across Africa and Southeast Asia, and by their opposition to the United States’ war in Vietnam.”<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn9\">[9]</a> Social justice, better housing, jobs and even the independence of Puerto Rico were the mantras of many at that time. So, when Domingo Negrón, Rosemary Cubas, Mike Fucille, Mario Rivera, Ramonita Rivera and Rafaela Colón founded Taller as a collective, it was under these objectives and ideals. Israel Colón describes institutions like Taller as having <b>“pursued a fine line between cultural affirmation and resistance.”</b><a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn10\">[10]</a>\r\n<div>\r\n<table cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td><a title=\"Domingo009 by tallerpr.org, on Flickr\" href=\"http://www.flickr.com/photos/tpr_visual_arts/8167396026/\"><img class=\"aligncenter\" alt=\"Domingo009\" src=\"http://farm9.staticflickr.com/8490/8167396026_4a028107de_n.jpg\" width=\"320\" height=\"219\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td>Domingo Negrón, Taller Puertorriqueño\'s founding director</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</div>\r\nIn Taller’s 25th-year catalogue, Colón characterizes the artist programs, “Every project organized, seemed to capture the essence of Puerto Rican life in the Barrio. As in many of their productions, Taller’s projects featured young artists freely expressing their views, political and otherwise. Photo exhibits, often orchestrated by Bonnie and Tom, were common because they dramatized the community’s existence and serve as historical documentation of the Puerto Rican experience in the United States.”<a href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftn11\">[11]</a>\r\n\r\nWith projects such as these and the two-year oral history project “Batiendo La Olla,” completed in 1979, Taller cemented its role in the community.\r\n<table cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td><a title=\"IMG_4069 by tallerpr.org, on Flickr\" href=\"http://www.flickr.com/photos/tpr_visual_arts/8255455490/\"><img class=\"aligncenter\" alt=\"IMG_4069\" src=\"http://farm9.staticflickr.com/8357/8255455490_da7a29510e_n.jpg\" width=\"320\" height=\"240\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td>Danny Torres\'s mural, Beinvenido a \" Centro de Oro,\" Lehigh &amp; N. 5th Street.</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\nIn its new exhibition cycle, Claiming Places: Unity, Ownership, and “Hogar” (Home), Taller, now almost a 40 year old institution with an eye to expand to a new and larger location, asks us to take note of our presence, to weigh what binds us to where we are, to think of what makes us who we are, and to imagine what we want our community to be. We are invited to take into account the impressions we leave and of our role as place-makers as we each shape our future. Students from Taller’s education programs will exhibit work dealing with the theme of place-making. There will be exhibitions in our galleries by <a href=\"http://claimingplaces.blogspot.com/search/label/C%C3%A9sar%20Viveros%20Herrera\" target=\"_blank\">César Viveros Herrera</a>, <a href=\"http://claimingplaces.blogspot.com/search/label/Leticia%20Roa%20Nixon\" target=\"_blank\">Leticia Roa Nixon</a>, <a href=\"http://Merián Soto\" target=\"_blank\">Merián Soto</a>, <a href=\"http://claimingplaces.blogspot.com/2013/01/esperanza-cortes-in-entre-sombras-site.html\" target=\"_blank\">Esperanza Cortés</a>, <a href=\"http://claimingplaces.blogspot.com/2013/03/dino-vazquez-futuro-metalico.html\" target=\"_blank\">Dino Vázquez</a>, and Tony Rocco and his students from Photography Without Borders as well a long a long term creative and urban practice project going under the name of <a href=\"http://claimingplaces.blogspot.com/2013/03/cp-lab-opens-for-business-march-30.html\" target=\"_blank\">CP Lab</a> with Ariel Vazquez and the Counter Narrative Society. We have set up a personalized blog to capture the elements of the shows and to allow comments from the public. The blog will, in the end, be an archive and a voice of this exploration. In January and May 2013, we will have two panel discussions bringing artists from the show together with scholars to discuss the issues raised in this cycle. Some of the people in the panel will be Lorrin Thomas, history professor at Rutgers University, Luis Aponte-Parés, community studies professor at the University of Massachusetts Boston, Johnny Irizarry, former director of Taller and director of La Casa Latina at the University of Pennsylvania, architect JC Calderon panel moderator, and Antonio Fiol Silva, principal architect on the team designing Taller’s new building.\r\n<table cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td><a title=\"IMG_4094 by tallerpr.org, on Flickr\" href=\"http://www.flickr.com/photos/tpr_visual_arts/8255467404/\"><img class=\"aligncenter\" alt=\"IMG_4094\" src=\"http://farm9.staticflickr.com/8495/8255467404_f440398bae_n.jpg\" width=\"320\" height=\"240\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td>A bilingual elementary school named after the famed Puerto Rican poet and  activist,  Julia de Burgos.</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\nCommunities are transforming their spaces into personal places by integrating their experiences and reflecting their needs and hopes through the arts and cultural distinctions. Leaders in these communities further convey the needs and aspirations of the citizens in the collaborative organizations they create, like Taller, Juntos, Casa de Venezuela, Casa Monarca and Acción Colombia. “Claiming place” is a conscious act to be seen and heard in order to belong. Yet, the conversation is never static - circumstances change, wars happen, cataclysms occur, industries go, unemployment rises, and communities age, move, and sometimes mysteriously disappear. These are the challenges we face, as individuals and as a community, whether consciously or not. Through our exhibition cycle, <i>Claiming Places: Unity, Ownership, and “Hogar” (Home)</i>, Taller, on its blog and in its programs and exhibitions, is providing a space for dialogue in the community. This is just the beginning of our journey in this yearlong conversation to explore a shared history in place making.\r\n\r\nSo please post your comments and subscribe to the <i>Claiming Places</i> blog.\r\n\r\n<i>Rafael Dasmast,</i>\r\n<i>Visual Arts Program Manager</i>\r\n\r\n<em>Dec. 8, 2012</em>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\"><sup>1]</sup></a> M Rios, L Vazquez, Introduction to <i>Diálogos; </i>page 5</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\">[2]</a> Meet the Author Series Program - A series that brings writers, thinkers, and organizations to talk about their work in community.  It takes place in Taller\'s books and craft shop.</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\">[3]</a> Arturo Schomburg Symposiums explores the links between African and Latino cultures.</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\"><sup>[4]</sup></a> Aspira ,Inc.  A Latino leadership and self-empowerment organization.</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\"><sup>[5]</sup></a> I Colón,<i> 25 Years: A Commemorative Exhibition Catalogoue</i>, “From Birth to Maturity”</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\"><sup>[6]</sup></a> L Thomas, <i>Puerto Rican Citizen</i>, page 202</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\"><sup>[7]</sup></a><ins cite=\"mailto:Rafael%20Damast\" datetime=\"2012-12-04T18:41\"> </ins>L Thomas, <i>Puerto Rican Citizen</i>, page 202</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\"><sup>[8]</sup></a> C T Whalen, El Viaje, Puerto Ricans of Philadelphia, page 92</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\"><sup>[9]</sup></a> L Thomas, <i>Puerto Rican Citizen</i>, page 222</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\"><sup>[10]</sup></a> I Colón,<i> 25 Years: A Commemorative Exhibition Catalogoue</i>, “The Founding Values”</div>\r\n</div>\r\n<div>\r\n<div><a title=\"\" href=\"http://draft.blogger.com/blogger.g?blogID=7364994886984793629#_ftnref\"><sup>[11]</sup></a> I Colón,<i> 25 Years: A Commemorative Exhibition Catalogoue</i>, “From Birth to Maturity”</div>\r\n</div>','Personalizing Place in the Latino Community','','inherit','closed','open','','416-revision-v1','','','2013-12-02 16:00:18','2013-12-02 21:00:18','',416,'http://tallerpr.org/2013/12/02/416-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (421,2,'2013-12-02 16:01:58','2013-12-02 21:01:58','<p style=\"text-align: center;\"><a href=\"http://tallerpr.org/wp-content/uploads/2013/12/Claiming-Header-2a.jpg\"><img class=\"size-full wp-image-408 aligncenter\" alt=\"Claiming-Header-2a\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Claiming-Header-2a.jpg\" width=\"880\" height=\"200\" /></a></p>\r\n<p style=\"text-align: left;\"><b>Claiming Places: Unity, Ownership, and “Hogar” (Home)</b> is a concerted effort to use art to reveal, question, engage and stimulate community dialogue on questions of \"ownership” and the consequences of making a space your own.  Exhibiting works from a muralist, a choreographer,  installation artist, and a local community artist,  the places explored in this cycle will be both communal and personal. They are perceived in architecture and design and are based on intentional decisions made or not made by both individuals and the community. Subsequently, the exhibition cycle will delve into the meaning, implication and outcomes of these choices. Ultimately, it will be a chance for Taller to examine what it means to be a part of something larger as Taller takes additional steps in its quest to build a new state of the art cultural center in the heart of its community.</p>\r\n\r\n<div>\r\n\r\nThe season will consist of performance art, installations, two dimensional work; the use of non-traditional exhibit space like Taller’s newly developed exhibition area, “El Vestíbulo”, at the entrance of its store; and 2 panel discussions. These conversations will be comprised of artists (including those from the exhibitions), activists, scholars and local citizens who will analyze these transformational forces and provide context and open dialogue. Dialogue will be further supported, encouraged and promoted through Taller’s website, in which information, i.e. back-story on each show, is updated throughout the cycle; essays on the exhibit by Taller’s curator, the Executive Director, Architect J.C. Calderon and others; detailed information on the panels, topics, panelists and bio’s etc. will be included.  Concurrently, Taller’s Education Program participants will be exploring the questions posed by this curatorial proposition resulting in the already mentioned exhibition in The Vestibule.\r\n<div>“Claiming Places” explores these themes through the exploration of different spaces, the work of four artists, both local and regional, and the work of Taller’s education program participants. Artists and participants will be given artistic freedom to explore topics of history, community and space and consider the pressures of flux versus permanence and the impact of these on identity, resistance, resilience, rootedness, development, and connectedness.</div>\r\n<div></div>\r\n<div>To learn more about the exhibition visit the exhibition web site <a title=\"Claiming Places\" href=\"http://claimingplaces.blogspot.com\" target=\"_blank\">here</a>.</div>\r\n<span style=\"color: #4a4a4a; line-height: 18px; background-color: #ffffff; font-family: Arial;\"> </span>\r\n\r\n</div>','Claiming Places: Unity, Ownership, & Hogar  2012-13 Cycle','','inherit','closed','open','','407-revision-v1','','','2013-12-02 16:01:58','2013-12-02 21:01:58','',407,'http://tallerpr.org/2013/12/02/407-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (422,2,'2013-10-01 16:08:51','2013-10-01 20:08:51','Based on the theme “The Magic and Mystery of the Underwater: A Homage to Jacques Costeau” and developed through artists residencies during the summer, the exhibition included paintings, wood, ceramics, fabric works as well as experimental techniques in mixed media.\r\n\r\n&nbsp;','Children from the CAP Summer Arts Camp presented their work from August 10 to September 27, 1998','','draft','closed','closed','','children-from-the-cap-summer-arts-camp-presented-their-work-from-august-10-to-september-27-1998','','','2014-05-22 12:25:46','2014-05-22 16:25:46','',0,'http://tallerpr.org/?p=422',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (423,2,'2013-12-02 16:08:51','2013-12-02 21:08:51','Based on the theme “The Magic and Mystery of the Underwater: A Homage to Jacques Costeau” and developed through artists residencies during the summer, the exhibition included paintings, wood, ceramics, fabric works as well as experimental techniques in mixed media.\r\n\r\n&nbsp;','Children from the CAP Summer Arts Camp presented their work from August 10 to September 27, 1998','','inherit','closed','open','','422-revision-v1','','','2013-12-02 16:08:51','2013-12-02 21:08:51','',422,'http://tallerpr.org/2013/12/02/422-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (424,2,'2013-12-02 16:11:45','2013-12-02 21:11:45','<p style=\"text-align: center;\"><strong>October 9, 1998 - January 7, 1999</strong></p>\r\n<p style=\"text-align: left;\">This exhibition featured work on paper, paintings and mixed media by Puerto Rican Soraya Marcano, Brazilian Bruno Pedrosa, Venezuelan Oscar Sotillo and Dominican Julio Valdez.  This compelling exhibition focused on painting techniques that explore the human spirit, pluri-cultural experiences, and environmental issues.</p>\r\n&nbsp;','New Strokes: Abstractions','','draft','closed','closed','','new-strokes-abstractions','','','2014-05-22 12:24:58','2014-05-22 16:24:58','',0,'http://tallerpr.org/?p=424',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (425,2,'2013-12-02 16:11:45','2013-12-02 21:11:45','<p style=\"text-align: center;\"><strong>October 9, 1998 - January 7, 1999</strong></p>\r\n<p style=\"text-align: left;\">This exhibition featured work on paper, paintings and mixed media by Puerto Rican Soraya Marcano, Brazilian Bruno Pedrosa, Venezuelan Oscar Sotillo and Dominican Julio Valdez.  This compelling exhibition focused on painting techniques that explore the human spirit, pluri-cultural experiences, and environmental issues.</p>\r\n&nbsp;','New Strokes: Abstractions','','inherit','closed','open','','424-revision-v1','','','2013-12-02 16:11:45','2013-12-02 21:11:45','',424,'http://tallerpr.org/2013/12/02/424-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (427,2,'2013-12-02 16:20:45','2013-12-02 21:20:45','<p style=\"text-align: center;\"><strong>January 22- March 5, 1999</strong></p>\r\nPresented in collaboration with the Third annual Arturo Schomburg Afro-Latino Symposium, Onani featured 16 international artists including Manuel Vega, Gloria Rodriguez, Julio Valdez, Yasmin Ines Hernandez, Samuel Lind, Diogenes Ballester, Jonas dos Santos and many others.  The exhibition focused on themes present in the works of contemporary Latin and Caribbean artists such as Santeria, African symbols, uses of African religious artifacts, use of color, etc and complemented the Arturo Schomburg symposium.  As part of the Onani project Taller hosted a residency by Brazilian print maker Goya Lopes at the Brandywine Workshop.  Ms. Lopes worked for two weeks at the Brandywine to develop two 100 limited edition prints.  As part of the Schomburg Symposium, Ms. Lopes hosted a fashion show presenting some of her fabric creations and designs.','Onani: The African Presence in Latin American and Caribbean Contemporary Visual Arts','','draft','closed','closed','','onani-the-african-presence-in-latin-american-and-caribbean-contemporary-visual-arts','','','2014-05-22 12:24:58','2014-05-22 16:24:58','',0,'http://tallerpr.org/?p=427',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (428,2,'2013-12-02 16:20:45','2013-12-02 21:20:45','<p style=\"text-align: center;\"><strong>January 22- March 5, 1999</strong></p>\r\nPresented in collaboration with the Third annual Arturo Schomburg Afro-Latino Symposium, Onani featured 16 international artists including Manuel Vega, Gloria Rodriguez, Julio Valdez, Yasmin Ines Hernandez, Samuel Lind, Diogenes Ballester, Jonas dos Santos and many others.  The exhibition focused on themes present in the works of contemporary Latin and Caribbean artists such as Santeria, African symbols, uses of African religious artifacts, use of color, etc and complemented the Arturo Schomburg symposium.  As part of the Onani project Taller hosted a residency by Brazilian print maker Goya Lopes at the Brandywine Workshop.  Ms. Lopes worked for two weeks at the Brandywine to develop two 100 limited edition prints.  As part of the Schomburg Symposium, Ms. Lopes hosted a fashion show presenting some of her fabric creations and designs.','Onani: The African Presence in Latin American and Caribbean Contemporary Visual Arts','','inherit','closed','open','','427-revision-v1','','','2013-12-02 16:20:45','2013-12-02 21:20:45','',427,'http://tallerpr.org/2013/12/02/427-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (429,2,'2013-12-02 16:23:40','2013-12-02 21:23:40','<p style=\"text-align: center;\"><strong>March 26-May 28, 1999</strong></p>\r\nFifty four artists and over 100 prints from Puerto Rico and Chicanos in the US made up this extensive traveling exhibit.  Curated by internationally recognized artist Antonio Martorell in Puerto Rico and by Pedro Rodriguez, Executive Director of the National Association of Latino Art Centers (NALAC) in the US, organized by the Guadalupe Cultural Center in San Antonio, Texas, and done locally in collaboration with the Brandywine Workshop.  The exhibit explored the importance of addressing the socio-political and aesthetic issues inherent in a work of art in a medium that is accessible to a large audience.\r\n\r\n&nbsp;','The Role of Paper: Affirmation and Identity','','draft','closed','closed','','the-role-of-paper-affirmation-and-identity','','','2014-05-22 12:24:58','2014-05-22 16:24:58','',0,'http://tallerpr.org/?p=429',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (430,2,'2013-12-02 16:23:40','2013-12-02 21:23:40','<p style=\"text-align: center;\"><strong>March 26-May 28, 1999</strong></p>\r\nFifty four artists and over 100 prints from Puerto Rico and Chicanos in the US made up this extensive traveling exhibit.  Curated by internationally recognized artist Antonio Martorell in Puerto Rico and by Pedro Rodriguez, Executive Director of the National Association of Latino Art Centers (NALAC) in the US, organized by the Guadalupe Cultural Center in San Antonio, Texas, and done locally in collaboration with the Brandywine Workshop.  The exhibit explored the importance of addressing the socio-political and aesthetic issues inherent in a work of art in a medium that is accessible to a large audience.\r\n\r\n&nbsp;','The Role of Paper: Affirmation and Identity','','inherit','closed','open','','429-revision-v1','','','2013-12-02 16:23:40','2013-12-02 21:23:40','',429,'http://tallerpr.org/2013/12/02/429-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (431,2,'2013-12-02 16:26:26','2013-12-02 21:26:26','<p style=\"text-align: center;\"><strong>June 18, 1999</strong></p>\r\nA collaboration with the Philadelphia Folklore Project and in conjunction with <i>Taller Puertorriqueño’s 13</i><i><sup>th</sup></i><i> Feria de Artesanías,</i> this exhibit brought together 5 folk artists displaying work as varied as vejigante masks, carnival customs, Puerto Rican cuatros and caribbean steel drums.  The exhibit was complimented by the masterful story telling in wood of Miguel Burgos.  The opening reception, part of the Mellon Jazz Festival, concluded with a Latin Jazz Concert with Elio Villafranca and Friends at Taller’s theater featuring the Cuban <i>tiple, </i>an instrument with significant similarities to the Puerto Rican <i>cuatro</i>. Miguel Burgos, sculptor and <i>santo</i> carver featured in the exhibit writes, “I’ve never been treated in the fashion the staff of “Taller” treat their artists.  I will now compare all future organizations that I’ll have dealings with you wonderful people.  You almost made me feel like a bride on her special day (almost).”','“Caribbean Folk Artists in Philadelphia” and Miguel Burgos: Sculptor and Santo Carver','','draft','closed','closed','','caribbean-folk-artists-in-philadelphia-and-miguel-burgos-sculptor-and-santo-carver','','','2014-05-22 12:24:58','2014-05-22 16:24:58','',0,'http://tallerpr.org/?p=431',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (432,2,'2013-12-02 16:26:26','2013-12-02 21:26:26','<p style=\"text-align: center;\"><strong>June 18, 1999</strong></p>\r\nA collaboration with the Philadelphia Folklore Project and in conjunction with <i>Taller Puertorriqueño’s 13</i><i><sup>th</sup></i><i> Feria de Artesanías,</i> this exhibit brought together 5 folk artists displaying work as varied as vejigante masks, carnival customs, Puerto Rican cuatros and caribbean steel drums.  The exhibit was complimented by the masterful story telling in wood of Miguel Burgos.  The opening reception, part of the Mellon Jazz Festival, concluded with a Latin Jazz Concert with Elio Villafranca and Friends at Taller’s theater featuring the Cuban <i>tiple, </i>an instrument with significant similarities to the Puerto Rican <i>cuatro</i>. Miguel Burgos, sculptor and <i>santo</i> carver featured','“Caribbean Folk Artists in Philadelphia” and Miguel Burgos: Sculptor and Santo Carver','','inherit','closed','open','','431-revision-v1','','','2013-12-02 16:26:26','2013-12-02 21:26:26','',431,'http://tallerpr.org/2013/12/02/431-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (434,2,'2013-12-02 16:32:07','2013-12-02 21:32:07','<p style=\"text-align: center;\"><strong>June 18, 1999</strong></p>\r\nA collaboration with the Philadelphia Folklore Project and in conjunction with <i>Taller Puertorriqueño’s 13</i><i><sup>th</sup></i><i> Feria de Artesanías,</i> this exhibit brought together 5 folk artists displaying work as varied as vejigante masks, carnival customs, Puerto Rican cuatros and caribbean steel drums.  The exhibit was complimented by the masterful story telling in wood of Miguel Burgos.  The opening reception, part of the Mellon Jazz Festival, concluded with a Latin Jazz Concert with Elio Villafranca and Friends at Taller’s theater featuring the Cuban <i>tiple, </i>an instrument with significant similarities to the Puerto Rican <i>cuatro</i>. Miguel Burgos, sculptor and <i>santo</i> carver featured in the exhibit writes, “I’ve never been treated in the fashion the staff of “Taller” treat their artists.  I will now compare all future organizations that I’ll have dealings with you wonderful people.  You almost made me feel like a bride on her special day (almost).”','“Caribbean Folk Artists in Philadelphia” and Miguel Burgos: Sculptor and Santo Carver','','inherit','closed','open','','431-revision-v1','','','2013-12-02 16:32:07','2013-12-02 21:32:07','',431,'http://tallerpr.org/2013/12/02/431-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (436,2,'2013-12-02 16:36:03','2013-12-02 21:36:03','<p style=\"text-align: center;\"><strong>August 27-October 1, 1999</strong></p>\r\nThis year’s themes <b>“Traveling through our artistic history: Puerto Ricans/Latinos approach the New Millennium” </b>for CAP and <b>“Celebrating Latino Artistry in the US”</b> for YAP, were the focus to create the art-work during the Summer Camps.  The exhibition, which included paintings, wood, ceramics, fabric works, silk screening, as well as experimental techniques in mixed media, brought together over 100 local artists, students and their families for a very special celebration of our youth’s creativity.','CAP and YAP Summer Arts Camps','','draft','closed','closed','','cap-and-yap-summer-arts-camps','','','2014-05-22 12:24:57','2014-05-22 16:24:57','',0,'http://tallerpr.org/?p=436',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (437,2,'2013-12-02 16:36:03','2013-12-02 21:36:03','<p style=\"text-align: center;\"><strong>August 27-October 1, 1999</strong></p>\r\nThis year’s themes <b>“Traveling through our artistic history: Puerto Ricans/Latinos approach the New Millennium” </b>for CAP and <b>“Celebrating Latino Artistry in the US”</b> for YAP, were the focus to create the art-work during the Summer Camps.  The exhibition, which included paintings, wood, ceramics, fabric works, silk screening, as well as experimental techniques in mixed media, brought together over 100 local artists, students and their families for a very special celebration of our youth’s creativity.','CAP and YAP Summer Arts Camps','','inherit','closed','open','','436-revision-v1','','','2013-12-02 16:36:03','2013-12-02 21:36:03','',436,'http://tallerpr.org/2013/12/02/436-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (438,2,'2013-12-02 16:39:46','2013-12-02 21:39:46','<p style=\"text-align: center;\"><strong>October 15, 1999-February 4<sup>th</sup>, 2000</strong></p>\r\nWorks by local, regional and world re-known artists that have visited our gallery or whose work has been exhibited in our walls were displayed. The featured artists, included Lorenzo Homar (for whom the Gallery has been renamed at a special ceremony on opening night), Myrna Báez, Doris-Nogueira Rogers, Ralfka Gonzalez, Nitza Tufiño, Isabel Vázquez and Samuel Lind, to name a few, represent a sample of the many artists Taller has show cased through out its history.  A beautiful catalogue was prepared to document the exhibit. It includes a historical piece by long term Taller collaborator Israel Colón (Izzy), and a piece by Dr. Susana Torruella-Leval, Director of Museo del Barrio in New York, on the artistic elements and value of the exhibit. Over 500 guests attended all the events around this exhibit which included a poetry reading and multi-media presentation by three local artists on February 4<sup>th</sup>','25Years/25Prints: 25TH Anniversary Commemorative Exhibit','','draft','closed','closed','','25years25prints-25th-anniversary-commemorative-exhibit','','','2014-05-22 12:24:57','2014-05-22 16:24:57','',0,'http://tallerpr.org/?p=438',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (439,2,'2013-12-02 16:39:46','2013-12-02 21:39:46','<p style=\"text-align: center;\">October 15, 1999-February 4<sup>th</sup>, 2000</p>\r\nWorks by local, regional and world re-known artists that have visited our gallery or whose work has been exhibited in our walls were displayed. The featured artists, included Lorenzo Homar (for whom the Gallery has been renamed at a special ceremony on opening night), Myrna Báez, Doris-Nogueira Rogers, Ralfka Gonzalez, Nitza Tufiño, Isabel Vázquez and Samuel Lind, to name a few, represent a sample of the many artists Taller has show cased through out its history.  A beautiful catalogue was prepared to document the exhibit. It includes a historical piece by long term Taller collaborator Israel Colón (Izzy), and a piece by Dr. Susana Torruella-Leval, Director of Museo del Barrio in New York, on the artistic elements and value of the exhibit. Over 500 guests attended all the events around this exhibit which included a poetry reading and multi-media presentation by three local artists on February 4<sup>th</sup>','25Years/25Prints: 25TH Anniversary Commemorative Exhibit','','inherit','closed','open','','438-revision-v1','','','2013-12-02 16:39:46','2013-12-02 21:39:46','',438,'http://tallerpr.org/2013/12/02/438-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (440,2,'2013-12-02 16:40:00','2013-12-02 21:40:00','<p style=\"text-align: center;\"><strong>October 15, 1999-February 4<sup>th</sup>, 2000</strong></p>\r\nWorks by local, regional and world re-known artists that have visited our gallery or whose work has been exhibited in our walls were displayed. The featured artists, included Lorenzo Homar (for whom the Gallery has been renamed at a special ceremony on opening night), Myrna Báez, Doris-Nogueira Rogers, Ralfka Gonzalez, Nitza Tufiño, Isabel Vázquez and Samuel Lind, to name a few, represent a sample of the many artists Taller has show cased through out its history.  A beautiful catalogue was prepared to document the exhibit. It includes a historical piece by long term Taller collaborator Israel Colón (Izzy), and a piece by Dr. Susana Torruella-Leval, Director of Museo del Barrio in New York, on the artistic elements and value of the exhibit. Over 500 guests attended all the events around this exhibit which included a poetry reading and multi-media presentation by three local artists on February 4<sup>th</sup>','25Years/25Prints: 25TH Anniversary Commemorative Exhibit','','inherit','closed','open','','438-revision-v1','','','2013-12-02 16:40:00','2013-12-02 21:40:00','',438,'http://tallerpr.org/2013/12/02/438-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (441,2,'2013-12-02 16:43:12','2013-12-02 21:43:12','<p style=\"text-align: center;\"><strong>March 3 – June 9, 2000</strong></p>\r\nAn international arts exchange between Havana and Philadelphia presented in collaboration with the project sponsor, the Brandywine Workshop, Center for the Visual Arts of Philadelphia.  This exhibit and related educational programming was developed in cooperation with the Cuban National Council of the Plastic Arts, <i>Taller de Gráfica Experimental, el Instituto Superior de las Artes </i>and the<i> Centro Wilfredo Lam.  </i>Other local collaborators include the Latin American Guild for the Arts, Artfront Partnership, the Philadelphia Museum of Art and University of the Arts.  This exhibition focuses on the large body of printmaking, photography and other works on paper that have been produced during the past 2 decades by artists still living on the island as well as artists living in the United States.  Over 2000 people have been exposed to the many activities complimenting this traveling exhibit.','Hidden Images: Part I (Contemporary Cuban Graphic Art)','','draft','closed','closed','','hidden-images-part-i-contemporary-cuban-graphic-art','','','2014-05-22 12:24:57','2014-05-22 16:24:57','',0,'http://tallerpr.org/?p=441',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (442,2,'2013-12-02 16:43:12','2013-12-02 21:43:12','<p style=\"text-align: center;\"><strong>March 3 – June 9, 2000</strong></p>\r\nAn international arts exchange between Havana and Philadelphia presented in collaboration with the project sponsor, the Brandywine Workshop, Center for the Visual Arts of Philadelphia.  This exhibit and related educational programming was developed in cooperation with the Cuban National Council of the Plastic Arts, <i>Taller de Gráfica Experimental, el Instituto Superior de las Artes </i>and the<i> Centro Wilfredo Lam.  </i>Other local collaborators include the Latin American Guild for the Arts, Artfront Partnership, the Philadelphia Museum of Art and University of the Arts.  This exhibition focuses on the large body of printmaking, photography and other works on paper that have been produced during the past 2 decades by artists still living on the island as well as artists living in the United States.  Over 2000 people have been exposed to the many activities complimenting this traveling exhibit.','Hidden Images: Part I (Contemporary Cuban Graphic Art)','','inherit','closed','open','','441-revision-v1','','','2013-12-02 16:43:12','2013-12-02 21:43:12','',441,'http://tallerpr.org/2013/12/02/441-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (443,2,'2013-12-02 16:46:04','2013-12-02 21:46:04','<p style=\"text-align: center;\"><strong>July 10-September 29, 2000</strong></p>\r\nA popular show featuring contemporary doll makers from Puerto Rico as well as a special selection of dolls from around the world, with an emphasis on Puerto Rico and Latin America.  This show was extended because of its great popularity.  Puerto Rican artists highlighted in the show, included Philadelphia’s own Iris Brown, and from Puerto Rico Iris de Jesús, María Celeste Solís and Eva Curbelo.','Dolls/Muñecas','','draft','closed','closed','','dollsmunecas','','','2014-05-22 12:24:57','2014-05-22 16:24:57','',0,'http://tallerpr.org/?p=443',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (444,2,'2013-12-02 16:46:04','2013-12-02 21:46:04','<p style=\"text-align: center;\"><strong>July 10-September 29, 2000</strong></p>\r\nA popular show featuring contemporary doll makers from Puerto Rico as well as a special selection of dolls from around the world, with an emphasis on Puerto Rico and Latin America.  This show was extended because of its great popularity.  Puerto Rican artists highlighted in the show, included Philadelphia’s own Iris Brown, and from Puerto Rico Iris de Jesús, María Celeste Solís and Eva Curbelo.','Dolls/Muñecas','','inherit','closed','open','','443-revision-v1','','','2013-12-02 16:46:04','2013-12-02 21:46:04','',443,'http://tallerpr.org/2013/12/02/443-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (445,2,'2013-12-02 16:49:42','2013-12-02 21:49:42','<p style=\"text-align: center;\"><strong>October 20-Decemer 1, 2000</strong></p>\r\nThe show featured work of four Latino artists in Philadelphia and one who recently moved to New York.  These were Francisco Sandoval (ceramist), Alicia Campos Massó (Painter), Patricia Zarate (painter/multi-media), and Janette Rodriguez (ceramist).  The show worked as a composite multi-media presentation allowing the artists to integrate their intimate works in an innovative creative manner. Alicia Campos Massó presented a series of works in oil; Francisco Sandoval and Janette Rodríguez presented three-dimensional ceramic work while Patricia Zarate’s minimalist urban-based paintings explored her current reality working in Brooklyn, NY.\r\n\r\n&nbsp;','100 + 1 miles radius','','draft','closed','closed','','100-1-miles-radius','','','2014-05-22 12:24:57','2014-05-22 16:24:57','',0,'http://tallerpr.org/?p=445',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (446,2,'2013-12-02 16:49:42','2013-12-02 21:49:42','<p style=\"text-align: center;\"><strong>October 20-Decemer 1, 2000</strong></p>\r\nThe show featured work of four Latino artists in Philadelphia and one who recently moved to New York.  These were Francisco Sandoval (ceramist), Alicia Campos Massó (Painter), Patricia Zarate (painter/multi-media), and Janette Rodriguez (ceramist).  The show worked as a composite multi-media presentation allowing the artists to integrate their intimate works in an innovative creative manner. Alicia Campos Massó presented a series of works in oil; Francisco Sandoval and Janette Rodríguez presented three-dimensional ceramic work while Patricia Zarate’s minimalist urban-based paintings explored her current reality working in Brooklyn, NY.\r\n\r\n&nbsp;','100 + 1 miles radius','','inherit','closed','open','','445-revision-v1','','','2013-12-02 16:49:42','2013-12-02 21:49:42','',445,'http://tallerpr.org/2013/12/02/445-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (447,2,'2013-12-02 16:52:37','2013-12-02 21:52:37','<p style=\"text-align: center;\"><strong>December 16, 2000-February 18, 2001</strong></p>\r\nExplored this urban musical phenomenon that has overcome class, race and regional boundaries all over the world.  From the enclaves of Puerto Rico, Cuba, the Caribbean and New York, Salsa is now a form that is sought in countries as diverse as Germany and Japan.  The exhibit was based on the New York City experience and treated the subject from a historical perspective incorporating photography, flyers, posters, documentary footage material and memorabiliaC','Salsa!!! – An Exhibit and Dance','','draft','closed','closed','','salsa-an-exhibit-and-dance','','','2014-05-22 12:24:57','2014-05-22 16:24:57','',0,'http://tallerpr.org/?p=447',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (448,2,'2013-12-02 16:52:37','2013-12-02 21:52:37','<p style=\"text-align: center;\"><strong>December 16, 2000-February 18, 2001</strong></p>\r\nExplored this urban musical phenomenon that has overcome class, race and regional boundaries all over the world.  From the enclaves of Puerto Rico, Cuba, the Caribbean and New York, Salsa is now a form that is sought in countries as diverse as Germany and Japan.  The exhibit was based on the New York City experience and treated the subject from a historical perspective incorporating photography, flyers, posters, documentary footage material and memorabiliaC','Salsa!!! – An Exhibit and Dance','','inherit','closed','open','','447-revision-v1','','','2013-12-02 16:52:37','2013-12-02 21:52:37','',447,'http://tallerpr.org/2013/12/02/447-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (449,2,'2013-12-02 16:56:11','2013-12-02 21:56:11','<p style=\"text-align: center;\"><strong>March 9 – May 14, 2001</strong></p>\r\nHighlighted the artist’s work in Puerto Rico concentrating on Caribbean and environmental themes. Betsy Padín’s style has been described as a singular painting filled with poetry and drama.  Her canvas is filled with the mystery of human journey and an imagery that evokes emptiness, love, death, hope, war and innocence.  A two-week residency with YAP participants and 2 workshops at the Nueva Esperanza High School Charter School were part of this program.','Portal Between Two Centuries ','','draft','closed','closed','','portal-between-two-centuries','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=449',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (450,2,'2013-12-02 16:56:11','2013-12-02 21:56:11','<p style=\"text-align: center;\"><strong>March 9 – May 14, 2001</strong></p>\r\nHighlighted the artist’s work in Puerto Rico concentrating on Caribbean and environmental themes. Betsy Padín’s style has been described as a singular painting filled with poetry and drama.  Her canvas is filled with the mystery of human journey and an imagery that evokes emptiness, love, death, hope, war and innocence.  A two-week residency with YAP participants and 2 workshops at the Nueva Esperanza High School Charter School were part of this program.','Portal Between Two Centuries ','','inherit','closed','open','','449-revision-v1','','','2013-12-02 16:56:11','2013-12-02 21:56:11','',449,'http://tallerpr.org/2013/12/02/449-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (451,2,'2013-12-02 16:58:22','2013-12-02 21:58:22','<p style=\"text-align: center;\"><strong>June 8 – August 10, 2001</strong></p>\r\nA photographic exhibition with four components:\r\n\r\n<b>“Foto Maratón” </b>100 selected photos from this project<b> </b>where young photographers and artists captured images of life in San Juan in June of 1999.\r\n\r\n<b>San Juan’s Youth </b>Digital photography by artist Enrique Márquez, “Lipio”, documents the dynamic activities of youth in this Caribbean Island with skaters, surfers and the disco scene.  This colorful imagery shows all the brightness of the island’s light as well as the vibrancy and energy of youth.\r\n\r\n<b>“Catanzaro Vieques 1942” </b>This exhibit captures the Puerto Rican island of Vieques in 1942 using films from the Historical Archives of Vieques.\r\n\r\n<b>“Jack Delano – Photographic Memories” </b>A 1941 series the result of a three month assignment in Puerto Rico, part of Roy Stryker’s Historical Section of the Farm Security Administration.\r\n\r\nThis exhibition was a treasure of beautiful images of loved and magical places in the island of Puerto Rico as well as a historical trajectory and a documentary of life and celebration and of struggle and activism.  It is a composite of photos spanning sixty years, multiple styles and artistic visions, revealing some of the political and historical complexities of the island today.  We dedicated this exhibition to the struggles of the people of Vieques, who over this same sixty years have experienced the difficult reality of having a bomb range in their own backyard.  We joined the many voices that ask for the cessation of military practices and for the return of peace and tranquility\r\n\r\n&nbsp;','Puerto Rico Through the Lens – A Photographic Essay','','draft','closed','closed','','puerto-rico-through-the-lens-a-photographic-essay','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=451',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (452,2,'2013-12-02 16:58:22','2013-12-02 21:58:22','<p style=\"text-align: center;\"><strong>June 8 – August 10, 2001</strong></p>\r\nA photographic exhibition with four components:\r\n\r\n<b>“Foto Maratón” </b>100 selected photos from this project<b> </b>where young photographers and artists captured images of life in San Juan in June of 1999.\r\n\r\n<b>San Juan’s Youth </b>Digital photography by artist Enrique Márquez, “Lipio”, documents the dynamic activities of youth in this Caribbean Island with skaters, surfers and the disco scene.  This colorful imagery shows all the brightness of the island’s light as well as the vibrancy and energy of youth.\r\n\r\n<b>“Catanzaro Vieques 1942” </b>This exhibit captures the Puerto Rican island of Vieques in 1942 using films from the Historical Archives of Vieques.\r\n\r\n<b>“Jack Delano – Photographic Memories” </b>A 1941 series the result of a three month assignment in Puerto Rico, part of Roy Stryker’s Historical Section of the Farm Security Administration.\r\n\r\n&nbsp;','Puerto Rico Through the Lens – A Photographic Essay','','inherit','closed','open','','451-revision-v1','','','2013-12-02 16:58:22','2013-12-02 21:58:22','',451,'http://tallerpr.org/2013/12/02/451-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (454,2,'2013-12-02 17:00:34','2013-12-02 22:00:34','<p style=\"text-align: center;\"><strong>June 8 – August 10, 2001</strong></p>\r\nA photographic exhibition with four components:\r\n\r\n<b>“Foto Maratón” </b>100 selected photos from this project<b> </b>where young photographers and artists captured images of life in San Juan in June of 1999.\r\n\r\n<b>San Juan’s Youth </b>Digital photography by artist Enrique Márquez, “Lipio”, documents the dynamic activities of youth in this Caribbean Island with skaters, surfers and the disco scene.  This colorful imagery shows all the brightness of the island’s light as well as the vibrancy and energy of youth.\r\n\r\n<b>“Catanzaro Vieques 1942” </b>This exhibit captures the Puerto Rican island of Vieques in 1942 using films from the Historical Archives of Vieques.\r\n\r\n<b>“Jack Delano – Photographic Memories” </b>A 1941 series the result of a three month assignment in Puerto Rico, part of Roy Stryker’s Historical Section of the Farm Security Administration.\r\n\r\nThis exhibition was a treasure of beautiful images of loved and magical places in the island of Puerto Rico as well as a historical trajectory and a documentary of life and celebration and of struggle and activism.  It is a composite of photos spanning sixty years, multiple styles and artistic visions, revealing some of the political and historical complexities of the island today.  We dedicated this exhibition to the struggles of the people of Vieques, who over this same sixty years have experienced the difficult reality of having a bomb range in their own backyard.  We joined the many voices that ask for the cessation of military practices and for the return of peace and tranquility\r\n\r\n&nbsp;','Puerto Rico Through the Lens – A Photographic Essay','','inherit','closed','open','','451-revision-v1','','','2013-12-02 17:00:34','2013-12-02 22:00:34','',451,'http://tallerpr.org/2013/12/02/451-revision-v1/',0,'revision','',0);

INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (458,2,'2013-12-02 17:21:46','2013-12-02 22:21:46','<p style=\"text-align: center;\"><strong>July 21-August 31, 2000</strong></p>\r\nThe Philadelphia Inquirer and Daily News Building Gallery presented 25 Years/25 Prints, Taller’s 25 year Anniversary Commemorative Exhibition. Works by local, regional and world re-known artists that have visited our gallery or whose work has been exhibited in our walls were displayed. The featured artists, included Lorenzo Homar (for whom the Gallery has been renamed at a special ceremony on opening night), Myrna Báez, Doris-Nogueira Rogers, Ralfka Gonzalez, Nitza Tufiño, Isabel Vázquez and Samuel Lind, to name a few, represent a sample of the many artists Taller has show cased through out its history.\r\n\r\nPortions of this show were also exhibited at the Upper Darby Performance Art Center, and at St. Christopher’s Hospital for Children.\r\n\r\n*<strong>T</strong><b>raveling Exhibitions: </b>As an expansion of the Visual Arts Program, Taller presents several off-site exhibitions each year.','25 Years of Puerto Rican Culture ','','draft','closed','closed','','25-years-of-puerto-rican-culture','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=458',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (459,2,'2013-12-02 17:21:46','2013-12-02 22:21:46','<p style=\"text-align: center;\"><strong>July 21-August 31, 2000</strong></p>\r\nThe Philadelphia Inquirer and Daily News Building Gallery presented 25 Years/25 Prints, Taller’s 25 year Anniversary Commemorative Exhibition. Works by local, regional and world re-known artists that have visited our gallery or whose work has been exhibited in our walls were displayed. The featured artists, included Lorenzo Homar (for whom the Gallery has been renamed at a special ceremony on opening night), Myrna Báez, Doris-Nogueira Rogers, Ralfka Gonzalez, Nitza Tufiño, Isabel Vázquez and Samuel Lind, to name a few, represent a sample of the many artists Taller has show cased through out its history.\r\n\r\nPortions of this show were also exhibited at the Upper Darby Performance Art Center, and at St. Christopher’s Hospital for Children.\r\n\r\n*<strong>T</strong><b>raveling Exhibitions: </b>As an expansion of the Visual Arts Program, Taller presents several off-site exhibitions each year.','25 Years of Puerto Rican Culture ','','inherit','closed','open','','458-revision-v1','','','2013-12-02 17:21:46','2013-12-02 22:21:46','',458,'http://tallerpr.org/2013/12/02/458-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (460,2,'2013-12-02 17:25:37','2013-12-02 22:25:37','<p style=\"text-align: center;\"><strong>October 5-November 20, 2000</strong></p>\r\nThe Cultural Awareness and Youth Artist Programs summer and year production highlights the work of the program participants and then is exhibited in the museum’s Department of Education Exhibition Space.  Samples of the children and youth work have also been exhibited at the McDonald’s offices in Center City Philadelphia.\r\n\r\n&nbsp;','Taller’s Youth Create Art ','','draft','closed','closed','','tallers-youth-create-art','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=460',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (461,2,'2013-12-02 17:25:37','2013-12-02 22:25:37','<p style=\"text-align: center;\"><strong>October 5-November 20, 2000</strong></p>\r\nThe Cultural Awareness and Youth Artist Programs summer and year production highlights the work of the program participants and then is exhibited in the museum’s Department of Education Exhibition Space.  Samples of the children and youth work have also been exhibited at the McDonald’s offices in Center City Philadelphia.\r\n\r\n&nbsp;','Taller’s Youth Create Art ','','inherit','closed','open','','460-revision-v1','','','2013-12-02 17:25:37','2013-12-02 22:25:37','',460,'http://tallerpr.org/2013/12/02/460-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (462,2,'2013-12-02 17:28:48','2013-12-02 22:28:48','<p style=\"text-align: center;\"><strong>December 14, 2001-February 25, 2002</strong></p>\r\nAn exchange exhibit with Taller’s <b>25 Years/ 25 Prints 25th Anniversary Commemorative Exhibit</b>.  Taller Boricua’s exhibit has created a reflection of art and activism on a global and community level, a collaboration between artists and poets, created an intriguing and provocative portfolio of cyber-art and new decade poetry.\r\n\r\n&nbsp;','Taller Boricua’s 30th Anniversary Commemorative Exhibition','','draft','closed','closed','','taller-boricuas-30th-anniversary-commemorative-exhibition','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=462',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (463,2,'2013-12-02 17:28:48','2013-12-02 22:28:48','<p style=\"text-align: center;\"><strong>December 14, 2001-February 25, 2002</strong></p>\r\nAn exchange exhibit with Taller’s <b>25 Years/ 25 Prints 25th Anniversary Commemorative Exhibit</b>.  Taller Boricua’s exhibit has created a reflection of art and activism on a global and community level, a collaboration between artists and poets, created an intriguing and provocative portfolio of cyber-art and new decade poetry.\r\n\r\n&nbsp;','Taller Boricua’s 30th Anniversary Commemorative Exhibition','','inherit','closed','open','','462-revision-v1','','','2013-12-02 17:28:48','2013-12-02 22:28:48','',462,'http://tallerpr.org/2013/12/02/462-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (464,2,'2013-12-02 17:30:57','2013-12-02 22:30:57','<p style=\"text-align: center;\"><strong>May 17, 2002-July 26, 2002</strong></p>\r\nWinner of the 1999 International Art Critics Association Award for Best exhibition and Best Print, this exhibit presented an impressive selection of prints that display the creative talent and technical prowess of this Puerto Rico based printmaker.\r\n\r\n&nbsp;','Orlando Salgado – Xilografías/Woodcuts','','draft','closed','closed','','orlando-salgado-xilografiaswoodcuts','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=464',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (465,2,'2013-12-02 17:30:57','2013-12-02 22:30:57','<p style=\"text-align: center;\"><strong>May 17, 2002-July 26, 2002</strong></p>\r\nWinner of the 1999 International Art Critics Association Award for Best exhibition and Best Print, this exhibit presented an impressive selection of prints that display the creative talent and technical prowess of this Puerto Rico based printmaker.\r\n\r\n&nbsp;','Orlando Salgado – Xilografías/Woodcuts','','inherit','closed','open','','464-revision-v1','','','2013-12-02 17:30:57','2013-12-02 22:30:57','',464,'http://tallerpr.org/2013/12/02/464-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (466,2,'2013-12-02 17:35:53','2013-12-02 22:35:53','<p style=\"text-align: center;\"><strong>August 23 – September 27, 2002</strong></p>\r\nThe exhibition highlighted this year’s visual arts production in all our after school on-site programs.  The participants have the opportunity to see selections of the best of their year’s work in a professional exhibition setting.  This year’s samples included ceramics, linoleum cuts, drawing, paintings and tiles.  The exhibit had the opportunity to travel to the Philadelphia Museum of Art Division of Education Gallery<b> </b>(October<b> 7</b>-November 16, 2002).','Children and Youth Create Art (2002)','','draft','closed','closed','','children-and-youth-create-art-2002','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=466',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (467,2,'2013-12-02 17:35:53','2013-12-02 22:35:53','<p style=\"text-align: center;\"><strong>August 23 – September 27, 2002</strong></p>\r\nThe exhibition highlighted this year’s visual arts production in all our after school on-site programs.  The participants have the opportunity to see selections of the best of their year’s work in a professional exhibition setting.  This year’s samples included ceramics, linoleum cuts, drawing, paintings and tiles.  The exhibit had the opportunity to travel to the Philadelphia Museum of Art Division of Education Gallery<b> </b>(October<b> 7</b>-November 16, 2002).','Children and Youth Create Art (2002)','','inherit','closed','open','','466-revision-v1','','','2013-12-02 17:35:53','2013-12-02 22:35:53','',466,'http://tallerpr.org/2013/12/02/466-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (468,2,'2013-12-02 17:39:29','2013-12-02 22:39:29','<p style=\"text-align: center;\"><b>Re-interpreting Puerto Rican Traditions</b></p>\r\n<p style=\"text-align: center;\"><b>October 11, 2002 – January 12, 2003</b></p>\r\nLillian<b> </b>Méndez-Marzinek and Reinaldo Rodríguez challenge the views of traditional crafts preserving the old by moving old traditions into a fresh and enriching contemporary aesthetic.\r\n<p style=\"text-align: center;\"></p>','Pushing Traditions into New Imageries','','draft','closed','closed','','pushing-traditions-into-new-imageries','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=468',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (469,2,'2013-12-02 17:39:29','2013-12-02 22:39:29','<p style=\"text-align: center;\"><b>Re-interpreting Puerto Rican Traditions</b></p>\r\n<p style=\"text-align: center;\"><b>October 11, 2002 – January 12, 2003</b></p>\r\nLillian<b> </b>Méndez-Marzinek and Reinaldo Rodríguez challenge the views of traditional crafts preserving the old by moving old traditions into a fresh and enriching contemporary aesthetic.\r\n<p style=\"text-align: center;\"></p>','Pushing Traditions into New Imageries','','inherit','closed','open','','468-revision-v1','','','2013-12-02 17:39:29','2013-12-02 22:39:29','',468,'http://tallerpr.org/2013/12/02/468-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (470,2,'2013-12-02 17:42:37','2013-12-02 22:42:37','<p style=\"text-align: center;\"><strong>January 31- March 29, 2003</strong></p>\r\nThis exhibition included an impressive sample of the range of 34 Visual Latino artists who have collaborated with Taller throughout it’s history and who still reside in the area.  The exhibit included photography, paintings, sculpture, ceramics, multi-media, works on paper, works on fabric and more.  Each artist was asked to write a statement of what Taller meant to him or her.  Artist Pepón Osorio, recipient of a Mac-Arthur award has included a conversation with a community resident in video format.','Taller’s 28th Anniversary Invitational Commemorative Exhibition','','draft','closed','closed','','tallers-28th-anniversary-invitational-commemorative-exhibition','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=470',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (471,2,'2013-12-02 17:42:37','2013-12-02 22:42:37','<p style=\"text-align: center;\"><strong>January 31- March 29, 2003</strong></p>\r\nThis exhibition included an impressive sample of the range of 34 Visual Latino artists who have collaborated with Taller throughout it’s history and who still reside in the area.  The exhibit included photography, paintings, sculpture, ceramics, multi-media, works on paper, works on fabric and more.  Each artist was asked to write a statement of what Taller meant to him or her.  Artist Pepón Osorio, recipient of a Mac-Arthur award has included a conversation with a community resident in video format.','Taller’s 28th Anniversary Invitational Commemorative Exhibition','','inherit','closed','open','','470-revision-v1','','','2013-12-02 17:42:37','2013-12-02 22:42:37','',470,'http://tallerpr.org/2013/12/02/470-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (472,2,'2013-12-02 17:45:52','2013-12-02 22:45:52','<p style=\"text-align: center;\"><strong>April 21 –July 19, 2003</strong></p>\r\nHéctor Méndez Caratini is one of Puerto Rico’s premier photographers.  His work is included in some of the most important photography collections in the world.  His present work focuses on the documentation of the African Presence in the Americas.','Héctor Méndez Caratini’s, An Ethno-Photographic Documentary','','draft','closed','closed','','hector-mendez-caratinis-an-ethno-photographic-documentary','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=472',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (473,2,'2013-12-02 17:45:52','2013-12-02 22:45:52','<p style=\"text-align: center;\"><strong>April 21 –July 19, 2003</strong></p>\r\nHéctor Méndez Caratini is one of Puerto Rico’s premier photographers.  His work is included in some of the most important photography collections in the world.  His present work focuses on the documentation of the African Presence in the Americas.','Héctor Méndez Caratini’s, An Ethno-Photographic Documentary','','inherit','closed','open','','472-revision-v1','','','2013-12-02 17:45:52','2013-12-02 22:45:52','',472,'http://tallerpr.org/2013/12/02/472-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (474,2,'2013-12-02 17:48:40','2013-12-02 22:48:40','A collaboration between Taller Puertorriqueño and the Philadelphia Art Alliance was a two-part, indoor and outdoor, exhibition of newly commissioned installations by artists to rethink the “sanctuary” concept in a non-religious context.  Each artist worked directly with a community to recreate dangerous, neglected urban space into safe, cared-for \"sanctuaries\".  Installations based on these proposals were included in a concurrent exhibition at the Philadelphia Art Alliance. Public Opening Reception at the Philadelphia Art Alliance: <b>Thursday, May 15, 2003 5:30 to 7:30 p.m. Public Opening Reception for the Outdoor Sites: Saturday, May 31, 2003 2 to 4</b>\r\n\r\nArtists and site addresses:\r\n\r\nPepón Osorio with Iris Brown; lot location: 2200 block of N. Palethorpe Street between Dauphin &amp; York Streets, Doris Nogueira-Rogers; lot location: N. 5<sup>th</sup> St., between Dauphin and Susquehanna Streets and Jonas dos Santos, lot location: N. 4<sup>th</sup> St., between Thompson and Master Streets.','Urban Sanctuaries','','draft','closed','closed','','urban-sanctuaries','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=474',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (475,2,'2013-12-02 17:48:40','2013-12-02 22:48:40','A collaboration between Taller Puertorriqueño and the Philadelphia Art Alliance was a two-part, indoor and outdoor, exhibition of newly commissioned installations by artists to rethink the “sanctuary” concept in a non-religious context.  Each artist worked directly with a community to recreate dangerous, neglected urban space into safe, cared-for \"sanctuaries\".  Installations based on these proposals were included in a concurrent exhibition at the Philadelphia Art Alliance. Public Opening Reception at the Philadelphia Art Alliance: <b>Thursday, May 15, 2003 5:30 to 7:30 p.m. Public Opening Reception for the Outdoor Sites: Saturday, May 31, 2003 2 to 4</b>','Urban Sanctuaries','','inherit','closed','open','','474-revision-v1','','','2013-12-02 17:48:40','2013-12-02 22:48:40','',474,'http://tallerpr.org/2013/12/02/474-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (476,2,'2013-12-02 17:49:45','2013-12-02 22:49:45','A collaboration between Taller Puertorriqueño and the Philadelphia Art Alliance was a two-part, indoor and outdoor, exhibition of newly commissioned installations by artists to rethink the “sanctuary” concept in a non-religious context.  Each artist worked directly with a community to recreate dangerous, neglected urban space into safe, cared-for \"sanctuaries\".  Installations based on these proposals were included in a concurrent exhibition at the Philadelphia Art Alliance. Public Opening Reception at the Philadelphia Art Alliance: <b>Thursday, May 15, 2003 5:30 to 7:30 p.m. Public Opening Reception for the Outdoor Sites: Saturday, May 31, 2003 2 to 4</b>\n\nArtists and site addresses:\n\nPepón Osorio with Iris Brown; lot location: 2200 block of N. Palethorpe Street between Dauphin &amp; York Streets, Doris Nogueira-Rogers; lot location: N. 5<sup>th</sup> St., between Dauphin and Susquehanna Streets and Jonas dos Santos, lot location: N. 4<sup>th</sup> St., between Thompson and Master Streets.','Urban Sanctuaries','','inherit','closed','open','','474-autosave-v1','','','2013-12-02 17:49:45','2013-12-02 22:49:45','',474,'http://tallerpr.org/2013/12/02/474-autosave-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (477,2,'2013-12-02 17:50:05','2013-12-02 22:50:05','A collaboration between Taller Puertorriqueño and the Philadelphia Art Alliance was a two-part, indoor and outdoor, exhibition of newly commissioned installations by artists to rethink the “sanctuary” concept in a non-religious context.  Each artist worked directly with a community to recreate dangerous, neglected urban space into safe, cared-for \"sanctuaries\".  Installations based on these proposals were included in a concurrent exhibition at the Philadelphia Art Alliance. Public Opening Reception at the Philadelphia Art Alliance: <b>Thursday, May 15, 2003 5:30 to 7:30 p.m. Public Opening Reception for the Outdoor Sites: Saturday, May 31, 2003 2 to 4</b>\r\n\r\nArtists and site addresses:\r\n\r\nPepón Osorio with Iris Brown; lot location: 2200 block of N. Palethorpe Street between Dauphin &amp; York Streets, Doris Nogueira-Rogers; lot location: N. 5<sup>th</sup> St., between Dauphin and Susquehanna Streets and Jonas dos Santos, lot location: N. 4<sup>th</sup> St., between Thompson and Master Streets.','Urban Sanctuaries','','inherit','closed','open','','474-revision-v1','','','2013-12-02 17:50:05','2013-12-02 22:50:05','',474,'http://tallerpr.org/2013/12/02/474-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (478,2,'2013-12-02 17:55:00','2013-12-02 22:55:00','<p style=\"text-align: center;\"><strong>March 5-July 10, 2004</strong></p>\r\nIn “Coconautas” Adal is critical of the practice of history revisionism and encourages self-empowerment through the process of documenting one’s own historical experience.  The exhibition was a two-component multi-media photography exhibition.  In Blue Prints Adal expresses his personal and artistic position and resistance to the attempt to assimilate or undermine the Puerto Rican culture and intellect. Adal’s work is intensely original, deeply personal, politically poignant and ironic in its tone.  Roberta Fallon, art critic for the Philadelphia Weekly, reviewed the show.','Coconautas in Space/Blue Prints for a Nation','','draft','closed','closed','','coconautas-in-spaceblue-prints-for-a-nation','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=478',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (479,2,'2013-12-02 17:55:00','2013-12-02 22:55:00','<p style=\"text-align: center;\"><strong>March 5-July 10, 2004</strong></p>\r\nIn “Coconautas” Adal is critical of the practice of history revisionism and encourages self-empowerment through the process of documenting one’s own historical experience.  The exhibition was a two-component multi-media photography exhibition.  In Blue Prints Adal expresses his personal and artistic position and resistance to the attempt to assimilate or undermine the Puerto Rican culture and intellect. Adal’s work is intensely original, deeply personal, politically poignant and ironic in its tone.  Roberta Fallon, art critic for the Philadelphia Weekly, reviewed the show.','Coconautas in Space/Blue Prints for a Nation','','inherit','closed','open','','478-revision-v1','','','2013-12-02 17:55:00','2013-12-02 22:55:00','',478,'http://tallerpr.org/2013/12/02/478-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (480,2,'2013-12-02 17:57:27','2013-12-02 22:57:27','<p style=\"text-align: center;\"><b>October 24, 2003-February 14, 2004</b></p>\r\nThis exhibit is a component of the Latinos in Philadelphia Project a research and education undertaking of the Pennsylvania Historical Society with the Balch Institute for Ethnic Studies aimed at exploring and educating about the changing diversity and reality of Latinos in Philadelphia.','Latino Philadelphia: Our Journeys, Our Communities','','draft','closed','closed','','latino-philadelphia-our-journeys-our-communities','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=480',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (481,2,'2013-12-02 17:57:27','2013-12-02 22:57:27','<p style=\"text-align: center;\"><b>October 24, 2003-February 14, 2004</b></p>\r\nThis exhibit is a component of the Latinos in Philadelphia Project a research and education undertaking of the Pennsylvania Historical Society with the Balch Institute for Ethnic Studies aimed at exploring and educating about the changing diversity and reality of Latinos in Philadelphia.','Latino Philadelphia: Our Journeys, Our Communities','','inherit','closed','open','','480-revision-v1','','','2013-12-02 17:57:27','2013-12-02 22:57:27','',480,'http://tallerpr.org/2013/12/02/480-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (482,2,'2013-12-02 17:59:18','2013-12-02 22:59:18','<p style=\"text-align: center;\"><strong>July 30-October 9, 2004</strong></p>\r\nAn exhibit done in collaboration with Coronado Studio, Austin, Texas and Self- Help Graphics, East Los Angeles, California.  The show brought prints from the Coronado and Self-Help collections and included additional art by four Chicano artists living in Philadelphia.\r\n\r\n&nbsp;','Visions from Post Modern Aztlan','','draft','closed','closed','','visions-from-post-modern-aztlan','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=482',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (483,2,'2013-12-02 17:59:18','2013-12-02 22:59:18','<p style=\"text-align: center;\"><strong>July 30-October 9, 2004</strong></p>\r\nAn exhibit done in collaboration with Coronado Studio, Austin, Texas and Self- Help Graphics, East Los Angeles, California.  The show brought prints from the Coronado and Self-Help collections and included additional art by four Chicano artists living in Philadelphia.\r\n\r\n&nbsp;','Visions from Post Modern Aztlan','','inherit','closed','open','','482-revision-v1','','','2013-12-02 17:59:18','2013-12-02 22:59:18','',482,'http://tallerpr.org/2013/12/02/482-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (484,2,'2013-12-02 18:10:23','2013-12-02 23:10:23','<p style=\"text-align: center;\"><b>August 13–September 24, 2004</b></p>\r\nHighlights of the children and youth’s work from last year’s after school programs and summer camp.  This year the show was mounted at the Education Building.  The exhibit traveled to the Philadelphia Museum of Art Division of Education Gallery in October.\r\n\r\n&nbsp;','Children and Youth Create Art (2004)','','draft','closed','closed','','children-and-youth-create-art-2004','','','2014-05-22 12:24:30','2014-05-22 16:24:30','',0,'http://tallerpr.org/?p=484',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (485,2,'2013-12-02 18:10:23','2013-12-02 23:10:23','<p style=\"text-align: center;\"><b>August 13–September 24, 2004</b></p>\r\nHighlights of the children and youth’s work from last year’s after school programs and summer camp.  This year the show was mounted at the Education Building.  The exhibit traveled to the Philadelphia Museum of Art Division of Education Gallery in October.\r\n\r\n&nbsp;','Children and Youth Create Art (2004)','','inherit','closed','open','','484-revision-v1','','','2013-12-02 18:10:23','2013-12-02 23:10:23','',484,'http://tallerpr.org/2013/12/02/484-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (486,2,'2013-12-02 18:20:36','2013-12-02 23:20:36','<p style=\"text-align: center;\"><strong>December 10, 2004-April 23, 2005</strong></p>\r\n<p style=\"text-align: center;\"><strong></strong><span style=\"text-decoration: underline;\">Celebrating Taller’s 30 year Anniversary</span></p>\r\nThis exhibit brought to Philadelphia a comprehensive interpretation of unprecedented works of art from the Taínos, the dominant culture in the Caribbean before the arrival of Columbus.  The influence of this Native American group continues to inspire art forms, stories, and world-views both for Caribbean people and for artists and audiences worldwide.  The Taínos artistic legacy provides a context for present day Puerto Rican and Caribbean artistic expression. <i>Isla del Burén</i> was made up of a selection of approximately <b>100 archaeological pieces</b>, including significant loans from the Museo de Historia Antropología y Arte of the University of Puerto Rico (UPR); the Museo de Arte de Ponce (MAP), Ponce, Puerto Rico; and the University of Pennsylvania Museum of Archaeology and Anthropology (UPM) in Philadelphia.  In addition to Anabelle Rodríguez, Taller’s Gallery Curator, the installation was coordinated by Guest Curator, Dicey Taylor, Ph.D., who previously curated Taíno exhibitions in 1997 and 2000 at El Museo del Barrio (EMB) in New York City.  This exhibit attracted accolades from the many people that came to see it as well as from the press, getting coverage in the Philadelphia Inquirer and ABC Channel 6.  Two educational event programs included a Taíno Family Day with workshops and gallery tours for children and families on March 19 and an expert panel discussion on April 23, 2005 that served as closure to the exhibition.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Island of the Burén: The Taínos and their predecessors in Puerto Rico','','draft','closed','closed','','island-of-the-buren-the-tainos-and-their-predecessors-in-puerto-rico','','','2014-05-22 12:24:29','2014-05-22 16:24:29','',0,'http://tallerpr.org/?p=486',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (487,2,'2013-12-02 18:20:36','2013-12-02 23:20:36','<p style=\"text-align: center;\"><strong>December 10, 2004-April 23, 2005</strong></p>\r\n<p style=\"text-align: center;\"><strong></strong><span style=\"text-decoration: underline;\">Celebrating Taller’s 30 year Anniversary</span></p>\r\nThis exhibit brought to Philadelphia a comprehensive interpretation of unprecedented works of art from the Taínos, the dominant culture in the Caribbean before the arrival of Columbus.  The influence of this Native American group continues to inspire art forms, stories, and world-views both for Caribbean people and for artists and audiences worldwide.  The Taínos artistic legacy provides a context for present day Puerto Rican and Caribbean artistic expression. <i>Isla del Burén</i> was made up of a selection of approximately <b>100 archaeological pieces</b>, including significant loans from the Museo de Historia Antropología y Arte of the University of Puerto Rico (UPR); the Museo de Arte de Ponce (MAP), Ponce, Puerto Rico; and the University of Pennsylvania Museum of Archaeology and Anthropology (UPM) in Philadelphia.  In addition to Anabelle Rodríguez, Taller’s Gallery Curator, the installation was coordinated by Guest Curator, Dicey Taylor, Ph.D., who previously curated Taíno exhibitions in 1997 and 2000 at El Museo del Barrio (EMB) in New York City.  This exhibit attracted accolades from the many people that came to see it as well as from the press, getting coverage in the Philadelphia Inquirer and ABC Channel 6.  Two educational event programs included a Taíno Family Day with workshops and gallery tours for children and families on March 19 and an expert panel discussion on April 23, 2005 that served as closure to the exhibition.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Island of the Burén: The Taínos and their predecessors in Puerto Rico','','inherit','closed','open','','486-revision-v1','','','2013-12-02 18:20:36','2013-12-02 23:20:36','',486,'http://tallerpr.org/2013/12/02/486-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (488,2,'2013-12-02 18:25:16','2013-12-02 23:25:16','<p style=\"text-align: center;\"><strong>May 20 to July 30, 2005</strong></p>\r\nReleased from prison after almost 20 years for political reasons this is painter, poet and theoretician, Elizam Escobar’s first attempt to explore “the return, resurrection, transition from a closed prison to an open one,…from the mental, reflective, almost monastic life, to the violent, …abyss of the (post) modern” reality”.  The show opening and follow up book presentation of the co-authored book by Elizam Escobar and writer and poet Jose Che Melendez on May 27<sup>th</sup> were very well attended and received.\r\n\r\n&nbsp;','Elizam Escobar; Paisajes y Pasajes del Regreso/Views and Passages of the Return','','draft','closed','closed','','elizam-escobar-paisajes-y-pasajes-del-regresoviews-and-passages-of-the-return','','','2014-05-22 12:24:29','2014-05-22 16:24:29','',0,'http://tallerpr.org/?p=488',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (489,2,'2013-12-02 18:25:16','2013-12-02 23:25:16','<p style=\"text-align: center;\"><strong>May 20 to July 30, 2005</strong></p>\r\nReleased from prison after almost 20 years for political reasons this is painter, poet and theoretician, Elizam Escobar’s first attempt to explore “the return, resurrection, transition from a closed prison to an open one,…from the mental, reflective, almost monastic life, to the violent, …abyss of the (post) modern” reality”.  The show opening and follow up book presentation of the co-authored book by Elizam Escobar and writer and poet Jose Che Melendez on May 27<sup>th</sup> were very well attended and received.\r\n\r\n&nbsp;','Elizam Escobar; Paisajes y Pasajes del Regreso/Views and Passages of the Return','','inherit','closed','open','','488-revision-v1','','','2013-12-02 18:25:16','2013-12-02 23:25:16','',488,'http://tallerpr.org/2013/12/02/488-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (491,2,'2013-12-02 18:31:05','2013-12-02 23:31:05','<p style=\"text-align: center;\"><b>August 19–September 17, 2005</b></p>\r\nHighlights of the children and youth’s work from last year’s after school programs and summer camp.  This year the show was mounted at the Education Building.  The exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October.','Children and Youth Create Art (2005)','','draft','closed','closed','','children-and-youth-create-art-2005','','','2014-05-22 12:24:29','2014-05-22 16:24:29','',0,'http://tallerpr.org/?p=491',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (492,2,'2013-12-02 18:28:06','2013-12-02 23:28:06','','Children and Youth Create Art (2005','','inherit','closed','open','','491-revision-v1','','','2013-12-02 18:28:06','2013-12-02 23:28:06','',491,'http://tallerpr.org/2013/12/02/491-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (493,2,'2013-12-02 18:31:05','2013-12-02 23:31:05','<p style=\"text-align: center;\"><b>August 19–September 17, 2005</b></p>\r\nHighlights of the children and youth’s work from last year’s after school programs and summer camp.  This year the show was mounted at the Education Building.  The exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October.','Children and Youth Create Art (2005)','','inherit','closed','open','','491-revision-v1','','','2013-12-02 18:31:05','2013-12-02 23:31:05','',491,'http://tallerpr.org/2013/12/02/491-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (494,2,'2013-12-02 18:36:52','2013-12-02 23:36:52','<p style=\"text-align: center;\"><b>September 23 – October 8, 2005</b></p>\r\nTwo Puerto Rican political prisoners traveling exhibit, complimented with works by local Latino artists and the visit to Philadelphia of Lolita Lebrón pay homage to the activists of a movement that has cost lives, imprisonment and more.  Opens of the day commemorating the Grito de Lares (an uprising against Spain colonial rule in Puerto Rico in 1868.<b> </b>\r\n\r\n&nbsp;','Commemorating Centuries of Colonial Struggle','','draft','closed','closed','','commemorating-centuries-of-colonial-struggle','','','2014-05-22 12:24:29','2014-05-22 16:24:29','',0,'http://tallerpr.org/?p=494',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (495,2,'2013-12-02 18:36:52','2013-12-02 23:36:52','<p style=\"text-align: center;\"><b>September 23 – October 8, 2005</b></p>\r\nTwo Puerto Rican political prisoners traveling exhibit, complimented with works by local Latino artists and the visit to Philadelphia of Lolita Lebrón pay homage to the activists of a movement that has cost lives, imprisonment and more.  Opens of the day commemorating the Grito de Lares (an uprising against Spain colonial rule in Puerto Rico in 1868.<b> </b>\r\n\r\n&nbsp;','Commemorating Centuries of Colonial Struggle','','inherit','closed','open','','494-revision-v1','','','2013-12-02 18:36:52','2013-12-02 23:36:52','',494,'http://tallerpr.org/2013/12/02/494-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (496,2,'2013-12-02 18:39:37','2013-12-02 23:39:37','<p style=\"text-align: center;\"><b>October 14, 2005 - January 15, 2006</b></p>\r\nInternationally renowned U.S. based Puerto Rican artist Miguel Trelles presented a series of mostly large format paintings in color and black and white that represent the Puerto Rican landscape reflecting a “respectful and well-informed appropriation” of landscape paintings from China’s Sung to Ming Dynasties.  Through the clever and controlled use of vibrant colors and a line that is both ordered and spontaneous, Trelles has developed a perfected style that pays homage to Eastern influences and resonates well with the forms and shapes found in the islands of the Caribbean.  The show also included a more recent series of popular figures of Latin American film depicted within the artist’s almost three dimensional landscapes.  When asked about his series of Chino-Latino, Trelles stated, “Columbus set sail for India and landed in the Antilles, I am setting sail for the Antilles, with a scheduled Chinese detour.”  The artist returned for a gallery talk on Friday December 9<sup>th</sup>.','Miguel Trelles: The Garden of the Forking Paths and Rumberas in the Garden','','draft','closed','closed','','miguel-trelles-the-garden-of-the-forking-paths-and-rumberas-in-the-garden','','','2014-05-22 12:24:29','2014-05-22 16:24:29','',0,'http://tallerpr.org/?p=496',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (497,2,'2013-12-02 18:39:37','2013-12-02 23:39:37','<p style=\"text-align: center;\"><b>October 14, 2005 - January 15, 2006</b></p>\r\nInternationally renowned U.S. based Puerto Rican artist Miguel Trelles presented a series of mostly large format paintings in color and black and white that represent the Puerto Rican landscape reflecting a “respectful and well-informed appropriation” of landscape paintings from China’s Sung to Ming Dynasties.  Through the clever and controlled use of vibrant colors and a line that is both ordered and spontaneous, Trelles has developed a perfected style that pays homage to Eastern influences and resonates well with the forms and shapes found in the islands of the Caribbean.  The show also included a more recent series of popular figures of Latin American film depicted within the artist’s almost three dimensional landscapes.  When asked about his series of Chino-Latino, Trelles stated, “Columbus set sail for India and landed in the Antilles, I am setting sail for the Antilles, with a scheduled Chinese detour.”  The artist returned for a gallery talk on Friday December 9<sup>th</sup>.','Miguel Trelles: The Garden of the Forking Paths and Rumberas in the Garden','','inherit','closed','open','','496-revision-v1','','','2013-12-02 18:39:37','2013-12-02 23:39:37','',496,'http://tallerpr.org/2013/12/02/496-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (498,2,'2013-12-02 18:42:35','2013-12-02 23:42:35','<p style=\"text-align: center;\"><b>February 10 - April 20, 2006</b></p>\r\nArtist S. Damary Burgos developed a unique floor installation of 175 acrylic paintings on canvas under the protection of Plexiglas panels enabling the public to walk on the piece.  The<b> terrazos </b>of her work are a symbol of her sweet home where her children are being raised, seen through their eyes when they were learning to crawl.  The walls, on the other hand, represent Fallujah, Irak, a symbol of the destruction of the future of the life of her children, especially of their perceptions and human sensibility.  When Damary Burgos received the news of the death of her intimate childhood friend, Sherwood Baker from Philadelphia, the name Fallujah became for her the symbol of a huge threat.  This exhibition included a catalogue, a residency with the YAP program and a panel discussion.\r\n\r\n&nbsp;','Terrazos in Fallujah III: The triangulation of the world','','draft','closed','closed','','terrazos-in-fallujah-iii-the-triangulation-of-the-world','','','2014-05-22 12:23:54','2014-05-22 16:23:54','',0,'http://tallerpr.org/?p=498',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (499,2,'2013-12-02 18:42:35','2013-12-02 23:42:35','<p style=\"text-align: center;\"><b>February 10 - April 20, 2006</b></p>\r\nArtist S. Damary Burgos developed a unique floor installation of 175 acrylic paintings on canvas under the protection of Plexiglas panels enabling the public to walk on the piece.  The<b> terrazos </b>of her work are a symbol of her sweet home where her children are being raised, seen through their eyes when they were learning to crawl.  The walls, on the other hand, represent Fallujah, Irak, a symbol of the destruction of the future of the life of her children, especially of their perceptions and human sensibility.  When Damary Burgos received the news of the death of her intimate childhood friend, Sherwood Baker from Philadelphia, the name Fallujah became for her the symbol of a huge threat.  This exhibition included a catalogue, a residency with the YAP program and a panel discussion.\r\n\r\n&nbsp;','Terrazos in Fallujah III: The triangulation of the world','','inherit','closed','open','','498-revision-v1','','','2013-12-02 18:42:35','2013-12-02 23:42:35','',498,'http://tallerpr.org/2013/12/02/498-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (500,2,'2013-12-02 18:47:38','2013-12-02 23:47:38','<p style=\"text-align: center;\"><b>May 12 – July 22, 2006</b></p>\r\n<b>Betsy Casañas’ </b>first retrospective exhibition since graduating from Moore College of Art and Design.  As such it provided an opportunity to view this artist’s artistic style trajectory.  It is particularly rewarding to exhibit this community grown artist, a strong Puerto Rican and Latina woman, who has overcome so many obstacles to reach her artistic goals.  An intense focus on the self-portrait allows Casañas to study the nuances of light and color as well as providing her with ample subjectivity and the space to reflect her personal journey as a woman, artist, and mother. At the same time, a newer strand of abstractionism allows her to play with shape, contour, and line in a much freer and playful manner that borders on abstract expressionism. A first catalogue publication for Betsy Casañas is being developed.  She worked in residence with participants of the Lighthouse after school program.\r\n\r\n&nbsp;','Autoretrato de Mujer Artista Self-Portrait of a Woman Artist','','draft','closed','closed','','autoretrato-de-mujer-artista-self-portrait-of-a-woman-artist','','','2014-05-22 12:23:54','2014-05-22 16:23:54','',0,'http://tallerpr.org/?p=500',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (501,2,'2013-12-02 18:47:38','2013-12-02 23:47:38','<p style=\"text-align: center;\"><b>May 12 – July 22, 2006</b></p>\r\n<b>Betsy Casañas’ </b>first retrospective exhibition since graduating from Moore College of Art and Design.  As such it provided an opportunity to view this artist’s artistic style trajectory.  It is particularly rewarding to exhibit this community grown artist, a strong Puerto Rican and Latina woman, who has overcome so many obstacles to reach her artistic goals.  An intense focus on the self-portrait allows Casañas to study the nuances of light and color as well as providing her with ample subjectivity and the space to reflect her personal journey as a woman, artist, and mother. At the same time, a newer strand of abstractionism allows her to play with shape, contour, and line in a much freer and playful manner that borders on abstract expressionism. A first catalogue publication for Betsy Casañas is being developed.  She worked in residence with participants of the Lighthouse after school program.\r\n\r\n&nbsp;','Autoretrato de Mujer Artista Self-Portrait of a Woman Artist','','inherit','closed','open','','500-revision-v1','','','2013-12-02 18:47:38','2013-12-02 23:47:38','',500,'http://tallerpr.org/2013/12/02/500-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (502,2,'2013-12-02 18:52:34','2013-12-02 23:52:34','<p style=\"text-align: center;\"><b>August 11 – September 23, 2006</b></p>\r\nHighlights of the children and youth’s work from the previous year after school programs and summer camp.  A sample of the exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October and another sample was presented at the School District facilities in North Broad Street.','Children and Youth Create Art (2006)','','draft','closed','closed','','children-and-youth-create-art-2006','','','2014-05-22 12:23:54','2014-05-22 16:23:54','',0,'http://tallerpr.org/?p=502',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (503,2,'2013-12-02 18:52:34','2013-12-02 23:52:34','<p style=\"text-align: center;\"><b>August 11 – September 23, 2006</b></p>\r\nHighlights of the children and youth’s work from the previous year after school programs and summer camp.  A sample of the exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October and another sample was presented at the School District facilities in North Broad Street.','Children and Youth Create Art (2006)','','inherit','closed','open','','502-revision-v1','','','2013-12-02 18:52:34','2013-12-02 23:52:34','',502,'http://tallerpr.org/2013/12/02/502-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (504,2,'2013-12-02 18:55:15','2013-12-02 23:55:15','<p style=\"text-align: center;\"><b>October 6, 2006-January 13, 2007</b></p>\r\nDespite the relative small size of the island, Puerto Rico is home to the highly creative proliferation of traditional arts and crafts that keep these centuries’ old traditions innovative and alive. The sample for this show came from one of Puerto Rico’s largest contemporary Arts and Crafts collections, the Museo de las Américas in Old San Juan, bringing to our community examples of some of the very best artisans in the island. The show was complimented with samples from local collections and work, like this altar dedicated to Frida Kahlo by Anabelle Rodriguez. The program included residencies by two artisans from Puerto Rico, at Taller and other community organizations, and was part of this past year’s Annual Book and Craft Fair, and an Aztec ceremonial dance by Grupo Tonatzin Coatlicu','Living Traditions: Contemporary Puerto Rican and Latin American Arts and Crafts','','draft','closed','closed','','living-traditions-contemporary-puerto-rican-and-latin-american-arts-and-crafts','','','2014-05-22 12:23:54','2014-05-22 16:23:54','',0,'http://tallerpr.org/?p=504',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (505,2,'2013-12-02 18:55:15','2013-12-02 23:55:15','<p style=\"text-align: center;\"><b>October 6, 2006-January 13, 2007</b></p>\r\nDespite the relative small size of the island, Puerto Rico is home to the highly creative proliferation of traditional arts and crafts that keep these centuries’ old traditions innovative and alive. The sample for this show came from one of Puerto Rico’s largest contemporary Arts and Crafts collections, the Museo de las Américas in Old San Juan, bringing to our community examples of some of the very best artisans in the island. The show was complimented with samples from local collections and work, like this altar dedicated to Frida Kahlo by Anabelle Rodriguez. The program included residencies by two artisans from Puerto Rico, at Taller and other community organizations, and was part of this past year’s Annual Book and Craft Fair, and an Aztec ceremonial dance by Grupo Tonatzin Coatlicu','Living Traditions: Contemporary Puerto Rican and Latin American Arts and Crafts','','inherit','closed','open','','504-revision-v1','','','2013-12-02 18:55:15','2013-12-02 23:55:15','',504,'http://tallerpr.org/2013/12/02/504-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (506,2,'2013-12-02 18:57:09','2013-12-02 23:57:09','<p style=\"text-align: center;\"><b>February 23 – April 23, 2007</b></p>\r\nAn advocate of Civil and Human Rights, Columbian artist Gina Echeverry’s art gathers the varied cultural expressions of the African Diaspora in Latin America, but more specifically the permanent struggle of women to reach    their fulfillment in a society that denies them their rights, wanting to limit her role to an utilitarian object.\r\n\r\n&nbsp;','Women of Color: Recent Works by Gina Echeverry ','','draft','closed','closed','','women-of-color-recent-works-by-gina-echeverry','','','2014-05-22 12:23:54','2014-05-22 16:23:54','',0,'http://tallerpr.org/?p=506',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (507,2,'2013-12-02 18:57:09','2013-12-02 23:57:09','<p style=\"text-align: center;\"><b>February 23 – April 23, 2007</b></p>\r\nAn advocate of Civil and Human Rights, Columbian artist Gina Echeverry’s art gathers the varied cultural expressions of the African Diaspora in Latin America, but more specifically the permanent struggle of women to reach    their fulfillment in a society that denies them their rights, wanting to limit her role to an utilitarian object.\r\n\r\n&nbsp;','Women of Color: Recent Works by Gina Echeverry ','','inherit','closed','open','','506-revision-v1','','','2013-12-02 18:57:09','2013-12-02 23:57:09','',506,'http://tallerpr.org/2013/12/02/506-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (508,2,'2013-12-02 18:59:44','2013-12-02 23:59:44','<p style=\"text-align: center;\"><b>May 11 – July 21, 2007</b></p>\r\nA group show featuring recent works of three artists very active in the art scene of the Latino community of Philadelphia. Gilberto González, a founding member of La Colectiva, a painter and a professional graphic designer at Community College of Philadelphia: Domingo Negrón, a founding member of Taller Puertorriqueño and co-owner of Gran Enterprises, producing everything from posters, to banners, T-shirts, and other forms of community-based visual media for more than three decades. José Alí Paz, a native Venezuelan, is a painter and a dedicated community muralist.','Three Conversations: Recent Works by Gilberto González, Domingo Negrón, and José Alí Paz','','draft','closed','closed','','three-conversations-recent-works-by-gilberto-gonzalez-domingo-negron-and-jose-ali-paz','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=508',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (509,2,'2013-12-02 18:59:44','2013-12-02 23:59:44','<p style=\"text-align: center;\"><b>May 11 – July 21, 2007</b></p>\r\nA group show featuring recent works of three artists very active in the art scene of the Latino community of Philadelphia. Gilberto González, a founding member of La Colectiva, a painter and a professional graphic designer at Community College of Philadelphia: Domingo Negrón, a founding member of Taller Puertorriqueño and co-owner of Gran Enterprises, producing everything from posters, to banners, T-shirts, and other forms of community-based visual media for more than three decades. José Alí Paz, a native Venezuelan, is a painter and a dedicated community muralist.','Three Conversations: Recent Works by Gilberto González, Domingo Negrón, and José Alí Paz','','inherit','closed','open','','508-revision-v1','','','2013-12-02 18:59:44','2013-12-02 23:59:44','',508,'http://tallerpr.org/2013/12/02/508-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (510,2,'2013-12-02 19:04:10','2013-12-03 00:04:10','<p style=\"text-align: center;\"><b>August 17 – September 15, 2007</b></p>\r\nHighlights of the children and youth’s work from the previous year after school programs and summer camp.  A sample of the exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October and another sample was presented at the School District facilities in North Broad Street This year samples were also the show was mounted at the Education Building.  A very successful opening reception was sponsored by PECO.','Children and Youth Create Art (2007)','','draft','closed','closed','','children-and-youth-create-art-2007','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=510',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (511,2,'2013-12-02 19:04:10','2013-12-03 00:04:10','<p style=\"text-align: center;\"><b>August 17 – September 15, 2007</b></p>\r\nHighlights of the children and youth’s work from the previous year after school programs and summer camp.  A sample of the exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October and another sample was presented at the School District facilities in North Broad Street This year samples were also the show was mounted at the Education Building.  A very successful opening reception was sponsored by PECO.','Children and Youth Create Art (2007)','','inherit','closed','open','','510-revision-v1','','','2013-12-02 19:04:10','2013-12-03 00:04:10','',510,'http://tallerpr.org/2013/12/02/510-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (512,2,'2013-12-02 19:06:36','2013-12-03 00:06:36','<p style=\"text-align: center;\"><b>October 6, 2007 – January 19, 2008</b></p>\r\n<b> </b>For the first time in more than a decade, this exhibit will present the art of carving <b>Santos </b>(wooden statues) in Philadelphia.  Carving Santos was introduced to America by Spanish colonizers and missionaries in the 16<sup>th</sup> century.  In Puerto Rico, isolated in small towns, lacking access to objects of devotion, and unable to afford imported ceramic statues, people whittled their own religious statues out of native woods and local materials. Self-taught craftsmen became known as <b><i>santeros</i></b> (wood carvers).  By incorporating elements of each region into the creation of images that include particular materials, costumes, beliefs and traditions, accomplished santeros created unique styles and techniques<b>.</b>  By mid-19<sup>th</sup> century the carving of saints had achieved artistic sophistication. The craft is passed from one generation to another, maintaining a continuity that is constantly challenged by the new.  Presently, there are many craftspeople on the island who have achieved significant notoriety for their skills. Today<b> Santos </b>are highly valued art objects as well as objects of devotion. The exhibition will present older examples in parallel to contemporary themes and styles.  In keeping with the significance of Christmas, this exhibition will include images of the popular <b><i>Tres Reyes Magos</i></b><i> </i>(Three Wise Men) as well as nativity scenes.  Two artisans, brought by the Puerto Rico Institute of Culture, will demonstrate and answer questions about the traditions of wood carving at Feria de Artesanías.\r\n\r\n&nbsp;','Santos de Puerto Rico: Tallas de Fe y Sentimiento','','draft','closed','closed','','santos-de-puerto-rico-tallas-de-fe-y-sentimiento','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=512',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (513,2,'2013-12-02 19:06:36','2013-12-03 00:06:36','<p style=\"text-align: center;\"><b>October 6, 2007 – January 19, 2008</b></p>\r\n<b> </b>For the first time in more than a decade, this exhibit will present the art of carving <b>Santos </b>(wooden statues) in Philadelphia.  Carving Santos was introduced to America by Spanish colonizers and missionaries in the 16<sup>th</sup> century.  In Puerto Rico, isolated in small towns, lacking access to objects of devotion, and unable to afford imported ceramic statues, people whittled their own religious statues out of native woods and local materials. Self-taught craftsmen became known as <b><i>santeros</i></b> (wood carvers).  By incorporating elements of each region into the creation of images that include particular materials, costumes, beliefs and traditions, accomplished santeros created unique styles and techniques<b>.</b>  By mid-19<sup>th</sup> century the carving of saints had achieved artistic sophistication. The craft is passed from one generation to another, maintaining a continuity that is constantly challenged by the new.  Presently, there are many craftspeople on the island who have achieved significant notoriety for their skills. Today<b> Santos </b>are highly valued art objects as well as objects of devotion. The exhibition will present older examples in parallel to contemporary themes and styles.  In keeping with the significance of Christmas, this exhibition will include images of the popular <b><i>Tres Reyes Magos</i></b><i> </i>(Three Wise Men) as well as nativity scenes.  Two artisans, brought by the Puerto Rico Institute of Culture, will demonstrate and answer questions about the traditions of wood carving at Feria de Artesanías.\r\n\r\n&nbsp;','Santos de Puerto Rico: Tallas de Fe y Sentimiento','','inherit','closed','open','','512-revision-v1','','','2013-12-02 19:06:36','2013-12-03 00:06:36','',512,'http://tallerpr.org/2013/12/02/512-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (514,2,'2013-12-02 19:10:32','2013-12-03 00:10:32','<p style=\"text-align: center;\"><b>February 8, 2008 – April 16, 2008</b></p>\r\nThe photographic images crafted by Tony Rocco capture the beauty, diversity, struggles and vibrancy of two places that are very close to his heart: Columbia and Philadelphia Philadelphia, his natal city and the subject of much of his earlier work;  and Colombia, his mother’s homeland, ad a place of frequent recent visits.   The contrast in medium and treatment of both places and their people turns into an effective visual strategy for the artist and educator striving to represent accurately the changes and complexity of both places while clarifying misconceptions while laying a path of hope for the future.  Inspired by the people, events and issues that affect the Latino community, this show is a true retrospective of Anthony Rocco’s work. The show ran the gamut of his black and white portraits of Philadelphia and his most recent work in color created while visiting Cali, and the surrounding area of <i>Valle del Cauca</i> in Colombia. The exhibit highlighted compelling personal stories of Latinos in Philadelphia.  As artist in residence Tony worked with Taller’s youth using photo-documentation as a story telling tool as his mentoring helps shape and mold their minds providing opportunities and alternatives to the oftentimes harshness of their surroundings reflecting what has happened and how they can influence the future.',' Tony Rocco: Colombia and Philadelphia: Two Decades in Images (Dos Décadas en Imágenes)','','draft','closed','closed','','tony-rocco-colombia-and-philadelphia-two-decades-in-images-dos-decadas-en-imagenes','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=514',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (515,2,'2013-12-02 19:10:32','2013-12-03 00:10:32','<p style=\"text-align: center;\"><b>February 8, 2008 – April 16, 2008</b></p>\r\nThe photographic images crafted by Tony Rocco capture the beauty, diversity, struggles and vibrancy of two places that are very close to his heart: Columbia and Philadelphia Philadelphia, his natal city and the subject of much of his earlier work;  and Colombia, his mother’s homeland, ad a place of frequent recent visits.   The contrast in medium and treatment of both places and their people turns into an effective visual strategy for the artist and educator striving to represent accurately the changes and complexity of both places while clarifying misconceptions while laying a path of hope for the future.  Inspired by the people, events and issues that affect the Latino community, this show is a true retrospective of Anthony Rocco’s work. The show ran the gamut of his black and white portraits of Philadelphia and his most recent work in color created while visiting Cali, and the surrounding area of <i>Valle del Cauca</i> in Colombia. The exhibit highlighted compelling personal stories of Latinos in Philadelphia.  As artist in residence Tony worked with Taller’s youth using photo-documentation as a story telling tool as his mentoring helps shape and mold their minds providing opportunities and alternatives to the oftentimes harshness of their surroundings reflecting what has happened and how they can influence the future.',' Tony Rocco: Colombia and Philadelphia: Two Decades in Images (Dos Décadas en Imágenes)','','inherit','closed','open','','514-revision-v1','','','2013-12-02 19:10:32','2013-12-03 00:10:32','',514,'http://tallerpr.org/2013/12/02/514-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (518,2,'2013-12-03 05:43:18','2013-12-03 10:43:18','<p style=\"text-align: center;\"><b> May 9 – July 19, 2008</b></p>\r\n<b> Miguel Luciano’s </b>work addresses playful and painful exchanges between Puerto Rico and the United States, questioning a colonial relationship that still exists and what he terms “problematizing” the space between the two cultures. His work offers humor as an avenue of escape providing comical relief, albeit tongue and chick, to these inherent conflicts.  He examines how colonial subordination is extended through globalization as communities have shifted gears from a production based society to one grounded in consumption. His work often organizes popular, historic, religious, and consumer iconography into fluctuating new hierarchies to describe the complexity of contemporary belief systems.  His pieces are both nostalgic and in tune with what is happening in Puerto Rican and in Brooklyn, New York, where he lives. His work focuses on children and the effects of consumption and materialism on their psyches.  In his residency he will challenge youth at Taller to become more critical and discerning regarding their consumption patterns.','Miguel Luciano','','draft','closed','closed','','miguel-luciano','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=518',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (519,2,'2013-12-03 05:43:18','2013-12-03 10:43:18','<p style=\"text-align: center;\"><b> May 9 – July 19, 2008</b></p>\r\n<b> Miguel Luciano’s </b>work addresses playful and painful exchanges between Puerto Rico and the United States, questioning a colonial relationship that still exists and what he terms “problematizing” the space between the two cultures. His work offers humor as an avenue of escape providing comical relief, albeit tongue and chick, to these inherent conflicts.  He examines how colonial subordination is extended through globalization as communities have shifted gears from a production based society to one grounded in consumption. His work often organizes popular, historic, religious, and consumer iconography into fluctuating new hierarchies to describe the complexity of contemporary belief systems.  His pieces are both nostalgic and in tune with what is happening in Puerto Rican and in Brooklyn, New York, where he lives. His work focuses on children and the effects of consumption and materialism on their psyches.  In his residency he will challenge youth at Taller to become more critical and discerning regarding their consumption patterns.','Miguel Luciano','','inherit','closed','open','','518-revision-v1','','','2013-12-03 05:43:18','2013-12-03 10:43:18','',518,'http://tallerpr.org/2013/12/03/518-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (520,2,'2013-12-03 05:46:29','2013-12-03 10:46:29','<p style=\"text-align: center;\"><b>August 8- September 15, 2008</b></p>\r\nHighlights of the children and youth’s work from the previous year after school programs and summer camp.  A sample of the exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October and another sample was presented at the School District facilities in North Broad Street.\r\n<p style=\"text-align: center;\"></p>','Children and Youth Create (2008)','','draft','closed','closed','','children-and-youth-create-2008','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=520',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (521,2,'2013-12-03 05:46:29','2013-12-03 10:46:29','<p style=\"text-align: center;\"><b>August 8- September 15, 2008</b></p>\r\nHighlights of the children and youth’s work from the previous year after school programs and summer camp.  A sample of the exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October and another sample was presented at the School District facilities in North Broad Street.\r\n<p style=\"text-align: center;\"></p>','Children and Youth Create (2008)','','inherit','closed','open','','520-revision-v1','','','2013-12-03 05:46:29','2013-12-03 10:46:29','',520,'http://tallerpr.org/2013/12/03/520-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (522,2,'2013-12-03 05:49:52','2013-12-03 10:49:52','<p style=\"text-align: center;\"><b>October 4, 2008 -January 10, 2009</b></p>\r\nTen years ago<b>,</b> the artist comments,<b> </b>…“Philadelphia allowed me the opportunity to develop as an artist and Taller…nursed the political and cultural interests that drive the thematic content of my work”…  Yasmin is a Brooklyn born Puerto Rican who earned a BFA in painting from Cornell University. She came to Taller where she managed the Youth Artist Program, returning to New York to continue her artistic career.  Facing Freedom is a selection of mixed media portraits of individuals who have made the decision to take their freedom into their own hands. She celebrates them as her inspiration and through her mixed-media works shares their example as an inspiration to all.  Artist Reception was held October 10, 2008 and a closing reception and artist talk was held on January 10<sup>th</sup>.','Yasmin Hernandez: Faces of Freedom','','draft','closed','closed','','yasmin-hernandez-faces-of-freedom','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=522',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (523,2,'2013-12-03 05:49:52','2013-12-03 10:49:52','<p style=\"text-align: center;\"><b>October 4, 2008 -January 10, 2009</b></p>\r\nTen years ago<b>,</b> the artist comments,<b> </b>…“Philadelphia allowed me the opportunity to develop as an artist and Taller…nursed the political and cultural interests that drive the thematic content of my work”…  Yasmin is a Brooklyn born Puerto Rican who earned a BFA in painting from Cornell University. She came to Taller where she managed the Youth Artist Program, returning to New York to continue her artistic career.  Facing Freedom is a selection of mixed media portraits of individuals who have made the decision to take their freedom into their own hands. She celebrates them as her inspiration and through her mixed-media works shares their example as an inspiration to all.  Artist Reception was held October 10, 2008 and a closing reception and artist talk was held on January 10<sup>th</sup>.','Yasmin Hernandez: Faces of Freedom','','inherit','closed','open','','522-revision-v1','','','2013-12-03 05:49:52','2013-12-03 10:49:52','',522,'http://tallerpr.org/2013/12/03/522-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (524,2,'2013-12-03 05:53:51','2013-12-03 10:53:51','<p style=\"text-align: center;\"><b>February 6, 2008- April 11, 2009</b></p>\r\nHarry Hernández is currently one of Puerto Rico’s most promising young painters. Trained in the prestigious San Carlos Academy in Mexico, his work incorporates paintings with various forms of multi-media, including projections, digital imaging, video, still photography and collage.  <i>This conceptual art project required the use and manipulation of new media and technology.  </i>Open house was a series of 16 mixed media work on paper 36’ x 44’.  The series was based on images gathered over a period of several months in the neighborhood of Santurce, Puerto Rico focusing on homeless people at the bus stop Avenue 22 in Santurce.  The series combined two diametrically opposite realities, i.e. the physical degradation of the homeless people with its devastating social effects, addiction to drugs, etc. and the aesthetic of brightness and false luxury of their condition.  Thus, the works appear like diametrical opposites, reflecting the great contradictions of society.  As artist Antonio Martorell states in the statement that accompanied the exhibit, “The artist is both a sympathetic witness of street inhabitants and a carnival barker of horror side shows”.\r\n\r\n&nbsp;','Harry Hernandez’s Open House: Diametrically Opposed Realities in Santurce, Puerto Rico ','','draft','closed','closed','','harry-hernandezs-open-house-diametrically-opposed-realities-in-santurce-puerto-rico','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=524',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (525,2,'2013-12-03 05:53:51','2013-12-03 10:53:51','<p style=\"text-align: center;\"><b>February 6, 2008- April 11, 2009</b></p>\r\nHarry Hernández is currently one of Puerto Rico’s most promising young painters. Trained in the prestigious San Carlos Academy in Mexico, his work incorporates paintings with various forms of multi-media, including projections, digital imaging, video, still photography and collage.  <i>This conceptual art project required the use and manipulation of new media and technology.  </i>Open house was a series of 16 mixed media work on paper 36’ x 44’.  The series was based on images gathered over a period of several months in the neighborhood of Santurce, Puerto Rico focusing on homeless people at the bus stop Avenue 22 in Santurce.  The series combined two diametrically opposite realities, i.e. the physical degradation of the homeless people with its devastating social effects, addiction to drugs, etc. and the aesthetic of brightness and false luxury of their condition.  Thus, the works appear like diametrical opposites, reflecting the great contradictions of society.  As artist Antonio Martorell states in the statement that accompanied the exhibit, “The artist is both a sympathetic witness of street inhabitants and a carnival barker of horror side shows”.\r\n\r\n&nbsp;','Harry Hernandez’s Open House: Diametrically Opposed Realities in Santurce, Puerto Rico ','','inherit','closed','open','','524-revision-v1','','','2013-12-03 05:53:51','2013-12-03 10:53:51','',524,'http://tallerpr.org/2013/12/03/524-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (526,2,'2013-12-03 05:57:34','2013-12-03 10:57:34','<p style=\"text-align: center;\"><b>May 8, 2009-July 11, 2009</b></p>\r\nPepón Osorio is an internationally known artist, recipient of a Mac Arthur and Pew Charitable Trust Fellowships, and best known for his large installations.  He is working with community youth encouraging conversations about community violence.  This has produced a series of street banners to hang across streets in locations within a one mile radius of Taller.  The exhibit consisted of 3 installations created by Mr. Osorio all relating to some aspect of violence, that complement his simultaneous ongoing community work.  “Teimbol”, a popular word meaning \"time out\" in Puerto Rico, suggests a moment of reflection from the daily drama of life. In doing so, silence is transformed and given creative expression.  Mr. Osorio’s works evolve from an interaction with the neighborhoods and people among which he works.  Pepón Osorio is a Carnell professor at Temple University, Tyler School of Art.','Teimbol','','draft','closed','closed','','teimbol','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=526',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (527,2,'2013-12-03 05:57:34','2013-12-03 10:57:34','<p style=\"text-align: center;\"><b>May 8, 2009-July 11, 2009</b></p>\r\nPepón Osorio is an internationally known artist, recipient of a Mac Arthur and Pew Charitable Trust Fellowships, and best known for his large installations.  He is working with community youth encouraging conversations about community violence.  This has produced a series of street banners to hang across streets in locations within a one mile radius of Taller.  The exhibit consisted of 3 installations created by Mr. Osorio all relating to some aspect of violence, that complement his simultaneous ongoing community work.  “Teimbol”, a popular word meaning \"time out\" in Puerto Rico, suggests a moment of reflection from the daily drama of life. In doing so, silence is transformed and given creative expression.  Mr. Osorio’s works evolve from an interaction with the neighborhoods and people among which he works.  Pepón Osorio is a Carnell professor at Temple University, Tyler School of Art.','Teimbol','','inherit','closed','open','','526-revision-v1','','','2013-12-03 05:57:34','2013-12-03 10:57:34','',526,'http://tallerpr.org/2013/12/03/526-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (528,2,'2013-12-03 06:00:29','2013-12-03 11:00:29','Highlights of the children and youth’s work from the previous year reflecting the central theme for the year “The Contributions of Art to the Environment” in projects that included video, painting ceramic, multi-media and more.  A sample of the exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October and another sample was presented at the School District facilities in North Broad Street.','Children and Youth Create (2009)','','draft','closed','closed','','children-and-youth-create-2009','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=528',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (529,2,'2013-12-03 06:00:29','2013-12-03 11:00:29','Highlights of the children and youth’s work from the previous year reflecting the central theme for the year “The Contributions of Art to the Environment” in projects that included video, painting ceramic, multi-media and more.  A sample of the exhibit then traveled to the Philadelphia Museum of Art Division of Education Gallery in October and another sample was presented at the School District facilities in North Broad Street.','Children and Youth Create (2009)','','inherit','closed','open','','528-revision-v1','','','2013-12-03 06:00:29','2013-12-03 11:00:29','',528,'http://tallerpr.org/2013/12/03/528-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (530,2,'2013-12-03 06:05:52','2013-12-03 11:05:52','<p style=\"text-align: center;\"><b>September 20,- October 31, 2009</b></p>\r\n<p style=\"text-align: center;\"><b>Reception October 16</b></p>\r\n<b>Sofia Maldonado, <i>Skate my Patria </i><i> </i></b>took place in Cuba during the 10<sup>th</sup> Havana Biennial (March 27-April 30, 2009) Greatly influenced by and drawing from such visual elements as vernacular graffiti art, Sofia identifies progressive graphic design infused in the cultures of punk rock, hip-hop and skateboarding.  In her visit to Cuba during the 10<sup>th</sup> Havana Biennial Sofia worked to establish a cultural urban exchange with local skaters through photography, film documentation and a written diary.   Sofia’s artwork blends youth culture’s fashion and design trends with an emphasis on the culture and perspectives of the <i>Latina</i> within the context of street culture creating juxtapositions of found elements of youth culture with her paintings as a way to highlight the decadence of city spaces making art that maintains a dialog with the actual mass production market.  Sofia Maldonado has exhibited at M4 Design Space, Miami Design District, Miami, FL, <i>San Paulo - Sao Juan</i>, live painting at Sun Com Art Nites with Os Gemeos, Dzine and Cudy and Expo Arte, Museum of Art of Puerto Rico, San Juan, PR.  Consequently the show will travel to Miami’s prestigious Art Basel Expo as part of a show called Graffiti Goes Global.\r\n\r\n&nbsp;','Skate my Patria','','draft','closed','closed','','skate-my-patria','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=530',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (531,2,'2013-12-03 06:05:52','2013-12-03 11:05:52','<p style=\"text-align: center;\"><b>September 20,- October 31, 2009</b></p>\r\n<p style=\"text-align: center;\"><b>Reception October 16</b></p>\r\n<b>Sofia Maldonado, <i>Skate my Patria </i><i> </i></b>took place in Cuba during the 10<sup>th</sup> Havana Biennial (March 27-April 30, 2009) Greatly influenced by and drawing from such visual elements as vernacular graffiti art, Sofia identifies progressive graphic design infused in the cultures of punk rock, hip-hop and skateboarding.  In her visit to Cuba during the 10<sup>th</sup> Havana Biennial Sofia worked to establish a cultural urban exchange with local skaters through photography, film documentation and a written diary.   Sofia’s artwork blends youth culture’s fashion and design trends with an emphasis on the culture and perspectives of the <i>Latina</i> within the context of street culture creating juxtapositions of found elements of youth culture with her paintings as a way to highlight the decadence of city spaces making art that maintains a dialog with the actual mass production market.  Sofia Maldonado has exhibited at M4 Design Space, Miami Design District, Miami, FL, <i>San Paulo - Sao Juan</i>, live painting at Sun Com Art Nites with Os Gemeos, Dzine and Cudy and Expo Arte, Museum of Art of Puerto Rico, San Juan, PR.  Consequently the show will travel to Miami’s prestigious Art Basel Expo as part of a show called Graffiti Goes Global.\r\n\r\n&nbsp;','Skate my Patria','','inherit','closed','open','','530-revision-v1','','','2013-12-03 06:05:52','2013-12-03 11:05:52','',530,'http://tallerpr.org/2013/12/03/530-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (532,2,'2013-12-03 06:11:05','2013-12-03 11:11:05','<p style=\"text-align: center;\"><b>December 4, 2009 – January 23, 2010</b></p>\r\n<b>Antonio Martorell, <i>La Plena Inmortal (The Inmortal Plena)</i>, </b>was inspired by woodcuts produced by Renaissance artist Hans Holbein the Younger entitled The Dance of Death, which pokes fun at human vanity and greed in the face of “the great equalizer.”  Maestro Martorell satirizes historical figures, art history, and contemporary Caribbean society; humorously pointing out that death awaits us all.  The Immortal Plena (<i>plena</i>: a style of folk dance and music from Puerto Rico) was inaugurated as a permanent installation at Hostos College in New York City.  This particular show was dedicated to the passing of Joaquín Rivera, a local musician and <i>plenero</i> and a long term advocate supporter and collaborator of Taller and many others in the community.  This show was an independent project of Philagraphica 2010: The Graphic Unconscious, the first international print quadrennial in Philadelphia.  Accompanying <b>La Plena Inmortal</b> exhibition is <b>Puerto Rican Art Now!</b> an engaging presentation by Maestro Antonio Martorell was held at Temple University on Thursday December 3d, where he discussed the work and impact of other Puerto Rican artists and highlight examples of work being produced by an emerging wave of contemporary Puerto Rican artists, many of whom have shown at Taller\'s Lorenzo Homar Gallery.\r\n\r\n&nbsp;','Antonio Martorell, La Plena Inmortal (The Inmortal Plena)','','draft','closed','closed','','antonio-martorell-la-plena-inmortal-the-inmortal-plena','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=532',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (533,2,'2013-12-03 06:11:05','2013-12-03 11:11:05','<p style=\"text-align: center;\"><b>December 4, 2009 – January 23, 2010</b></p>\r\n<b>Antonio Martorell, <i>La Plena Inmortal (The Inmortal Plena)</i>, </b>was inspired by woodcuts produced by Renaissance artist Hans Holbein the Younger entitled The Dance of Death, which pokes fun at human vanity and greed in the face of “the great equalizer.”  Maestro Martorell satirizes historical figures, art history, and contemporary Caribbean society; humorously pointing out that death awaits us all.  The Immortal Plena (<i>plena</i>: a style of folk dance and music from Puerto Rico) was inaugurated as a permanent installation at Hostos College in New York City.  This particular show was dedicated to the passing of Joaquín Rivera, a local musician and <i>plenero</i> and a long term advocate supporter and collaborator of Taller and many others in the community.  This show was an independent project of Philagraphica 2010: The Graphic Unconscious, the first international print quadrennial in Philadelphia.  Accompanying <b>La Plena Inmortal</b> exhibition is <b>Puerto Rican Art Now!</b> an engaging presentation by Maestro Antonio Martorell was held at Temple University on Thursday December 3d, where he discussed the work and impact of other Puerto Rican artists and highlight examples of work being produced by an emerging wave of contemporary Puerto Rican artists, many of whom have shown at Taller\'s Lorenzo Homar Gallery.\r\n\r\n&nbsp;','Antonio Martorell, La Plena Inmortal (The Inmortal Plena)','','inherit','closed','open','','532-revision-v1','','','2013-12-03 06:11:05','2013-12-03 11:11:05','',532,'http://tallerpr.org/2013/12/03/532-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (534,2,'2013-12-03 06:15:26','2013-12-03 11:15:26','<p style=\"text-align: center;\"><b>February 12 to March 27, 2010</b></p>\r\n<p style=\"text-align: left;\"> Sánchez has been described by critic Lurie Lipman as a “healer, an artist who takes elements of his culture, fragmented by colonial and neocolonial powers, and works them in a restorative manner.”   He has described himself as a Reconstructionists creating a common language, forging an identity and reacquainting himself with the world he calls “home”.   Brooklyn based, award winning artist Juan Sánchez brought, for the first time to Philadelphia, his new body of prints, <i>The Unknown Boricuas + Prisoner: Abu Ghraib</i> created for Taller Puertorriqueño’s 35<sup>th</sup> Anniversary exhibition season.  Sánchez work combines photography, and a mix of print techniques often incorporating text and iconographic images of the <i>Taíno</i>, African, and Spanish catholic traditions in Puerto Rico.</p>\r\nSánchez’s new works are some of his deepest and most compelling series, documenting the juxtaposition between political prisoners and civil rights leaders, questioning powers of politics and religion, and bringing to light the lesser-known histories of the Puerto Rican liberalist movement. For the first time, Sánchez delivers his multilayered images completely in digital form along with selected works never before exhibited. A catalogue featuring the new series accompanied the exhibition.  The catalogue includes an essay by independent curator Rebeca Noriega-Costas.\r\n\r\nThis show was also an independent project of Philagraphica 2010: The Graphic Unconscious','Juan Sánchez','','draft','closed','closed','','juan-sanchez','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=534',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (535,2,'2013-12-03 06:15:26','2013-12-03 11:15:26','<p style=\"text-align: center;\"><b>February 12 to March 27, 2010</b></p>\r\n<p style=\"text-align: left;\"> Sánchez has been described by critic Lurie Lipman as a “healer, an artist who takes elements of his culture, fragmented by colonial and neocolonial powers, and works them in a restorative manner.”   He has described himself as a Reconstructionists creating a common language, forging an identity and reacquainting himself with the world he calls “home”.   Brooklyn based, award winning artist Juan Sánchez brought, for the first time to Philadelphia, his new body of prints, <i>The Unknown Boricuas + Prisoner: Abu Ghraib</i> created for Taller Puertorriqueño’s 35<sup>th</sup> Anniversary exhibition season.  Sánchez work combines photography, and a mix of print techniques often incorporating text and iconographic images of the <i>Taíno</i>, African, and Spanish catholic traditions in Puerto Rico.</p>','Juan Sánchez','','inherit','closed','open','','534-revision-v1','','','2013-12-03 06:15:26','2013-12-03 11:15:26','',534,'http://tallerpr.org/2013/12/03/534-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (537,2,'2013-12-03 06:17:39','2013-12-03 11:17:39','<p style=\"text-align: center;\"><b>February 12 to March 27, 2010</b></p>\n<p style=\"text-align: left;\"> Sánchez has been described by critic Lurie Lipman as a “healer, an artist who takes elements of his culture, fragmented by colonial and neocolonial powers, and works them in a restorative manner.”   He has described himself as a Reconstructionists creating a common language, forging an identity and reacquainting himself with the world he calls “home”.   Brooklyn based, award winning artist Juan Sánchez brought, for the first time to Philadelphia, his new body of prints, <i>The Unknown Boricuas + Prisoner: Abu Ghraib</i> created for Taller Puertorriqueño’s 35<sup>th</sup> Anniversary exhibition season.  Sánchez work combines photography, and a mix of print techniques often incorporating text and iconographic images of the <i>Taíno</i>, African, and Spanish catholic traditions in Puerto Rico.</p>\nSánchez’s new works are some of his deepest and most compelling series, documenting the juxtaposition between political prisoners and civil rights leaders, questioning powers of politics and religion, and bringing to light the lesser-known histories of the Puerto Rican liberalist movement. For the first time, Sánchez delivers his multilayered images completely in digital form along with selected works never before exhibited. A catalogue featuring the new series accompanied the exhibition.  The catalogue includes an essay by independent curator Rebeca Noriega-Costas.\n\nThis show was also an independent project of Philagraphica 2010: The Graphic Unconscious','Juan Sánchez','','inherit','closed','open','','534-autosave-v1','','','2013-12-03 06:17:39','2013-12-03 11:17:39','',534,'http://tallerpr.org/2013/12/03/534-autosave-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (538,2,'2013-12-03 06:17:55','2013-12-03 11:17:55','<p style=\"text-align: center;\"><b>February 12 to March 27, 2010</b></p>\r\n<p style=\"text-align: left;\"> Sánchez has been described by critic Lurie Lipman as a “healer, an artist who takes elements of his culture, fragmented by colonial and neocolonial powers, and works them in a restorative manner.”   He has described himself as a Reconstructionists creating a common language, forging an identity and reacquainting himself with the world he calls “home”.   Brooklyn based, award winning artist Juan Sánchez brought, for the first time to Philadelphia, his new body of prints, <i>The Unknown Boricuas + Prisoner: Abu Ghraib</i> created for Taller Puertorriqueño’s 35<sup>th</sup> Anniversary exhibition season.  Sánchez work combines photography, and a mix of print techniques often incorporating text and iconographic images of the <i>Taíno</i>, African, and Spanish catholic traditions in Puerto Rico.</p>\r\nSánchez’s new works are some of his deepest and most compelling series, documenting the juxtaposition between political prisoners and civil rights leaders, questioning powers of politics and religion, and bringing to light the lesser-known histories of the Puerto Rican liberalist movement. For the first time, Sánchez delivers his multilayered images completely in digital form along with selected works never before exhibited. A catalogue featuring the new series accompanied the exhibition.  The catalogue includes an essay by independent curator Rebeca Noriega-Costas.\r\n\r\nThis show was also an independent project of Philagraphica 2010: The Graphic Unconscious','Juan Sánchez','','inherit','closed','open','','534-revision-v1','','','2013-12-03 06:17:55','2013-12-03 11:17:55','',534,'http://tallerpr.org/2013/12/03/534-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (539,2,'2013-12-03 06:22:26','2013-12-03 11:22:26','<p style=\"text-align: center;\"><b>April 9, June 5, 2010</b></p>\r\nLas Gallas, a collective of women artists working in Philadelphia have collectively over 20 years of experience working as artist social activists in the Latino community in Philadelphia.  Through an interactive process with the community women, the artists posed the following questions…How do we make our mark, and Why?  How does our mark define us as individuals and as a community?  What compels us to make our mark? What does this mean to the community of people who feel invisible?  Las Gallas collaboratively created 2D &amp; 3D work reflecting the discoveries made through this process of investigation.  The art involved digital imaging, text messaging and ranged from collographs and silkscreens to the creation of large scale portraits, words, objects printed on paper, mylar and cloth utilizing photo emulsion methods and alternate ways of printing utilizing printmaking as a conversation tool.  Their work included a performance on opening night as well as community workshops.  This show was the last of the series independent projects of Philagraphica 2010: The Graphic Unconscious\r\n\r\n&nbsp;','Lo Que Aparece y Desaparece (That which Appears and Disappears)','','draft','closed','closed','','lo-que-aparece-y-desaparece-that-which-appears-and-disappears','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=539',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (540,2,'2013-12-03 06:22:26','2013-12-03 11:22:26','<p style=\"text-align: center;\"><b>April 9, June 5, 2010</b></p>\r\nLas Gallas, a collective of women artists working in Philadelphia have collectively over 20 years of experience working as artist social activists in the Latino community in Philadelphia.  Through an interactive process with the community women, the artists posed the following questions…How do we make our mark, and Why?  How does our mark define us as individuals and as a community?  What compels us to make our mark? What does this mean to the community of people who feel invisible?  Las Gallas collaboratively created 2D &amp; 3D work reflecting the discoveries made through this process of investigation.  The art involved digital imaging, text messaging and ranged from collographs and silkscreens to the creation of large scale portraits, words, objects printed on paper, mylar and cloth utilizing photo emulsion methods and alternate ways of printing utilizing printmaking as a conversation tool.  Their work included a performance on opening night as well as community workshops.  This show was the last of the series independent projects of Philagraphica 2010: The Graphic Unconscious\r\n\r\n&nbsp;','Lo Que Aparece y Desaparece (That which Appears and Disappears)','','inherit','closed','open','','539-revision-v1','','','2013-12-03 06:22:26','2013-12-03 11:22:26','',539,'http://tallerpr.org/2013/12/03/539-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (541,2,'2013-12-03 06:25:56','2013-12-03 11:25:56','<p style=\"text-align: center;\"><b>June 25, July 24, 2010</b></p>\r\n“Dignity Transforms” was an exhibit that demonstrated the diversity in the work of two community artists Pedro Ospina and Betsy Casañas and how they transformed their life’s work into a grassroots art’s initiative while continuing on with their work as individual artists. This two-part exhibit reconstructed their project “Recuperando el Barrio”, a cultural manifestation intended to revitalize a community that for too long had been neglected and deprived. By uniting and celebrating the diverse talents found in the community they began to create and rebuild what for a long time many have learned to live without. This multi-media installation gave viewers insight on how a society plays an impact on the work of an artist and how an artist can impact and transform a community','Dignity Transforms','','draft','closed','closed','','dignity-transforms','','','2014-05-22 12:23:53','2014-05-22 16:23:53','',0,'http://tallerpr.org/?p=541',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (542,2,'2013-12-03 06:25:56','2013-12-03 11:25:56','<p style=\"text-align: center;\"><b>June 25, July 24, 2010</b></p>\r\n“Dignity Transforms” was an exhibit that demonstrated the diversity in the work of two community artists Pedro Ospina and Betsy Casañas and how they transformed their life’s work into a grassroots art’s initiative while continuing on with their work as individual artists. This two-part exhibit reconstructed their project “Recuperando el Barrio”, a cultural manifestation intended to revitalize a community that for too long had been neglected and deprived. By uniting and celebrating the diverse talents found in the community they began to create and rebuild what for a long time many have learned to live without. This multi-media installation gave viewers insight on how a society plays an impact on the work of an artist and how an artist can impact and transform a community','Dignity Transforms','','inherit','closed','open','','541-revision-v1','','','2013-12-03 06:25:56','2013-12-03 11:25:56','',541,'http://tallerpr.org/2013/12/03/541-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (543,2,'2013-12-03 06:28:52','2013-12-03 11:28:52','<p style=\"text-align: center;\"><b>August 13 – September 18, 2010</b></p>\r\nHighlights of the children and youth’s work from the previous year after school programs and summer camp.  A sample of the work traveled to the Philadelphia Museum of Art Division of Education Gallery in August, and another sample was presented at the School District facilities in North Broad Street in September/October.','Children and Youth Create Art (2010)','','draft','closed','closed','','children-and-youth-create-art-2010','','','2014-05-22 11:55:56','2014-05-22 15:55:56','',0,'http://tallerpr.org/?p=543',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (544,2,'2013-12-03 06:28:52','2013-12-03 11:28:52','<p style=\"text-align: center;\"><b>August 13 – September 18, 2010</b></p>\r\nHighlights of the children and youth’s work from the previous year after school programs and summer camp.  A sample of the work traveled to the Philadelphia Museum of Art Division of Education Gallery in August, and another sample was presented at the School District facilities in North Broad Street in September/October.','Children and Youth Create Art (2010)','','inherit','closed','open','','543-revision-v1','','','2013-12-03 06:28:52','2013-12-03 11:28:52','',543,'http://tallerpr.org/2013/12/03/543-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (545,2,'2013-12-03 06:34:45','2013-12-03 11:34:45','<p style=\"text-align: center;\"><b>October 1 – November 15, 2010</b></p>\r\n<p style=\"text-align: center;\"><b>Artist Reception – October 8</b><b><sup>th</sup></b></p>\r\nA Photographer and documentarian, Salas has worked as a careful observer of the Latino community in Philadelphia. Her work celebrates the lives and landscapes and the people that have made the Latino presence so strong. Her series of serene cityscapes provides a peaceful scope to the abandoned industrial areas of the city. Her documentation of cultural events gathers families and generations who have worked to maintain their identity and traditions in a new land of promises some of them unrealized.  The very well attended opening included a performance by Intercultural Journeys as part of Taller’s collaboration with the Artists and Musicians Latin American association for the Philadelphia International Festival of the Arts inspired by the Kimmel Center.\r\n\r\n&nbsp;','Luz Selenia Salas, Faces/Facades: Mirror of a Community','','draft','closed','closed','','luz-selenia-salas-facesfacades-mirror-of-a-community','','','2014-05-22 11:55:56','2014-05-22 15:55:56','',0,'http://tallerpr.org/?p=545',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (546,2,'2013-12-03 06:34:45','2013-12-03 11:34:45','<p style=\"text-align: center;\"><b>October 1 – November 15, 2010</b></p>\r\n<p style=\"text-align: center;\"><b>Artist Reception – October 8</b><b><sup>th</sup></b></p>\r\nA Photographer and documentarian, Salas has worked as a careful observer of the Latino community in Philadelphia. Her work celebrates the lives and landscapes and the people that have made the Latino presence so strong. Her series of serene cityscapes provides a peaceful scope to the abandoned industrial areas of the city. Her documentation of cultural events gathers families and generations who have worked to maintain their identity and traditions in a new land of promises some of them unrealized.  The very well attended opening included a performance by Intercultural Journeys as part of Taller’s collaboration with the Artists and Musicians Latin American association for the Philadelphia International Festival of the Arts inspired by the Kimmel Center.\r\n\r\n&nbsp;','Luz Selenia Salas, Faces/Facades: Mirror of a Community','','inherit','closed','open','','545-revision-v1','','','2013-12-03 06:34:45','2013-12-03 11:34:45','',545,'http://tallerpr.org/2013/12/03/545-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (547,2,'2013-12-03 06:39:48','2013-12-03 11:39:48','<p style=\"text-align: center;\"><b>December 10 – February 26, 2011</b></p>\r\nThe title is inspired by the quote from Mary Hirsch: “Humor is a rubber sword - it allows you to make a point without drawing blood” and is connected to the use of humor in Silva’s recent work now done in collaboration with his partner in life and art Laura Feece. The “Lovers” element is making reference to Silva’s efforts to produce collaborative work with friends, lovers, and fellow promoters of love - to make work that moves further away from egocentric purposes and promotes working harmoniously to create true, integrity-rich beauty and positive change in the world (a continuing theme in his work). “Lovers &amp; Fighters” together refers back to “Rubber Swords” and the desire to fight societal dysfunction in a light and loving manner.  Silva and Feece give purpose to their work transforming it through their artistic power and skill maintaining the strength and context of the public sphere into the constraints and demands of a gallery. This work is a testament to devotion to the language and mission of art “to facilitate more spiritually enriching interactions.','Christopher Tavares Silva and Laura Feece, Rubber Swords, Lovers & Fighters','','draft','closed','closed','','christopher-tavares-silva-and-laura-feece-rubber-swords-lovers-fighters','','','2014-05-22 11:55:56','2014-05-22 15:55:56','',0,'http://tallerpr.org/?p=547',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (548,2,'2013-12-03 06:39:48','2013-12-03 11:39:48','<p style=\"text-align: center;\"><b>December 10 – February 26, 2011</b></p>\r\nThe title is inspired by the quote from Mary Hirsch: “Humor is a rubber sword - it allows you to make a point without drawing blood” and is connected to the use of humor in Silva’s recent work now done in collaboration with his partner in life and art Laura Feece. The “Lovers” element is making reference to Silva’s efforts to produce collaborative work with friends, lovers, and fellow promoters of love - to make work that moves further away from egocentric purposes and promotes working harmoniously to create true, integrity-rich beauty and positive change in the world (a continuing theme in his work). “Lovers &amp; Fighters” together refers back to “Rubber Swords” and the desire to fight societal dysfunction in a light and loving manner.  Silva and Feece give purpose to their work transforming it through their artistic power and skill maintaining the strength and context of the public sphere into the constraints and demands of a gallery. This work is a testament to devotion to the language and mission of art “to facilitate more spiritually enriching interactions.','Christopher Tavares Silva and Laura Feece, Rubber Swords, Lovers & Fighters','','inherit','closed','open','','547-revision-v1','','','2013-12-03 06:39:48','2013-12-03 11:39:48','',547,'http://tallerpr.org/2013/12/03/547-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (549,2,'2013-12-03 06:46:49','2013-12-03 11:46:49','<p style=\"text-align: center;\"><b>February 4th – April 30, 2011</b></p>\r\n<p style=\"text-align: center;\">Reception, Friday, February 11, 2011</p>\r\n<b>Sandra Andino, <i>What it means to be Afro-Latino in Philadelphia: Stories from El Barrio</i> </b>is a photo-documentary project that will explore the Afro-Latino concept, experience and artistic/cultural expression of Latinos in North Philadelphia based on the creation of a series of portraits of a selected  group of participants. The project will represent in photos the presence of Afro-Latinos in Philadelphia and record their experiences and opinions about being Afro-Latinos in the urban Diaspora. The artist will engage in a series of conversations with the participants to dialogue about what it means to be Afro-Latino and how they are represented. Excerpts of these conversations will accompany the portraits of these individuals to provide a context and meaning to the pictures. The exhibition aims to create social awareness and a collective conscience about the connection of Latinos and Latinas to their African heritage.  This project reinforces goals Taller has been active with, with its Annual Arturo Schomburg Symposium, which will celebrate 15 years in 2011 during which Ms. Andino will make a presentation on her project and show her photos.','What it means to be Afro-Latino in Philadelphia: Stories from El Barrio','','draft','closed','closed','','what-it-means-to-be-afro-latino-in-philadelphia-stories-from-el-barrio','','','2014-05-22 11:55:56','2014-05-22 15:55:56','',0,'http://tallerpr.org/?p=549',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (550,2,'2013-12-03 06:46:49','2013-12-03 11:46:49','<p style=\"text-align: center;\"><b>February 4th – April 30, 2011</b></p>\r\n<p style=\"text-align: center;\">Reception, Friday, February 11, 2011</p>\r\n<b>Sandra Andino, <i>What it means to be Afro-Latino in Philadelphia: Stories from El Barrio</i> </b>is a photo-documentary project that will explore the Afro-Latino concept, experience and artistic/cultural expression of Latinos in North Philadelphia based on the creation of a series of portraits of a selected  group of participants. The project will represent in photos the presence of Afro-Latinos in Philadelphia and record their experiences and opinions about being Afro-Latinos in the urban Diaspora. The artist will engage in a series of conversations with the participants to dialogue about what it means to be Afro-Latino and how they are represented. Excerpts of these conversations will accompany the portraits of these individuals to provide a context and meaning to the pictures. The exhibition aims to create social awareness and a collective conscience about the connection of Latinos and Latinas to their African heritage.  This project reinforces goals Taller has been active with, with its Annual Arturo Schomburg Symposium, which will celebrate 15 years in 2011 during which Ms. Andino will make a presentation on her project and show her photos.','What it means to be Afro-Latino in Philadelphia: Stories from El Barrio','','inherit','closed','open','','549-revision-v1','','','2013-12-03 06:46:49','2013-12-03 11:46:49','',549,'http://tallerpr.org/2013/12/03/549-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (551,2,'2013-12-03 06:52:08','2013-12-03 11:52:08','<p style=\"text-align: center;\"><b>March 18 – May 7, 2011</b></p>\r\nThe tragedies of the barrio and its constant struggle with poverty, drug abuse and lack of benefits, comes crying out in this exhibition featuring Rodriguez and Nuñez. Their images are haunting with the use of Art Brut imagery and carefully crafted style reminiscent of de Kooning and Basquiat. Rodriguez portrays individuals shrouded in cocoons of their own insanity, mental patients drifting in their own world and never fully treated because of lack of mental health care in their community. Nuñez gives voice to the Latino immigrants, trapped in a prison of injustice that has made them criminals. Nuñez portrays these people in disfigured and abstract forms that blur the lines with their background; at times accompanying text further punctuates the messages of discrimination countered by images of resistance.','Marilyn Rodriguez and Carlos Nuñez,  Without Sanctuary: Images of the Forgotten','','draft','closed','closed','','marilyn-rodriguez-and-carlos-nunez-without-sanctuary-images-of-the-forgotten','','','2014-05-22 11:55:56','2014-05-22 15:55:56','',0,'http://tallerpr.org/?p=551',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (552,2,'2013-12-03 06:52:08','2013-12-03 11:52:08','<p style=\"text-align: center;\"><b>March 18 – May 7, 2011</b></p>\r\nThe tragedies of the barrio and its constant struggle with poverty, drug abuse and lack of benefits, comes crying out in this exhibition featuring Rodriguez and Nuñez. Their images are haunting with the use of Art Brut imagery and carefully crafted style reminiscent of de Kooning and Basquiat. Rodriguez portrays individuals shrouded in cocoons of their own insanity, mental patients drifting in their own world and never fully treated because of lack of mental health care in their community. Nuñez gives voice to the Latino immigrants, trapped in a prison of injustice that has made them criminals. Nuñez portrays these people in disfigured and abstract forms that blur the lines with their background; at times accompanying text further punctuates the messages of discrimination countered by images of resistance.','Marilyn Rodriguez and Carlos Nuñez,  Without Sanctuary: Images of the Forgotten','','inherit','closed','open','','551-revision-v1','','','2013-12-03 06:52:08','2013-12-03 11:52:08','',551,'http://tallerpr.org/2013/12/03/551-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (553,2,'2013-12-03 06:56:58','2013-12-03 11:56:58','<p style=\"text-align: center;\"><b>June 24 to July 23rd, 2011</b></p>\r\nComposed of 92 original photographs from Casasola.’s negatives collection of historical events, taken between 1900 -1940, the exhibition outlines a. chronological narrative of the era. of the Revolution War: the development of modernity as a formula for national development, which brought Mexico out of backwardness and poverty.','Agustín Victor Casasola, Mexican Revolution & Beyond, The Casaola Archives','','draft','closed','closed','','agustin-victor-casasola-mexican-revolution-beyond-the-casaola-archives','','','2014-05-22 11:55:56','2014-05-22 15:55:56','',0,'http://tallerpr.org/?p=553',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (554,2,'2013-12-03 06:56:58','2013-12-03 11:56:58','<p style=\"text-align: center;\"><b>June 24 to July 23rd, 2011</b></p>\r\nComposed of 92 original photographs from Casasola.’s negatives collection of historical events, taken between 1900 -1940, the exhibition outlines a. chronological narrative of the era. of the Revolution War: the development of modernity as a formula for national development, which brought Mexico out of backwardness and poverty.','Agustín Victor Casasola, Mexican Revolution & Beyond, The Casaola Archives','','inherit','closed','open','','553-revision-v1','','','2013-12-03 06:56:58','2013-12-03 11:56:58','',553,'http://tallerpr.org/2013/12/03/553-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (555,2,'2013-12-03 07:00:10','2013-12-03 12:00:10','<p style=\"text-align: center;\"><b>September 30 – November 19, 2011</b></p>\r\n<p style=\"text-align: center;\">Artist Reception – October 7<sup>th</sup></p>\r\nGomez received his BFA from the Pennsylvania Academy of Fine Arts and was one of the few recipients of the William Elmen Cresson Memorial Scholarship to Europe.  His work has been featured in galleries in New York City and Philadelphia. His paintings and graphite works are highly detailed and utilize his unique style that marries the abstract and the representational.  Gomez’s work explores the combination of the abstract and the traditional in his representations of the human figure. His compositions pull on these opposite genres and styles to create narratives that are often autobiographical and or allegorical.  The Mexican modernists, cubism, and the Academic European tradition influence Gomez’s artwork, together creating emotive images that give his subjects a sense of play and vitality, while mixing different visual languages.','Juan Gomez, Modified Personalities','','draft','closed','closed','','juan-gomez-modified-personalities','','','2014-05-22 11:55:55','2014-05-22 15:55:55','',0,'http://tallerpr.org/?p=555',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (556,2,'2013-12-03 07:00:10','2013-12-03 12:00:10','<p style=\"text-align: center;\"><b>September 30 – November 19, 2011</b></p>\r\n<p style=\"text-align: center;\">Artist Reception – October 7<sup>th</sup></p>\r\nGomez received his BFA from the Pennsylvania Academy of Fine Arts and was one of the few recipients of the William Elmen Cresson Memorial Scholarship to Europe.  His work has been featured in galleries in New York City and Philadelphia. His paintings and graphite works are highly detailed and utilize his unique style that marries the abstract and the representational.  Gomez’s work explores the combination of the abstract and the traditional in his representations of the human figure. His compositions pull on these opposite genres and styles to create narratives that are often autobiographical and or allegorical.  The Mexican modernists, cubism, and the Academic European tradition influence Gomez’s artwork, together creating emotive images that give his subjects a sense of play and vitality, while mixing different visual languages.','Juan Gomez, Modified Personalities','','inherit','closed','open','','555-revision-v1','','','2013-12-03 07:00:10','2013-12-03 12:00:10','',555,'http://tallerpr.org/2013/12/03/555-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (565,2,'2013-12-03 12:01:55','2013-12-03 17:01:55','<a href=\"http://tallerpr.org/wp-content/uploads/2013/12/logo.jpg\"><img class=\"size-full wp-image-566 alignleft\" alt=\"Parrandas Sammy\'s\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/logo.jpg\" width=\"450\" height=\"146\" /></a>Fundraiser hosted by Board Chair Edgardo González to support Taller Puertorriqueño at Sammy’s Place, 1449 N. 5th St., Philadelphia, PA 19122-3601\r\n\r\n$25 donation includes full meal and 1 free drink (beer or wine)\r\nWednesday, December 11th 5:00-7:30 p.m. Happy Hour through 7:30!\r\n\r\nJoin us for our 15th Annual Parrandas en El Barrio! This traditional celebration brings joy, unity, love and warmth to friends and community in Philadelphia. Bring your instruments and your voice while you support Taller’s fundraising efforts.\r\n-----\r\nEsta tradicional celebración de la época de Navidad, trae el calor del espíritu de la temporada a Filadelfia. Unanse a nosotros con su voz y sus instrumentos y contribuya con su aportación al trabajo del Taller.\r\n\r\n<a href=\"http://www.eventbrite.com/event/9624518193?ref=ebtnebregn\" target=\"_blank\"><img alt=\"Eventbrite - Parrandas en el Barrio\" src=\"http://www.eventbrite.com/custombutton?eid=9624518193\" /></a>','Parrandas en el Barrio','','publish','closed','closed','','parrandas-en-el-barrio','','','2013-12-16 05:21:25','2013-12-16 10:21:25','',0,'http://tallerpr.org/?post_type=tribe_events&#038;p=565',0,'tribe_events','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (566,2,'2013-12-03 11:59:10','2013-12-03 16:59:10','','Parrandas Sammy\'s','','inherit','closed','open','','logo','','','2013-12-03 11:59:10','2013-12-03 16:59:10','',565,'http://tallerpr.org/wp-content/uploads/2013/12/logo.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (567,2,'2013-12-03 12:01:55','2013-12-03 17:01:55','','Sammy\'s Place','','publish','closed','open','','sammys-place','','','2013-12-03 12:01:55','2013-12-03 17:01:55','',0,'http://tallerpr.org/venue/sammys-place/',0,'tribe_venue','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (573,2,'2013-12-04 05:48:37','2013-12-04 10:48:37','<p style=\"text-align: center;\"><b>December 2 – January 21, 2012</b></p>\r\nRafael Trelles born in Santurce, Puerto Rico, Trelles began studying painting at the age of eleven, under the guidance of Spanish painter Julio Yort. He has a BFA from the University of Puerto Rico from 1980. In 1983, he traveled to Mexico where he pursued graduate studies at the Universidad Autónoma de México.  He has been awarded with the first prize for best exhibition in contemporary media from the Puerto Rico Art Critics Association; the “Emeritus Award” for the excellence of his artistic career from the National Endowment of Puerto Rico, as well as the Art Medal from the Puerto Rican Association of Artists with UNESCO. The imagination of Rafael Trelles produces images that inspire a world transformed into a beautiful habitat for enigmatic creatures. His creations are characters that exist in extraordinary environments and are like theater performers for his poetic visions. Together with magical realism and the mythical world, Trelles shows a predilection for Renaissance painting and its techniques.','Intersections','','draft','closed','closed','','intersections','','','2014-05-22 11:55:55','2014-05-22 15:55:55','',0,'http://tallerpr.org/?p=573',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (574,2,'2013-12-04 05:48:37','2013-12-04 10:48:37','<p style=\"text-align: center;\"><b>December 2 – January 21, 2012</b></p>\r\nRafael Trelles born in Santurce, Puerto Rico, Trelles began studying painting at the age of eleven, under the guidance of Spanish painter Julio Yort. He has a BFA from the University of Puerto Rico from 1980. In 1983, he traveled to Mexico where he pursued graduate studies at the Universidad Autónoma de México.  He has been awarded with the first prize for best exhibition in contemporary media from the Puerto Rico Art Critics Association; the “Emeritus Award” for the excellence of his artistic career from the National Endowment of Puerto Rico, as well as the Art Medal from the Puerto Rican Association of Artists with UNESCO. The imagination of Rafael Trelles produces images that inspire a world transformed into a beautiful habitat for enigmatic creatures. His creations are characters that exist in extraordinary environments and are like theater performers for his poetic visions. Together with magical realism and the mythical world, Trelles shows a predilection for Renaissance painting and its techniques.','Intersections','','inherit','closed','open','','573-revision-v1','','','2013-12-04 05:48:37','2013-12-04 10:48:37','',573,'http://tallerpr.org/2013/12/04/573-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (575,2,'2013-12-04 05:52:43','2013-12-04 10:52:43','<p style=\"text-align: center;\"><b>February 10 – March 31, 2012</b></p>\r\nPriscilla Anacakuyani Bell and Amy Diaz Newman are two Philadelphia artists who approach the power of indigenous cultures differently.  Bell is seeing out in her journey to understand and embrace her Taíno roots while Diaz is seeing in, specifically, the people of the Yucatán, to pay homage to their culture and the beauty of their works.   The exhibit is a visual discussion between these two artists who in their work experience the cultural memory of the people they portray.\r\n\r\nAmy Diaz Newman received a Bachelors Degree in Art History from Rutgers University before earning a certificate in Art Education from Moore College of Art &amp; Design. For the past nine years, she has been the Visual Arts Instructor at Esperanza Academy Charter High School.  Priscilla Anacakuyani Bell graduated with an Associate in the Arts from Philadelphia Community College and obtained a BFA in 2D Fine Arts from Moore College of Art and Design.\r\n\r\n&nbsp;','Seeing in/Seeing Out: Two Journeys of Cultural Memory from Yucatán to Borikén','','draft','closed','closed','','seeing-inseeing-out-two-journeys-of-cultural-memory-from-yucatan-to-boriken','','','2014-05-22 11:55:55','2014-05-22 15:55:55','',0,'http://tallerpr.org/?p=575',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (576,2,'2013-12-04 05:52:43','2013-12-04 10:52:43','<p style=\"text-align: center;\"><b>February 10 – March 31, 2012</b></p>\r\nPriscilla Anacakuyani Bell and Amy Diaz Newman are two Philadelphia artists who approach the power of indigenous cultures differently.  Bell is seeing out in her journey to understand and embrace her Taíno roots while Diaz is seeing in, specifically, the people of the Yucatán, to pay homage to their culture and the beauty of their works.   The exhibit is a visual discussion between these two artists who in their work experience the cultural memory of the people they portray.\r\n\r\nAmy Diaz Newman received a Bachelors Degree in Art History from Rutgers University before earning a certificate in Art Education from Moore College of Art &amp; Design. For the past nine years, she has been the Visual Arts Instructor at Esperanza Academy Charter High School.  Priscilla Anacakuyani Bell graduated with an Associate in the Arts from Philadelphia Community College and obtained a BFA in 2D Fine Arts from Moore College of Art and Design.\r\n\r\n&nbsp;','Seeing in/Seeing Out: Two Journeys of Cultural Memory from Yucatán to Borikén','','inherit','closed','open','','575-revision-v1','','','2013-12-04 05:52:43','2013-12-04 10:52:43','',575,'http://tallerpr.org/2013/12/04/575-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (577,2,'2013-12-04 05:56:16','2013-12-04 10:56:16','<p style=\"text-align: center;\"><b>April 20 – May 31, 2012</b></p>\r\n<b>David Antonio Cruz </b>A multifaceted exhibition<b> </b>featuring painting, sculpture, sound and video that explores migration, gluttony, duende, exclusivity and consumption of the American Dream.  David Antonio Cruz received a BFA from Pratt Institute in New York, an MFA from Yale University in New Haven, Connecticut, and completed a residency at the Skowhegan School of Painting and Sculpture in Skowhagen, Maine. Select exhibitions include the Jersey City Museum in New Jersey, the Bronx Museum in New York, and El Museo de Arte de Puerto Rico in San Juan, Puerto Rico. David Antonio Cruz lives and works in Brooklyn.','Take a Bite, el duende always travels…light','','draft','closed','closed','','take-a-bite-el-duende-always-travelslight','','','2014-05-22 11:55:55','2014-05-22 15:55:55','',0,'http://tallerpr.org/?p=577',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (578,2,'2013-12-04 05:56:16','2013-12-04 10:56:16','<p style=\"text-align: center;\"><b>April 20 – May 31, 2012</b></p>\r\n<b>David Antonio Cruz </b>A multifaceted exhibition<b> </b>featuring painting, sculpture, sound and video that explores migration, gluttony, duende, exclusivity and consumption of the American Dream.  David Antonio Cruz received a BFA from Pratt Institute in New York, an MFA from Yale University in New Haven, Connecticut, and completed a residency at the Skowhegan School of Painting and Sculpture in Skowhagen, Maine. Select exhibitions include the Jersey City Museum in New Jersey, the Bronx Museum in New York, and El Museo de Arte de Puerto Rico in San Juan, Puerto Rico. David Antonio Cruz lives and works in Brooklyn.','Take a Bite, el duende always travels…light','','inherit','closed','open','','577-revision-v1','','','2013-12-04 05:56:16','2013-12-04 10:56:16','',577,'http://tallerpr.org/2013/12/04/577-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (579,2,'2013-12-04 06:27:31','2013-12-04 11:27:31','<p style=\"text-align: center;\"><b>June 15 – July 20, 2012</b></p>\r\n<b><i>Marta Sanchez\'s</i></b> exhibition is a compilation of three art installations and a series of recent small paintings that interweave iconography, narrative landscapes and till lifes.  Proceeds benefit a number of efforts including Cascarones por la Vida and Tall','Arte Bendito/Arte Filantropico (Blessed Art/Philanthropic Art)','','draft','closed','closed','','arte-benditoarte-filantropico-blessed-artphilanthropic-art','','','2014-05-22 11:55:55','2014-05-22 15:55:55','',0,'http://tallerpr.org/?p=579',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (580,2,'2013-12-04 06:27:31','2013-12-04 11:27:31','<p style=\"text-align: center;\"><b>June 15 – July 20, 2012</b></p>\r\n<b><i>Marta Sanchez\'s</i></b> exhibition is a compilation of three art installations and a series of recent small paintings that interweave iconography, narrative landscapes and till lifes.  Proceeds benefit a number of efforts including Cascarones por la Vida and Tall','Arte Bendito/Arte Filantropico (Blessed Art/Philanthropic Art)','','inherit','closed','open','','579-revision-v1','','','2013-12-04 06:27:31','2013-12-04 11:27:31','',579,'http://tallerpr.org/2013/12/04/579-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (581,2,'2013-12-04 06:41:51','2013-12-04 11:41:51','<p style=\"text-align: center;\"><b>August 10 - September 14, 2012</b></p>\r\nHighlights of  the children and youth’s work from the previous year after school programs and summer camp.  A sample of the work traveled to the Philadelphia Museum of Art Division of Education Gallery in August, and another sample was presented at the School District facilities in North Broad Street in September/October.\r\n\r\n&nbsp;','Children and Youth Create Art (2012)','','draft','closed','closed','','children-and-youth-create-art-2012','','','2014-05-22 11:55:55','2014-05-22 15:55:55','',0,'http://tallerpr.org/?p=581',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (582,2,'2013-12-04 06:41:51','2013-12-04 11:41:51','<p style=\"text-align: center;\"><b>August 10 - September 14, 2012</b></p>\r\nHighlights of  the children and youth’s work from the previous year after school programs and summer camp.  A sample of the work traveled to the Philadelphia Museum of Art Division of Education Gallery in August, and another sample was presented at the School District facilities in North Broad Street in September/October.\r\n\r\n&nbsp;','Children and Youth Create Art (2012)','','inherit','closed','open','','581-revision-v1','','','2013-12-04 06:41:51','2013-12-04 11:41:51','',581,'http://tallerpr.org/2013/12/04/581-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (583,2,'2013-12-04 06:43:07','2013-12-04 11:43:07','&nbsp;\r\n\r\nHighlights of  the children and youth’s work from the previous year after school programs and summer camp.  A sample of the work traveled to the Philadelphia Museum of Art Division of Education Gallery in August, and another sample was presented at the School District facilities in North Broad Street in September/October.\r\n\r\n&nbsp;','Children and Youth Create Art (2011) dates?','','draft','closed','closed','','children-and-youth-create-art-2011','','','2014-05-22 11:55:55','2014-05-22 15:55:55','',0,'http://tallerpr.org/?p=583',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (584,2,'2013-12-04 06:43:07','2013-12-04 11:43:07','&nbsp;\r\n\r\nHighlights of  the children and youth’s work from the previous year after school programs and summer camp.  A sample of the work traveled to the Philadelphia Museum of Art Division of Education Gallery in August, and another sample was presented at the School District facilities in North Broad Street in September/October.\r\n\r\n&nbsp;','Children and Youth Create Art (2011)','','inherit','closed','open','','583-revision-v1','','','2013-12-04 06:43:07','2013-12-04 11:43:07','',583,'http://tallerpr.org/2013/12/04/583-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (585,2,'2013-12-04 06:43:26','2013-12-04 11:43:26','&nbsp;\r\n\r\nHighlights of  the children and youth’s work from the previous year after school programs and summer camp.  A sample of the work traveled to the Philadelphia Museum of Art Division of Education Gallery in August, and another sample was presented at the School District facilities in North Broad Street in September/October.\r\n\r\n&nbsp;','Children and Youth Create Art (2011) dates?','','inherit','closed','open','','583-revision-v1','','','2013-12-04 06:43:26','2013-12-04 11:43:26','',583,'http://tallerpr.org/2013/12/04/583-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (602,2,'2013-12-05 13:21:09','2013-12-05 18:21:09','<h2 style=\"text-align: center;\"><a href=\"http://tallerpr.org/wp-content/uploads/2016/12/Taller-Outside-Slider.jpg\"><img class=\"aligncenter wp-image-6932 size-large\" src=\"http://tallerpr.org/wp-content/uploads/2016/12/Taller-Outside-Slider-1024x341.jpg\" width=\"1024\" height=\"341\" /></a></h2>\n\nTaller Puertorriqueño’s enduring success has been reflected in the <em>unwavering commitment</em> of those who believe that arts and cultural institutions benefit the entire community. <strong>We thank you in advance for your generosity.</strong>\n\nTo donate materials, volunteer, or for more information on membership, donations or Taller\'s mission, please call Dora Viacava at 215.426.3311, or send her an email at <a href=\"mailto:dviacava@tallerpr.org\">dviacava@tallerpr.org</a>.\n\n*Once on the page, check the box to designate your gift to a particular fund, and then select El Corazón Cultural Center.\n\n<table style=\"height: 73px;\" border=\"0\" width=\"1394\" cellspacing=\"0\" cellpadding=\"0\" bgcolor=\"#FFEC99\">\n<tbody>\n<tr>\n<td colspan=\"1\" rowspan=\"1\" align=\"left\">\n<h5><strong style=\"color: #ff0000; font-family: inherit; font-size: 18px; line-height: 18px;\">Complete the form below to make a one-time or recurring donation to Taller.  </strong></h5>\n</td>\n</tr>\n</tbody>\n</table>\n\n[seamless-donations]\n\n<strong><em>*Some employers make matching one-to-one donations. Ask your employer if they have a gift-matching program, and double your impact!</em></strong><em>\n</em>\n\n<a href=\"http://www.guidestar.org/organizations/23-1946165/taller-puertorriqueno.aspx\" target=\"_blank\"><img src=\"http://widgets.guidestar.org/gximage2?o=7105590&amp;l=v4\" alt=\"\" />\n</a><strong>Taller Puertorriqueño is committed to transparency:</strong><strong> </strong>\n<strong><a href=\"http://tallerpr.org/wp-content/uploads/2016/04/TallerPR-990-2014-15.pdf\" rel=\"\">Taller PR 990 2014-15</a> </strong>\n<strong><a href=\"http://tallerpr.org/wp-content/uploads/2016/04/Accomplishments-2014-15.pdf\" rel=\"\">Taller PR Annual Report 2014-15</a>\n<a href=\"http://tallerpr.org/wp-content/uploads/2016/04/Taller-PR-Audit-2014-15-copy.pdf\" rel=\"\">Taller PR Audit 2014-15</a></strong>','Donation','','publish','closed','closed','','donate-online','','','2016-12-22 09:01:11','2016-12-22 14:01:11','<h2 style=\"text-align: center;\"><a href=\"http://tallerpr.org/wp-content/uploads/2016/12/Taller-Outside-Slider.jpg\"><img class=\"aligncenter wp-image-6932 size-large\" src=\"http://tallerpr.org/wp-content/uploads/2016/12/Taller-Outside-Slider-1024x341.jpg\" width=\"1024\" height=\"341\" /></a></h2>\r\nTaller Puertorriqueño’s enduring success has been reflected in the <em>unwavering commitment</em> of those who believe that arts and cultural institutions benefit the entire community. <strong>We thank you in advance for your generosity.</strong>\r\n\r\nTo donate materials, volunteer, or for more information on membership, donations or Taller\'s mission, please call Dora Viacava at 215.426.3311, or send her an email at <a href=\"mailto:dviacava@tallerpr.org\">dviacava@tallerpr.org</a>.\r\n\r\n*Once on the page, check the box to designate your gift to a particular fund, and then select El Corazón Cultural Center.\r\n<table style=\"height: 73px;\" border=\"0\" width=\"1394\" cellspacing=\"0\" cellpadding=\"0\" bgcolor=\"#FFEC99\">\r\n<tbody>\r\n<tr>\r\n<td colspan=\"1\" rowspan=\"1\" align=\"left\">\r\n<h5><strong style=\"color: #ff0000; font-family: inherit; font-size: 18px; line-height: 18px;\">Complete the form below to make a one-time or recurring donation to Taller.  </strong></h5>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n[seamless-donations]\r\n\r\n<strong><em>*Some employers make matching one-to-one donations. Ask your employer if they have a gift-matching program, and double your impact!</em></strong><em>\r\n</em>\r\n\r\n<a href=\"http://www.guidestar.org/organizations/23-1946165/taller-puertorriqueno.aspx\" target=\"_blank\"><img src=\"http://widgets.guidestar.org/gximage2?o=7105590&amp;l=v4\" alt=\"\" />\r\n</a><strong>Taller Puertorriqueño is committed to transparency:</strong><strong> </strong>\r\n<strong><a href=\"http://tallerpr.org/wp-content/uploads/2016/04/TallerPR-990-2014-15.pdf\" rel=\"\">Taller PR 990 2014-15</a> </strong>\r\n<strong><a href=\"http://tallerpr.org/wp-content/uploads/2016/04/Accomplishments-2014-15.pdf\" rel=\"\">Taller PR Annual Report 2014-15</a>\r\n<a href=\"http://tallerpr.org/wp-content/uploads/2016/04/Taller-PR-Audit-2014-15-copy.pdf\" rel=\"\">Taller PR Audit 2014-15</a></strong>',0,'http://tallerpr.org/?page_id=602',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (603,2,'2013-12-05 13:21:09','2013-12-05 18:21:09','[dgx-donate]','Donate to Online','','inherit','closed','open','','602-revision-v1','','','2013-12-05 13:21:09','2013-12-05 18:21:09','',602,'http://tallerpr.org/2013/12/05/602-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (605,2,'2013-12-05 13:28:37','2013-12-05 18:28:37','[dgx-donate]','Donate Online','','inherit','closed','open','','602-revision-v1','','','2013-12-05 13:28:37','2013-12-05 18:28:37','',602,'http://tallerpr.org/2013/12/05/602-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (618,2,'2013-12-05 16:41:08','2013-12-05 21:41:08','Choose the level that is best for you and enjoy the benefits of membership.  Learn about the levels <a title=\"Membership Levels\" href=\"http://tallerpr.org/2013/11/30/membership-levels/\" target=\"_blank\">here</a>.\r\n\r\n<a title=\"What Unites and Defines a Community Discussion\" href=\"http://www.flickr.com/photos/58941148@N03/8427167492/\" rel=\"\"><img title=\"What Unites and Defines a Community Discussion\" alt=\"What Unites and Defines a Community Discussion\" src=\"http://farm9.staticflickr.com/8360/8427167492_7b77549173_q.jpg\" width=\"150\" height=\"150\" /></a>\r\n\r\nTaller Puertorriqueño’s enduring success has been reflected in the unwavering commitment of those who believe that cultural institutions benefit the entire community. Become a member now and promote, support and enjoy Latino arts and culture at the same time receive discounts to events, programs Julia de Burgos Books and Crafts Store and receive members only perks, including:\r\n<ul>\r\n	<li>One year subscription to Taller’s Newsletter</li>\r\n	<li>Invitations to openings, lectures and special events</li>\r\n	<li>Discounts on ticketed events and programs</li>\r\n	<li>Up to 15% discount in the Julia de Burgos Books and Crafts Store</li>\r\n	<li>Discount on Taller Puertorriqueño Cultural Awareness Program and Youth Artist Program</li>\r\n	<li>Registration</li>\r\n	<li>Tax deductible dues</li>\r\n</ul>\r\nInvest in our future by contributing to Taller’s Carmen Febo-San Miguel Endowment Fund at the Philadelphia Foundation. /<em> Apoye el futuro del Taller contribuyendo al fondo permanente Carmen Febo-San Miguel para el Taller Puertorriqueño que se mantiene en la Fundación de Filadelfia.</em>\r\n\r\nYou can also designate Taller as the recipient of your donation through the United Way, Donor Option #185, or Federal Campaign #1021.   For information call /<em>Para información llame al:</em> (215) 426-3311 or The Philadelphia Foundation at (215) 563-6417.\r\n\r\nSome employers make matching one-to-one donations.\r\nAsk your employer if they have a gift-matching program, and double your impact!\r\n\r\nTo donate materials, volunteer or for more information on membership, donations or onTaller mission, please call 215.426.3311.\r\n\r\n<em>*The official registration and financial information of Taller Puertorriqueño, Inc. may be obtained from the Pennsylvania Department of State by calling toll free, within Pennsylvania, 1 (800) 732-0999. Registration does not imply endorsement.</em>\r\n\r\n&nbsp;\r\n\r\n[dgx-donate]','Donate Online','','inherit','closed','open','','602-revision-v1','','','2013-12-05 16:41:08','2013-12-05 21:41:08','',602,'http://tallerpr.org/2013/12/05/602-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (646,2,'2013-12-10 11:24:45','2013-12-10 16:24:45','<div title=\"Page 1\">\r\n<div>\r\n\r\nTaller Puertorriqueño’s proposed move into new facilities, expanding it services to further its mission as an institution that promotes the understanding of Puerto Rican and Latino cultures, was the genesis for its 2012 - 13 exhibition cycle,<strong> Claiming Places: Unity, Ownership, and “Hogar” (Home)</strong>. In the Puerto Rican barrios around Taller abundant affordable housing and work spaces is luring in artists, young professionals, and first time home buyers who are not Latino. Also coming into the mix are Latinos who are not Puerto Rican. This increase in demand and diversity in the area while not alleviating the needs of the Puerto Rican community there has set the stage for a full investigation of what it means for Puerto Ricans and the Latino community in general to claim a place as their own. This is within the context of the Puerto Rican neighborhoods of North Philadelphia, Mexican immigration, changing attitudes of the youth, and acknowledgment of varying aspirations and viewpoints within the Latino community. This conglomeration paired with the need and demand for better public services, employment opportunities and understanding set this investigative cycle in motion.\r\n\r\nIn constructing this cycle we started with the premise that affirming ones Latino ethnic heritage is a political statement and a form of placemaking. Just think of the controversy over Latino studies programs(1) in some quarters of the country, the underfunding of bilingual education(2) , and in the inability for politicians to find common ground on immigration reform (this despite a growing national consensus to solve this (3)), and see that Latinos who were not political feel nonetheless politicized by their very presence or absence. In this light, any action taken by Latinos in America to assert themselves and their heritage is place making, and artists, whose work may seem far removed from these discussions, are nevertheless drawn in. Pressures on the Latino community is also displayed by cutting public funding for social services for the most neediest and replacing it by Neo Liberal models that call for privatization and the marketing of culture (4) (while at the same time white washing any cultural distinctions by applying universalist calls for Latindad without acknowledging national distinctions (5).) This meant that for this cycle we had to cast a wide net to show the different views points of the Latino community, that which we have now, the immigrant, the contemporary, the next generation, and the transnational. This then is an unconventional exhibition cycle that was challenging to the artists who were, for some, asked to move away from the comfort zone of their disciplines and to think of the idea of what is their community and how they fit in.\r\n\r\nThe eight selected exhibitions for the cycle come from a variety of communities and disciplines. All these exhibitions highlight the distinct ways Latino artists are seeing their world and claiming place within their community. In the cycle we show works from artists and groups who reflected on the concept of claiming places. The exhibitions include:\r\n<ul>\r\n	<li><a title=\"No Me Conformo\" href=\"http://claimingplaces.blogspot.com/2012/10/cesar-viveros-herrera-no-me-conformo.html\" target=\"_blank\">No Me Conformo [I don’t Conform nor Accept]</a>, 9/28 - 11/10/2012, César Viveros Herrera, born in Mexico, muralist and traditional Aztec and Mayan Performer;</li>\r\n	<li><a title=\"Aqui Estamos\" href=\"http://claimingplaces.blogspot.com/2013/09/aqui-estamos.html\" target=\"_blank\">Aqui Estamos [Here We Are)</a>, 9/28 - 12/1/2012, Ahdanah (Leticia Roa Nixon), born in Mexico, photo journalist and author;</li>\r\n	<li><a title=\"TRIANGULATIONS: Revisiting OYWPP\" href=\"http://claimingplaces.blogspot.com/2012/11/triangulations-revisting-oywpp-meria.html\" target=\"_blank\">Triangulations: Revisiting OYWPP</a>, 12/7 - 1/19/2013, Merián Soto, from Puerto Rico, a choreographer and dancer;</li>\r\n	<li><a title=\"Dreams &amp; Realities\" href=\"http://claimingplaces.blogspot.com/search/label/Dreams%20and%20Realities\" target=\"_blank\">Dreams &amp; Realities</a>, 1/25 - 3/23/2013, Philadelphia student artists from Taller’s Youth Artist Program (YAP);</li>\r\n	<li><a title=\"Entre Sombras - Site of Memory\" href=\"http://claimingplaces.blogspot.com/2013/01/esperanza-cortes-in-entre-sombras-site.html\" target=\"_blank\">Entre Sombras - Site of Memory</a>, 2/8 - 3/30/2013, Esperanza Cortés, born in Colombia, installation artist and painter;</li>\r\n	<li><a title=\"CP LAB\" href=\"http://claimingplaces.blogspot.com/2013/03/cp-lab-opens-for-business-march-30.html\" target=\"_blank\">CP LAB</a>, 3/30 - 7/19/2013, Ariel Vazquez, born in Dominican Republic, an urban planner, and the Counter Narrative Society’s (CNS), from Chili and San Francisco, an artistic-research-activist unit;</li>\r\n	<li><a title=\"Furturo Metalico\" href=\"http://claimingplaces.blogspot.com/2013/03/dino-vazquez-futuro-metalico.html\" target=\"_blank\">Futuro Metálico</a>, 4/19 - 5/25/2013, Dino Vazquez, born in Puerto Rico, artist and vernacular architect;</li>\r\n	<li><a title=\"Photography Without Borders\" href=\"http://claimingplaces.blogspot.com/2013/05/photography-without-borders.html\" target=\"_blank\">Photography Without Borders (PWB) The Exhibition</a>, 6/14 - 7/20/2013, Tony Rocco and the children from North Philadelphia and La Florida, Colombia, photography exhibition.</li>\r\n</ul>\r\n- Rafael Damast\r\n\r\n1 “Rift in Arizona as Latino Class Is Found Illegal” - NYT 1/7/2011\r\n2 “Suburban Chicago Schools Lag as Bilingual Needs Grow” - NYT 2/9/2012\r\n\r\n3 “POLL AFTER POLL: AMERICAN PUBLIC WANTS IMMIGRATION REFORM WITH CITIZENSHIP,” Americas Voice Online, 1/23/13, An aggregate of polling data :http://goo.gl/34R8P\r\n\r\n4 Arlene Davila, Barrio Dreams, 2004\r\n\r\n5 Arlene Davila, Barrio Dreams, 2004 &amp; Balch Institute for Ethnic Studies of the Historical Society of Philadelphia, Latino Philadelphia:Our Journeys, Our Communities, 2004\r\n\r\n</div>\r\n<img alt=\"page1image24920\" src=\"file:///page1image24920\" width=\"100.500000\" height=\"0.500000\" />\r\n\r\n</div>\r\n<div title=\"Page 2\">\r\n\r\n&nbsp;\r\n\r\n</div>','The Artists in Claiming Places ','','draft','closed','closed','','the-artists-in-claiming-places','','','2014-05-22 11:55:55','2014-05-22 15:55:55','',0,'http://tallerpr.org/?p=646',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (647,2,'2013-12-10 11:24:45','2013-12-10 16:24:45','<div title=\"Page 1\">\r\n<div>\r\n\r\nTaller Puertorriqueño’s proposed move into new facilities, expanding it services to further its mission as an institution that promotes the understanding of Puerto Rican and Latino cultures, was the genesis for its 2012 - 13 exhibition cycle,<strong> Claiming Places: Unity, Ownership, and “Hogar” (Home)</strong>. In the Puerto Rican barrios around Taller abundant affordable housing and work spaces is luring in artists, young professionals, and first time home buyers who are not Latino. Also coming into the mix are Latinos who are not Puerto Rican. This increase in demand and diversity in the area while not alleviating the needs of the Puerto Rican community there has set the stage for a full investigation of what it means for Puerto Ricans and the Latino community in general to claim a place as their own. This is within the context of the Puerto Rican neighborhoods of North Philadelphia, Mexican immigration, changing attitudes of the youth, and acknowledgment of varying aspirations and viewpoints within the Latino community. This conglomeration paired with the need and demand for better public services, employment opportunities and understanding set this investigative cycle in motion.\r\n\r\nIn constructing this cycle we started with the premise that affirming ones Latino ethnic heritage is a political statement and a form of placemaking. Just think of the controversy over Latino studies programs(1) in some quarters of the country, the underfunding of bilingual education(2) , and in the inability for politicians to find common ground on immigration reform (this despite a growing national consensus to solve this (3)), and see that Latinos who were not political feel nonetheless politicized by their very presence or absence. In this light, any action taken by Latinos in America to assert themselves and their heritage is place making, and artists, whose work may seem far removed from these discussions, are nevertheless drawn in. Pressures on the Latino community is also displayed by cutting public funding for social services for the most neediest and replacing it by Neo Liberal models that call for privatization and the marketing of culture (4) (while at the same time white washing any cultural distinctions by applying universalist calls for Latindad without acknowledging national distinctions (5).) This meant that for this cycle we had to cast a wide net to show the different views points of the Latino community, that which we have now, the immigrant, the contemporary, the next generation, and the transnational. This then is an unconventional exhibition cycle that was challenging to the artists who were, for some, asked to move away from the comfort zone of their disciplines and to think of the idea of what is their community and how they fit in.\r\n\r\nThe eight selected exhibitions for the cycle come from a variety of communities and disciplines. All these exhibitions highlight the distinct ways Latino artists are seeing their world and claiming place within their community. In the cycle we show works from artists and groups who reflected on the concept of claiming places. The exhibitions include:\r\n<ul>\r\n	<li><a title=\"No Me Conformo\" href=\"http://claimingplaces.blogspot.com/2012/10/cesar-viveros-herrera-no-me-conformo.html\" target=\"_blank\">No Me Conformo [I don’t Conform nor Accept]</a>, 9/28 - 11/10/2012, César Viveros Herrera, born in Mexico, muralist and traditional Aztec and Mayan Performer;</li>\r\n	<li><a title=\"Aqui Estamos\" href=\"http://claimingplaces.blogspot.com/2013/09/aqui-estamos.html\" target=\"_blank\">Aqui Estamos [Here We Are)</a>, 9/28 - 12/1/2012, Ahdanah (Leticia Roa Nixon), born in Mexico, photo journalist and author;</li>\r\n	<li><a title=\"TRIANGULATIONS: Revisiting OYWPP\" href=\"http://claimingplaces.blogspot.com/2012/11/triangulations-revisting-oywpp-meria.html\" target=\"_blank\">Triangulations: Revisiting OYWPP</a>, 12/7 - 1/19/2013, Merián Soto, from Puerto Rico, a choreographer and dancer;</li>\r\n	<li><a title=\"Dreams &amp; Realities\" href=\"http://claimingplaces.blogspot.com/search/label/Dreams%20and%20Realities\" target=\"_blank\">Dreams &amp; Realities</a>, 1/25 - 3/23/2013, Philadelphia student artists from Taller’s Youth Artist Program (YAP);</li>\r\n	<li><a title=\"Entre Sombras - Site of Memory\" href=\"http://claimingplaces.blogspot.com/2013/01/esperanza-cortes-in-entre-sombras-site.html\" target=\"_blank\">Entre Sombras - Site of Memory</a>, 2/8 - 3/30/2013, Esperanza Cortés, born in Colombia, installation artist and painter;</li>\r\n	<li><a title=\"CP LAB\" href=\"http://claimingplaces.blogspot.com/2013/03/cp-lab-opens-for-business-march-30.html\" target=\"_blank\">CP LAB</a>, 3/30 - 7/19/2013, Ariel Vazquez, born in Dominican Republic, an urban planner, and the Counter Narrative Society’s (CNS), from Chili and San Francisco, an artistic-research-activist unit;</li>\r\n	<li><a title=\"Furturo Metalico\" href=\"http://claimingplaces.blogspot.com/2013/03/dino-vazquez-futuro-metalico.html\" target=\"_blank\">Futuro Metálico</a>, 4/19 - 5/25/2013, Dino Vazquez, born in Puerto Rico, artist and vernacular architect;</li>\r\n	<li><a title=\"Photography Without Borders\" href=\"http://claimingplaces.blogspot.com/2013/05/photography-without-borders.html\" target=\"_blank\">Photography Without Borders (PWB) The Exhibition</a>, 6/14 - 7/20/2013, Tony Rocco and the children from North Philadelphia and La Florida, Colombia, photography exhibition.</li>\r\n</ul>\r\n1 “Rift in Arizona as Latino Class Is Found Illegal” - NYT 1/7/2011\r\n2 “Suburban Chicago Schools Lag as Bilingual Needs Grow” - NYT 2/9/2012\r\n\r\n3 “POLL AFTER POLL: AMERICAN PUBLIC WANTS IMMIGRATION REFORM WITH CITIZENSHIP,” Americas Voice Online, 1/23/13, An aggregate of polling data :http://goo.gl/34R8P\r\n\r\n4 Arlene Davila, Barrio Dreams, 2004\r\n\r\n5 Arlene Davila, Barrio Dreams, 2004 &amp; Balch Institute for Ethnic Studies of the Historical Society of Philadelphia, Latino Philadelphia:Our Journeys, Our Communities, 2004\r\n\r\n</div>\r\n<img alt=\"page1image24920\" src=\"file:///page1image24920\" width=\"100.500000\" height=\"0.500000\" /></div>\r\n<div title=\"Page 2\">\r\n\r\n&nbsp;\r\n\r\n</div>','The Artists in Claiming Places ','','inherit','closed','open','','646-revision-v1','','','2013-12-10 11:24:45','2013-12-10 16:24:45','',646,'http://tallerpr.org/2013/12/10/646-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (648,2,'2013-12-10 11:25:30','2013-12-10 16:25:30','<div title=\"Page 1\">\r\n<div>\r\n\r\nTaller Puertorriqueño’s proposed move into new facilities, expanding it services to further its mission as an institution that promotes the understanding of Puerto Rican and Latino cultures, was the genesis for its 2012 - 13 exhibition cycle,<strong> Claiming Places: Unity, Ownership, and “Hogar” (Home)</strong>. In the Puerto Rican barrios around Taller abundant affordable housing and work spaces is luring in artists, young professionals, and first time home buyers who are not Latino. Also coming into the mix are Latinos who are not Puerto Rican. This increase in demand and diversity in the area while not alleviating the needs of the Puerto Rican community there has set the stage for a full investigation of what it means for Puerto Ricans and the Latino community in general to claim a place as their own. This is within the context of the Puerto Rican neighborhoods of North Philadelphia, Mexican immigration, changing attitudes of the youth, and acknowledgment of varying aspirations and viewpoints within the Latino community. This conglomeration paired with the need and demand for better public services, employment opportunities and understanding set this investigative cycle in motion.\r\n\r\nIn constructing this cycle we started with the premise that affirming ones Latino ethnic heritage is a political statement and a form of placemaking. Just think of the controversy over Latino studies programs(1) in some quarters of the country, the underfunding of bilingual education(2) , and in the inability for politicians to find common ground on immigration reform (this despite a growing national consensus to solve this (3)), and see that Latinos who were not political feel nonetheless politicized by their very presence or absence. In this light, any action taken by Latinos in America to assert themselves and their heritage is place making, and artists, whose work may seem far removed from these discussions, are nevertheless drawn in. Pressures on the Latino community is also displayed by cutting public funding for social services for the most neediest and replacing it by Neo Liberal models that call for privatization and the marketing of culture (4) (while at the same time white washing any cultural distinctions by applying universalist calls for Latindad without acknowledging national distinctions (5).) This meant that for this cycle we had to cast a wide net to show the different views points of the Latino community, that which we have now, the immigrant, the contemporary, the next generation, and the transnational. This then is an unconventional exhibition cycle that was challenging to the artists who were, for some, asked to move away from the comfort zone of their disciplines and to think of the idea of what is their community and how they fit in.\r\n\r\nThe eight selected exhibitions for the cycle come from a variety of communities and disciplines. All these exhibitions highlight the distinct ways Latino artists are seeing their world and claiming place within their community. In the cycle we show works from artists and groups who reflected on the concept of claiming places. The exhibitions include:\r\n<ul>\r\n	<li><a title=\"No Me Conformo\" href=\"http://claimingplaces.blogspot.com/2012/10/cesar-viveros-herrera-no-me-conformo.html\" target=\"_blank\">No Me Conformo [I don’t Conform nor Accept]</a>, 9/28 - 11/10/2012, César Viveros Herrera, born in Mexico, muralist and traditional Aztec and Mayan Performer;</li>\r\n	<li><a title=\"Aqui Estamos\" href=\"http://claimingplaces.blogspot.com/2013/09/aqui-estamos.html\" target=\"_blank\">Aqui Estamos [Here We Are)</a>, 9/28 - 12/1/2012, Ahdanah (Leticia Roa Nixon), born in Mexico, photo journalist and author;</li>\r\n	<li><a title=\"TRIANGULATIONS: Revisiting OYWPP\" href=\"http://claimingplaces.blogspot.com/2012/11/triangulations-revisting-oywpp-meria.html\" target=\"_blank\">Triangulations: Revisiting OYWPP</a>, 12/7 - 1/19/2013, Merián Soto, from Puerto Rico, a choreographer and dancer;</li>\r\n	<li><a title=\"Dreams &amp; Realities\" href=\"http://claimingplaces.blogspot.com/search/label/Dreams%20and%20Realities\" target=\"_blank\">Dreams &amp; Realities</a>, 1/25 - 3/23/2013, Philadelphia student artists from Taller’s Youth Artist Program (YAP);</li>\r\n	<li><a title=\"Entre Sombras - Site of Memory\" href=\"http://claimingplaces.blogspot.com/2013/01/esperanza-cortes-in-entre-sombras-site.html\" target=\"_blank\">Entre Sombras - Site of Memory</a>, 2/8 - 3/30/2013, Esperanza Cortés, born in Colombia, installation artist and painter;</li>\r\n	<li><a title=\"CP LAB\" href=\"http://claimingplaces.blogspot.com/2013/03/cp-lab-opens-for-business-march-30.html\" target=\"_blank\">CP LAB</a>, 3/30 - 7/19/2013, Ariel Vazquez, born in Dominican Republic, an urban planner, and the Counter Narrative Society’s (CNS), from Chili and San Francisco, an artistic-research-activist unit;</li>\r\n	<li><a title=\"Furturo Metalico\" href=\"http://claimingplaces.blogspot.com/2013/03/dino-vazquez-futuro-metalico.html\" target=\"_blank\">Futuro Metálico</a>, 4/19 - 5/25/2013, Dino Vazquez, born in Puerto Rico, artist and vernacular architect;</li>\r\n	<li><a title=\"Photography Without Borders\" href=\"http://claimingplaces.blogspot.com/2013/05/photography-without-borders.html\" target=\"_blank\">Photography Without Borders (PWB) The Exhibition</a>, 6/14 - 7/20/2013, Tony Rocco and the children from North Philadelphia and La Florida, Colombia, photography exhibition.</li>\r\n</ul>\r\n- Rafael Damast\r\n\r\n1 “Rift in Arizona as Latino Class Is Found Illegal” - NYT 1/7/2011\r\n2 “Suburban Chicago Schools Lag as Bilingual Needs Grow” - NYT 2/9/2012\r\n\r\n3 “POLL AFTER POLL: AMERICAN PUBLIC WANTS IMMIGRATION REFORM WITH CITIZENSHIP,” Americas Voice Online, 1/23/13, An aggregate of polling data :http://goo.gl/34R8P\r\n\r\n4 Arlene Davila, Barrio Dreams, 2004\r\n\r\n5 Arlene Davila, Barrio Dreams, 2004 &amp; Balch Institute for Ethnic Studies of the Historical Society of Philadelphia, Latino Philadelphia:Our Journeys, Our Communities, 2004\r\n\r\n</div>\r\n<img alt=\"page1image24920\" src=\"file:///page1image24920\" width=\"100.500000\" height=\"0.500000\" />\r\n\r\n</div>\r\n<div title=\"Page 2\">\r\n\r\n&nbsp;\r\n\r\n</div>','The Artists in Claiming Places ','','inherit','closed','open','','646-revision-v1','','','2013-12-10 11:25:30','2013-12-10 16:25:30','',646,'http://tallerpr.org/2013/12/10/646-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (651,2,'2013-12-04 11:55:18','2013-12-04 16:55:18','<p style=\"text-align: center;\"><a href=\"http://tallerpr.org/wp-content/uploads/2013/12/8169319558_3cd49cd688.jpg\"><img class=\"size-full wp-image-653 aligncenter\" alt=\"8169319558_3cd49cd688\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/8169319558_3cd49cd688.jpg\" width=\"500\" height=\"379\" /></a></p>\r\n<p style=\"text-align: center;\">February 10 - April 28th, 2012</p>\r\n<p style=\"text-align: center;\">in El Vestíbulo Exhibition Space</p>\r\nNatalie Negrón’s abstract works in Vinylbomb feature a diverse assemblage of patterns, textures and materials. Negrón is a mixed media artist who utilizes various print techniques, vinyl cutouts and collaged aspects. She makes reference to both the manmade and natural world, classic printmaking techniques, graffiti and industrial materials. Negrón’s pieces present an energetic collection of work featuring bold colors, graphic patterns and a unique, captivating style.\r\n\r\nCurated by Katherine M. Heilman\r\n\r\n&nbsp;','Natalie Negrón, Vinylbomb','','draft','closed','closed','','natalie-negron-vinylbomb','','','2014-05-22 11:55:55','2014-05-22 15:55:55','',0,'http://tallerpr.org/?p=651',0,'post','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (652,2,'2013-12-10 11:53:00','2013-12-10 16:53:00','','7865119824_38b0512bab','','inherit','closed','open','','7865119824_38b0512bab','','','2013-12-10 11:53:00','2013-12-10 16:53:00','',651,'http://tallerpr.org/wp-content/uploads/2013/12/7865119824_38b0512bab.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (653,2,'2013-12-10 11:54:42','2013-12-10 16:54:42','','8169319558_3cd49cd688','','inherit','closed','open','','8169319558_3cd49cd688','','','2013-12-10 11:54:42','2013-12-10 16:54:42','',651,'http://tallerpr.org/wp-content/uploads/2013/12/8169319558_3cd49cd688.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (654,2,'2013-12-10 11:55:18','2013-12-10 16:55:18','<p style=\"text-align: center;\"><a href=\"http://tallerpr.org/wp-content/uploads/2013/12/8169319558_3cd49cd688.jpg\"><img class=\"size-full wp-image-653 aligncenter\" alt=\"8169319558_3cd49cd688\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/8169319558_3cd49cd688.jpg\" width=\"500\" height=\"379\" /></a></p>\r\n<p style=\"text-align: center;\">February 10 - April 28th, 2012</p>\r\n<p style=\"text-align: center;\">in El Vestíbulo Exhibition Space</p>\r\nNatalie Negrón’s abstract works in Vinylbomb feature a diverse assemblage of patterns, textures and materials. Negrón is a mixed media artist who utilizes various print techniques, vinyl cutouts and collaged aspects. She makes reference to both the manmade and natural world, classic printmaking techniques, graffiti and industrial materials. Negrón’s pieces present an energetic collection of work featuring bold colors, graphic patterns and a unique, captivating style.\r\n\r\nThe exhibition was curated by Katherine M. Heilman\r\n\r\n&nbsp;','Natalie Negrón, Vinylbomb','','inherit','closed','open','','651-revision-v1','','','2013-12-10 11:55:18','2013-12-10 16:55:18','',651,'http://tallerpr.org/2013/12/10/651-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (655,2,'2013-12-10 11:56:09','2013-12-10 16:56:09','<p style=\"text-align: center;\"><a href=\"http://tallerpr.org/wp-content/uploads/2013/12/8169319558_3cd49cd688.jpg\"><img class=\"size-full wp-image-653 aligncenter\" alt=\"8169319558_3cd49cd688\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/8169319558_3cd49cd688.jpg\" width=\"500\" height=\"379\" /></a></p>\r\n<p style=\"text-align: center;\">February 10 - April 28th, 2012</p>\r\n<p style=\"text-align: center;\">in El Vestíbulo Exhibition Space</p>\r\nNatalie Negrón’s abstract works in Vinylbomb feature a diverse assemblage of patterns, textures and materials. Negrón is a mixed media artist who utilizes various print techniques, vinyl cutouts and collaged aspects. She makes reference to both the manmade and natural world, classic printmaking techniques, graffiti and industrial materials. Negrón’s pieces present an energetic collection of work featuring bold colors, graphic patterns and a unique, captivating style.\r\n\r\nCurated by Katherine M. Heilman\r\n\r\n&nbsp;','Natalie Negrón, Vinylbomb','','inherit','closed','open','','651-revision-v1','','','2013-12-10 11:56:09','2013-12-10 16:56:09','',651,'http://tallerpr.org/2013/12/10/651-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (659,2,'2013-12-11 14:54:28','2013-12-11 19:54:28','<iframe width=\"425\" height=\"350\" frameborder=\"0\" scrolling=\"no\" marginheight=\"0\" marginwidth=\"0\" src=\"https://maps.google.com/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=Taller+Puertorriqueno+Inc,+North+5th+Street,+Philadelphia,+PA&amp;aq=0&amp;oq=taller+Puertorriquenno&amp;sll=39.960695,-75.147661&amp;sspn=0.107629,0.199642&amp;dirflg=b&amp;ie=UTF8&amp;hq=Taller+Puertorriqueno+Inc,&amp;hnear=N+5th+St,+Philadelphia,+Pennsylvania&amp;t=m&amp;z=14&amp;iwloc=A&amp;cid=8111799380442915809&amp;ll=39.992725,-75.140023&amp;output=embed\"></iframe><br /><small><a href=\"https://maps.google.com/maps?f=q&amp;source=embed&amp;hl=en&amp;geocode=&amp;q=Taller+Puertorriqueno+Inc,+North+5th+Street,+Philadelphia,+PA&amp;aq=0&amp;oq=taller+Puertorriquenno&amp;sll=39.960695,-75.147661&amp;sspn=0.107629,0.199642&amp;dirflg=b&amp;ie=UTF8&amp;hq=Taller+Puertorriqueno+Inc,&amp;hnear=N+5th+St,+Philadelphia,+Pennsylvania&amp;t=m&amp;z=14&amp;iwloc=A&amp;cid=8111799380442915809&amp;ll=39.992725,-75.140023\" style=\"color:#0000FF;text-align:left\">View Larger Map</a></small></p>\r\n<strong>Taller Puertorriqueño</strong>\r\nGift Shop, Gallery, La Finca Café, and Administrative Offices:\r\n2721 North 5th Street\r\nPhiladelphia, PA 19133\r\nPhone (215) 426-3311\r\nFax (215) 426-5682\r\n\r\nHOURS:\r\nMonday through Friday 9 a.m. to 5 p.m.\r\nSaturday 10 a.m. to 6 p.m. and special events\r\nClosed daily 12 noon-1 p.m. and on Sundays\r\n<span style=\"color: #0000ee;\"><i><span style=\"text-decoration: underline;\">\r\n</span></i></span><strong>Education Building and Roberto P. Hernández Theater</strong>\r\n2557 North 5th Street\r\nPhiladelphia, PA 19133\r\nPhone (215) 423-6320\r\nFax (215) 423-6248\r\n\r\nHOURS:\r\nMonday through Friday 10 a.m. to 6 p.m.\r\nClosed Saturday and Sunday.','Visit Us','','inherit','closed','open','','33-revision-v1','','','2013-12-11 14:54:28','2013-12-11 19:54:28','',33,'http://tallerpr.org/2013/12/11/33-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (660,2,'2018-01-06 11:48:12','2018-01-06 16:48:12','<strong style=\"color: #000000; font-family: \'Helvetica Neue\', Helvetica, Arial, sans-serif; font-size: 32px;\">Taller Puertorriqueño</strong>\n\n<div style=\"padding-left: 30px;\"><a href=\"https://www.google.com/maps/place/Taller+Puertorriqueno,+Inc/@39.9905963,-75.1427624,17.07z/data=!4m11!1m5!8m4!1e2!2s106135327181811193235!3m1!1e1!3m4!1s0x89c6c81cf50b9427:0x7092e68ef088a3e1!8m2!3d39.9905959!4d-75.14068\" target=\"_blank\" rel=\"noopener noreferrer\">2600 North 5th Street</a>\nPhiladelphia, PA 19133</div>\n\n<div style=\"padding-left: 30px;\">Phone (215) 426-3311 - Administration</div>\n\n<div style=\"padding-left: 30px;\">Phone (215) 423-6320 - Education Programs</div>\n\n<p style=\"padding-left: 30px;\">Directions for taking the #47 bus to Taller are <a title=\"Bus directions.\" href=\"https://goo.gl/maps/VQXiZ5qYFb62\" target=\"_blank\" rel=\"noopener noreferrer\">here</a>.</p>\n\n&nbsp;\n\n<div><span style=\"color: #000000;\"><strong>GALLERY HOURS</strong></span></div>\n\n<p style=\"padding-left: 30px;\">Monday through Friday 10 a.m. to 6 p.m.\nSaturday 9 a.m. to 4 p.m.</p>\n\n&nbsp;\n\n<div><span style=\"color: #000000;\"><strong>EDUCATION PROGRAMS HOURS</strong></span></div>\n\n<div>\n<p style=\"padding-left: 30px;\">Monday through Friday 10 a.m. to 6 p.m.\nClosed Saturday and Sunday</p>\n&nbsp;\n\n</div>\n\n<div><a href=\"https://squareup.com/market/taller-puertorriqueno-inc\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #000000;\"><strong>GIFT SHOP HOURS</strong></span></a></div>\n\n<p style=\"padding-left: 30px;\">Monday through Friday 10 a.m. to 6 p.m.\nSaturday 9 a.m. to 4 p.m.\nClosed daily 12 noon to 1 p.m. and on Sundays</p>\n\n&nbsp;\n\n<div>\n\nFor scheduling group <a href=\"http://tallerpr.org/outreach/visitenos/\" target=\"_blank\" rel=\"noopener\">tours and workshops</a>, contact <a href=\"mailto:dviacava@tallerpr.org\">Dora Viacava</a> at 215.426.3311 x1005.\n\nFor facility rentals, contact <a href=\"mailto:cpardo@tallerpr.org\">Carlos Pardo</a> at 215.426.3311 x2005.\n\n*Gated parking is available at the rear of the building. Use call box to gain entrance.\n\n[gallery type=\"rectangular\" ids=\"8259,8260,6963,6961,8262,8261,6964,7380,8263\"]\n\n&nbsp;\n\n</div>','Visit Us','','inherit','closed','open','','33-autosave-v1','','','2018-01-06 11:48:12','2018-01-06 16:48:12','<strong style=\"color: #000000; font-family: \'Helvetica Neue\', Helvetica, Arial, sans-serif; font-size: 32px;\">Taller Puertorriqueño</strong>\n<div style=\"padding-left: 30px;\"><a href=\"https://www.google.com/maps/place/Taller+Puertorriqueno,+Inc/@39.9905963,-75.1427624,17.07z/data=!4m11!1m5!8m4!1e2!2s106135327181811193235!3m1!1e1!3m4!1s0x89c6c81cf50b9427:0x7092e68ef088a3e1!8m2!3d39.9905959!4d-75.14068\" target=\"_blank\" rel=\"noopener noreferrer\">2600 North 5th Street</a>\nPhiladelphia, PA 19133</div>\n<div style=\"padding-left: 30px;\">Phone (215) 426-3311 - Administration</div>\n<div style=\"padding-left: 30px;\">Phone (215) 423-6320 - Education Programs</div>\n<p style=\"padding-left: 30px;\">Directions for taking the #47 bus to Taller are <a title=\"Bus directions.\" href=\"https://goo.gl/maps/VQXiZ5qYFb62\" target=\"_blank\" rel=\"noopener noreferrer\">here</a>.</p>\n&nbsp;\n<div><span style=\"color: #000000;\"><strong>GALLERY HOURS</strong></span></div>\n<p style=\"padding-left: 30px;\">Monday through Friday 10 a.m. to 6 p.m.\nSaturday 9 a.m. to 4 p.m.</p>\n&nbsp;\n<div><span style=\"color: #000000;\"><strong>EDUCATION PROGRAMS HOURS</strong></span></div>\n<div>\n<p style=\"padding-left: 30px;\">Monday through Friday 10 a.m. to 6 p.m.\nClosed Saturday and Sunday</p>\n&nbsp;\n\n</div>\n<div><a href=\"https://squareup.com/market/taller-puertorriqueno-inc\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #000000;\"><strong>GIFT SHOP HOURS</strong></span></a></div>\n<p style=\"padding-left: 30px;\">Monday through Friday 10 a.m. to 6 p.m.\nSaturday 9 a.m. to 4 p.m.\nClosed daily 12 noon to 1 p.m. and on Sundays</p>\n&nbsp;\n<div>\n\nFor scheduling group <a href=\"http://tallerpr.org/outreach/visitenos/\" target=\"_blank\" rel=\"noopener\">tours and workshops</a>, contact <a href=\"mailto:dviacava@tallerpr.org\">Dora Viacava</a> at 215.426.3311 x1005.\n\nFor facility rentals, contact <a href=\"mailto:cpardo@tallerpr.org\">Carlos Pardo</a> at 215.426.3311 x2005.\n\n*Gated parking is available at the rear of the building. Use call box to gain entrance.\n\n[gallery type=\"rectangular\" ids=\"8259,8260,6963,6961,8262,8261,6964,7380,8263\"]\n\n&nbsp;\n\n</div>',33,'http://tallerpr.org/2013/12/11/33-autosave-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (661,2,'2013-12-11 15:00:40','2013-12-11 20:00:40','<iframe src=\"https://maps.google.com/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=Taller+Puertorriqueno+Inc,+North+5th+Street,+Philadelphia,+PA&amp;aq=0&amp;oq=taller+Puertorriquenno&amp;sll=39.960695,-75.147661&amp;sspn=0.107629,0.199642&amp;dirflg=b&amp;ie=UTF8&amp;hq=Taller+Puertorriqueno+Inc,&amp;hnear=N+5th+St,+Philadelphia,+Pennsylvania&amp;t=m&amp;z=14&amp;iwloc=A&amp;cid=8111799380442915809&amp;ll=39.992725,-75.140023&amp;output=embed\" height=\"350\" width=\"425\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\r\n<small><a style=\"color: #0000ff; text-align: left;\" href=\"https://maps.google.com/maps?f=q&amp;source=embed&amp;hl=en&amp;geocode=&amp;q=Taller+Puertorriqueno+Inc,+North+5th+Street,+Philadelphia,+PA&amp;aq=0&amp;oq=taller+Puertorriquenno&amp;sll=39.960695,-75.147661&amp;sspn=0.107629,0.199642&amp;dirflg=b&amp;ie=UTF8&amp;hq=Taller+Puertorriqueno+Inc,&amp;hnear=N+5th+St,+Philadelphia,+Pennsylvania&amp;t=m&amp;z=14&amp;iwloc=A&amp;cid=8111799380442915809&amp;ll=39.992725,-75.140023\">View Larger Map</a>\r\n</small>\r\n\r\nThe directions on taking the 47 bus to Taller is <a title=\"Bus directions.\" href=\"http://goo.gl/qPocNR\" target=\"_blank\">here</a>.\r\n\r\n<strong>Taller Puertorriqueño</strong>\r\nGift Shop, Gallery, La Finca Café, and Administrative Offices:\r\n2721 North 5th Street\r\nPhiladelphia, PA 19133\r\nPhone (215) 426-3311\r\nFax (215) 426-5682\r\n\r\nHOURS:\r\nMonday through Friday 9 a.m. to 5 p.m.\r\nSaturday 10 a.m. to 6 p.m. and special events\r\nClosed daily 12 noon-1 p.m. and on Sundays\r\n<span style=\"color: #0000ee;\"><i><span style=\"text-decoration: underline;\">\r\n</span></i></span><strong>Education Building and Roberto P. Hernández Theater</strong>\r\n2557 North 5th Street\r\nPhiladelphia, PA 19133\r\nPhone (215) 423-6320\r\nFax (215) 423-6248\r\n\r\nHOURS:\r\nMonday through Friday 10 a.m. to 6 p.m.\r\nClosed Saturday and Sunday.','Visit Us','','inherit','closed','open','','33-revision-v1','','','2013-12-11 15:00:40','2013-12-11 20:00:40','',33,'http://tallerpr.org/2013/12/11/33-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (662,2,'2013-12-11 15:06:06','2013-12-11 20:06:06','<iframe src=\"https://maps.google.com/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=Taller+Puertorriqueno+Inc,+North+5th+Street,+Philadelphia,+PA&amp;aq=0&amp;oq=taller+Puertorriquenno&amp;sll=39.960695,-75.147661&amp;sspn=0.107629,0.199642&amp;dirflg=b&amp;ie=UTF8&amp;hq=Taller+Puertorriqueno+Inc,&amp;hnear=N+5th+St,+Philadelphia,+Pennsylvania&amp;t=m&amp;z=14&amp;iwloc=A&amp;cid=8111799380442915809&amp;ll=39.992725,-75.140023&amp;output=embed\" height=\"350\" width=\"425\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\r\n<small><a style=\"color: #0000ff; text-align: left;\" href=\"https://maps.google.com/maps?f=q&amp;source=embed&amp;hl=en&amp;geocode=&amp;q=Taller+Puertorriqueno+Inc,+North+5th+Street,+Philadelphia,+PA&amp;aq=0&amp;oq=taller+Puertorriquenno&amp;sll=39.960695,-75.147661&amp;sspn=0.107629,0.199642&amp;dirflg=b&amp;ie=UTF8&amp;hq=Taller+Puertorriqueno+Inc,&amp;hnear=N+5th+St,+Philadelphia,+Pennsylvania&amp;t=m&amp;z=14&amp;iwloc=A&amp;cid=8111799380442915809&amp;ll=39.992725,-75.140023\">View Larger Map</a>\r\n</small>\r\n\r\nThe directions on taking the 47 bus to Taller is <a title=\"Bus directions.\" href=\"http://goo.gl/qPocNR\" target=\"_blank\">here</a>.\r\n\r\n<strong>Taller Puertorriqueño</strong>\r\nGift Shop, Gallery, La Finca Café, and Administrative Offices:\r\n2721 North 5th Street\r\nPhiladelphia, PA 19133\r\nPhone (215) 426-3311\r\nFax (215) 426-5682\r\n\r\nHOURS:\r\nMonday through Friday 9 a.m. to 5 p.m.\r\nSaturday 10 a.m. to 6 p.m. and special events\r\nClosed daily 12 noon-1 p.m. and on Sundays\r\n<span style=\"color: #0000ee;\"><i><span style=\"text-decoration: underline;\">\r\n</span></i></span><strong><a title=\"Education\" href=\"http://tallerpr.org/education/\">Education Building </a>and Roberto P. Hernández Theater</strong>\r\n2557 North 5th Street\r\nPhiladelphia, PA 19133\r\nPhone (215) 423-6320\r\nFax (215) 423-6248\r\n\r\nHOURS:\r\nMonday through Friday 10 a.m. to 6 p.m.\r\nClosed Saturday and Sunday.','Visit Us','','inherit','closed','open','','33-revision-v1','','','2013-12-11 15:06:06','2013-12-11 20:06:06','',33,'http://tallerpr.org/2013/12/11/33-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (663,2,'2013-12-12 09:10:16','2013-12-12 14:10:16','Visitenos Artist Program  at Masterman','Taller at Masterman','','inherit','closed','open','','taller-at-masterman','','','2013-12-12 09:10:16','2013-12-12 14:10:16','',788,'http://tallerpr.org/wp-content/uploads/2013/12/5527123616_e410c6e37e_z.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (665,2,'2013-12-12 16:37:16','2013-12-12 21:37:16','','Dreams & Realities Promo Picture','','inherit','closed','open','','8430140688_6a07daf1b5_m','','','2013-12-12 16:37:16','2013-12-12 21:37:16','',0,'http://tallerpr.org/wp-content/uploads/2013/12/8430140688_6a07daf1b5_m.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (666,2,'2013-12-12 16:37:23','2013-12-12 21:37:23','','11111225566_69ceb9c629_o','','inherit','closed','open','','11111225566_69ceb9c629_o','','','2013-12-12 16:37:23','2013-12-12 21:37:23','',0,'http://tallerpr.org/wp-content/uploads/2013/12/11111225566_69ceb9c629_o.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (667,2,'2013-12-12 16:37:26','2013-12-12 21:37:26','','Vejigante Cover','','inherit','closed','open','','11111848915_9d973cfdeb_m','','','2013-12-12 16:37:26','2013-12-12 21:37:26','',0,'http://tallerpr.org/wp-content/uploads/2013/12/11111848915_9d973cfdeb_m.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (668,2,'2013-12-12 18:36:26','2013-12-12 23:36:26','','New Cultural Center','','inherit','closed','open','','exterior-2013-06-09-72dpi','','','2013-12-12 18:36:26','2013-12-12 23:36:26','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Exterior-2013-06-09-72dpi.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (669,2,'2013-12-12 18:36:46','2013-12-12 23:36:46','','Final PDF-Plan-Alternative Auditorium Layout 7dpi','','inherit','closed','open','','final-pdf-plan-alternative-auditorium-layout-7dpi','','','2013-12-12 18:36:46','2013-12-12 23:36:46','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Final-PDF-Plan-Alternative-Auditorium-Layout-7dpi.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (671,2,'2013-12-12 19:28:33','2013-12-13 00:28:33','El Corazón Cultural Center','El Corazón Cultural Center','El Corazón Cultural Center','inherit','closed','open','','exterior-2013-06-09-72dpi-2','','','2015-11-24 09:10:27','2015-11-24 14:10:27','',4677,'http://tallerpr.org/wp-content/uploads/2013/12/Exterior-2013-06-09-72dpi1.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (688,2,'2013-12-12 23:15:34','2013-12-13 04:15:34','','Vejigantes Exhibition','','inherit','closed','open','','vejigantes-exhibition','','','2013-12-12 23:15:34','2013-12-13 04:15:34','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Vejigantes-Exhibition.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (689,2,'2013-12-12 23:15:42','2013-12-13 04:15:42','','Alternative Auditorium Layout','','inherit','closed','open','','alternative-auditorium-layout','','','2013-12-12 23:15:42','2013-12-13 04:15:42','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Alternative-Auditorium-Layout.png',0,'attachment','image/png',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (690,2,'2013-12-12 23:15:47','2013-12-13 04:15:47','','Event','','inherit','closed','open','','event','','','2013-12-12 23:15:47','2013-12-13 04:15:47','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Event.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (691,2,'2013-12-12 23:15:58','2013-12-13 04:15:58','','Exterior Corazon','','inherit','closed','open','','exterior-corazon','','','2013-12-12 23:15:58','2013-12-13 04:15:58','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Exterior-Corazon.png',0,'attachment','image/png',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (692,2,'2013-12-12 23:16:09','2013-12-13 04:16:09','','Revised Interior','','inherit','closed','open','','revised-interior','','','2013-12-12 23:16:09','2013-12-13 04:16:09','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Revised-Interior.png',0,'attachment','image/png',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (693,2,'2013-12-12 23:20:41','2013-12-13 04:20:41','','The New Cultural Heart','','publish','closed','closed','','the-new-cultural-heart','','','2013-12-12 23:27:34','2013-12-13 04:27:34','',0,'http://tallerpr.org/?post_type=slide&#038;p=693',0,'slide','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (694,2,'2013-12-12 23:21:58','2013-12-13 04:21:58','','The Floor Plan','','publish','closed','closed','','the-floor-plan','','','2013-12-12 23:21:58','2013-12-13 04:21:58','',0,'http://tallerpr.org/?post_type=slide&#038;p=694',0,'slide','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (695,2,'2013-12-12 23:22:45','2013-12-13 04:22:45','','The Interior','','publish','closed','closed','','the-interior','','','2013-12-12 23:22:45','2013-12-13 04:22:45','',0,'http://tallerpr.org/?post_type=slide&#038;p=695',0,'slide','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (696,2,'2013-12-12 23:24:05','2013-12-13 04:24:05','','Vejigantes of Puerto Ricos','','publish','closed','closed','','vejigantes-of-puerto-ricos','','','2013-12-12 23:24:05','2013-12-13 04:24:05','',0,'http://tallerpr.org/?post_type=slide&#038;p=696',0,'slide','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (697,2,'2013-12-12 23:25:31','2013-12-13 04:25:31','','Panel Discussion','','publish','closed','closed','','panel-discussion','','','2013-12-12 23:25:31','2013-12-13 04:25:31','',0,'http://tallerpr.org/?post_type=slide&#038;p=697',0,'slide','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (710,2,'2013-12-13 15:50:59','2013-12-13 20:50:59','http://tallerpr.org/wp-content/uploads/2013/12/Taller-PR-Logo-300-Alpha.png','Taller-PR-Logo-300-Alpha.png','','inherit','closed','open','','taller-pr-logo-300-alpha-png','','','2013-12-13 15:50:59','2013-12-13 20:50:59','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Taller-PR-Logo-300-Alpha.png',0,'attachment','image/png',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (711,2,'2013-12-13 15:55:58','2013-12-13 20:55:58','http://tallerpr.org/wp-content/uploads/2013/12/Taller-PR-Logo-300-Alpha2.png','Taller-PR-Logo-300-Alpha2.png','','inherit','closed','open','','taller-pr-logo-300-alpha2-png','','','2013-12-13 15:55:58','2013-12-13 20:55:58','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Taller-PR-Logo-300-Alpha2.png',0,'attachment','image/png',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (721,2,'2013-12-14 06:26:10','2013-12-14 11:26:10','','Donate Now Button','','inherit','closed','open','','donate-now-button','','','2013-12-14 06:26:10','2013-12-14 11:26:10','',795,'http://tallerpr.org/wp-content/uploads/2013/12/Donate-Now-Button.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (722,2,'2013-12-14 06:56:47','2013-12-14 11:56:47','','Join Now Button','','inherit','closed','open','','join-now','','','2013-12-14 06:56:47','2013-12-14 11:56:47','',795,'http://tallerpr.org/wp-content/uploads/2013/12/Join-Now.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (730,2,'2013-12-14 14:47:43','2013-12-14 19:47:43','<img class=\"aligncenter wp-image-8099 size-large\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Shirt-Visitenos-1024x394.jpg\" alt=\"\" width=\"1024\" height=\"394\" />\n\nTaller offers guided neighborhood tours, gallery tours, hands-on art workshops, and themed lectures to school, university, and community groups on site at our El Corazón Cultural Center. These programs emphasize the rich and living traditions of Latino and Puerto Rican art, as well as Taller’s history and the role it plays in our local community.\n\nThese tours and workshops can be in either Spanish or English, and there are different packages you can choose.  For prices, tour, and workshop descriptions download the Visítenos at El Corazón PDF <a href=\"http://tallerpr.org/wp-content/uploads/2017/07/Visitenos-Slip.pdf\" target=\"_blank\" rel=\"noopener\">here</a>.\n\nWe also offer customized tour and workshop packages such as presentations or workshops by exhibition artist(s), tailored Latino studies workshops, and dance and music workshops.\n\nTo schedule tours, field trips, workshops or residencies, contact Dora Viacava, Outreach Director, at 215-426-3311 x1005 or <a href=\"mailto:dviacava@tallerpr.org\">dviacava@tallerpr.org</a>\n\n*Gated parking is available at the rear of the building. Use call box to gain entrance.\n\nFind directions to Taller <a href=\"http://tallerpr.org/welcome/visit/\" target=\"_blank\" rel=\"noopener\">here</a>.\n\n[gallery type=\"slideshow\" ids=\"8100,8101,8102,8103,8104,8105,8106,8107,8108,8109,8110\"]\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;','Visítenos at El Corazón Cultural Center','','publish','closed','closed','','visitenos','','','2017-10-10 11:48:22','2017-10-10 15:48:22','<img class=\"aligncenter wp-image-8099 size-large\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Shirt-Visitenos-1024x394.jpg\" alt=\"\" width=\"1024\" height=\"394\" />\r\n\r\nTaller offers guided neighborhood tours, gallery tours, hands-on art workshops, and themed lectures to school, university, and community groups on site at our El Corazón Cultural Center. These programs emphasize the rich and living traditions of Latino and Puerto Rican art, as well as Taller’s history and the role it plays in our local community.\r\n\r\nThese tours and workshops can be in either Spanish or English, and there are different packages you can choose.  For prices, tour, and workshop descriptions download the Visítenos at El Corazón PDF <a href=\"http://tallerpr.org/wp-content/uploads/2017/07/Visitenos-Slip.pdf\" target=\"_blank\" rel=\"noopener\">here</a>.\r\n\r\nWe also offer customized tour and workshop packages such as presentations or workshops by exhibition artist(s), tailored Latino studies workshops, and dance and music workshops.\r\n\r\nTo schedule tours, field trips, workshops or residencies, contact Dora Viacava, Outreach Director, at 215-426-3311 x1005 or <a href=\"mailto:dviacava@tallerpr.org\">dviacava@tallerpr.org</a>\r\n\r\n*Gated parking is available at the rear of the building. Use call box to gain entrance.\r\n\r\nFind directions to Taller <a href=\"http://tallerpr.org/welcome/visit/\" target=\"_blank\" rel=\"noopener\">here</a>.\r\n\r\n[gallery type=\"slideshow\" ids=\"8100,8101,8102,8103,8104,8105,8106,8107,8108,8109,8110\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;',1371,'http://tallerpr.org/?page_id=730',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (731,2,'2013-12-14 14:47:43','2013-12-14 19:47:43','<a title=\"Visitenos+Program+Brochure+2013\" href=\"http://tallerpr.org/wp-content/uploads/2013/11/Visitenos+Program+Brochure+2013.pdf\" target=\"_blank\"><img class=\"alignleft\" title=\"Visitenos+Program+Brochure+2013\" alt=\"Visitenos+Program+Brochure+2013\" src=\"http://farm8.staticflickr.com/7341/11111247715_d07d80c5fc_m.jpg\" width=\"105\" height=\"240\" /></a><strong>The Visítenos Program</strong> is a series of tours, workshops and lectures offered to promote cultural understanding and appreciation of Puerto Rican and Latino culture for individuals, families, schools, and teachers. All tours/workshops can be conducted in Spanish or English.\r\n\r\nSchedule a workshop <a title=\"Schedule a Workshop\" href=\"http://tallerpr.org/2013/11/28/schedule-a-tour/\" target=\"_blank\">here</a> or download the brochure <a title=\"Brochure\" href=\"http://tallerpr.org/wp-content/uploads/2013/11/Visitenos+Program+Brochure+2013.pdf\" target=\"_blank\">here</a>.\r\n\r\nProgram Packages:\r\n\r\n• Download the brochure for the program packages and rates here\r\n\r\n• Learn about our educational kits here.\r\n\r\nOther options &amp; customized workshops are available by special arrangement, e.g. presentation and workshop by exhibition artist(s); tailored Latino studies workshops; dance and music workshops; and mural painting workshops.\r\n\r\n&nbsp;\r\n\r\nTo schedule tours, field trips,\r\nworkshops or residencies,\r\ncontact Dora Viacava\r\nT. 215-426-3311  Email dviacava@tallerpr.org','Outreach','','inherit','closed','closed','','730-revision-v1','','','2013-12-14 14:47:43','2013-12-14 19:47:43','',730,'http://tallerpr.org/2013/12/14/730-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (732,2,'2013-12-14 14:53:19','2013-12-14 19:53:19','<img class=\"aligncenter size-large wp-image-8119\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Teaching-Artists-1024x394.jpg\" alt=\"\" width=\"1024\" height=\"394\" />\n\nTaller invites dynamic, experienced, and creative Teaching Artists to apply for our in-school residencies in Philadelphia public schools, as well as our in-house after-school programs, and programs in outside community centers. We seek Teaching Artists that work in (but not limited to) the following disciplines:\n\n<ul>\n    <li>Visual Arts, including painting, ceramics, and collage</li>\n    <li>Digital Media, including animation, photography, and web design</li>\n    <li>Theater, including writing, acting, and storytelling</li>\n    <li>Dance, including hip hop and Latin dance</li>\n    <li>Music, with focus on Puerto Rican/Latin music</li>\n</ul>\n\nEach residency is unique and developed to meet the needs of the individual school or community center. Residencies generally range in length from 3 to 6 months, and are planned in collaboration with Taller, the partner organization, and the Teaching Artist.\n\nContact Outreach Director Dora Viacava and provide your contact information and résumé. We will add you to our database and contact you when opportunities arise. Please note that all Teaching Artists working with children will need to have or get current (within one year) child abuse, criminal, and FBI clearances, as per Pennsylvania state law.\n\n<strong>For more information, contact Dora Viacava by phone at 215-426-3311 or by email at <a href=\"mailto:dviacava@tallerpr.org\">dviacava@tallerpr.org</a></strong>','Become a Teaching Artist','','publish','closed','closed','','teaching-artist-registry','','','2017-07-17 09:52:12','2017-07-17 13:52:12','<img class=\"aligncenter size-large wp-image-8119\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Teaching-Artists-1024x394.jpg\" alt=\"\" width=\"1024\" height=\"394\" />\r\n\r\nTaller invites dynamic, experienced, and creative Teaching Artists to apply for our in-school residencies in Philadelphia public schools, as well as our in-house after-school programs, and programs in outside community centers. We seek Teaching Artists that work in (but not limited to) the following disciplines:\r\n<ul>\r\n 	<li>Visual Arts, including painting, ceramics, and collage</li>\r\n 	<li>Digital Media, including animation, photography, and web design</li>\r\n 	<li>Theater, including writing, acting, and storytelling</li>\r\n 	<li>Dance, including hip hop and Latin dance</li>\r\n 	<li>Music, with focus on Puerto Rican/Latin music</li>\r\n</ul>\r\nEach residency is unique and developed to meet the needs of the individual school or community center. Residencies generally range in length from 3 to 6 months, and are planned in collaboration with Taller, the partner organization, and the Teaching Artist.\r\n\r\nContact Outreach Director Dora Viacava and provide your contact information and résumé. We will add you to our database and contact you when opportunities arise. Please note that all Teaching Artists working with children will need to have or get current (within one year) child abuse, criminal, and FBI clearances, as per Pennsylvania state law.\r\n\r\n<strong>For more information, contact Dora Viacava by phone at 215-426-3311 or by email at <a href=\"mailto:dviacava@tallerpr.org\">dviacava@tallerpr.org</a></strong>',1371,'http://tallerpr.org/?page_id=732',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (733,2,'2013-12-14 14:53:19','2013-12-14 19:53:19','Register here to become a teaching artist.  We will add you to our data base and email you when there are job opportunities or special projects for artists.\r\n\r\nNote: Teaching Artists working with children will need to have or get child abuse, criminal and FBI clearances. Taller will pay for the child abuse and criminal clearances; the volunteer will pay for the FBI clearance.\r\n\r\nFor more information contact Dora Viacava by phone at 215-426-3311 or by email at dviacava@tallerpr.org.','Teaching Artist Registry','','inherit','closed','closed','','732-revision-v1','','','2013-12-14 14:53:19','2013-12-14 19:53:19','',732,'http://tallerpr.org/2013/12/14/732-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (734,2,'2013-12-14 14:53:50','2013-12-14 19:53:50','Register here to become a teaching artist.  We will add you to our data base and email you when there are job opportunities or special projects for artists.\r\n\r\nNote: Teaching Artists working with children will need to have or get child abuse, criminal and FBI clearances. Taller will pay for the child abuse and criminal clearances; the volunteer will pay for the FBI clearance.\r\n\r\nFor more information contact Dora Viacava by phone at 215-426-3311 or by email at dviacava@tallerpr.org.','Becoming a Teaching Artist','','inherit','closed','closed','','732-revision-v1','','','2013-12-14 14:53:50','2013-12-14 19:53:50','',732,'http://tallerpr.org/2013/12/14/732-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (735,2,'2013-12-14 14:56:23','2013-12-14 19:56:23','Register here to become a teaching artist.  We will add you to our data base and email you when there are job opportunities or special projects for artists.\r\n\r\nNote: Teaching Artists working with children will need to have or get child abuse, criminal and FBI clearances. Taller will pay for the child abuse and criminal clearances; the volunteer will pay for the FBI clearance.\r\n\r\nFor more information contact Dora Viacava by phone at 215-426-3311 or by email at dviacava@tallerpr.org.\r\n\r\n[contact-form to=\'dviacava@tallerpr.org\' subject=\'Interested in becoming a Taller teaching artist\'][contact-field label=\'Name\' type=\'name\' required=\'1\'/][contact-field label=\'Email\' type=\'email\' required=\'1\'/][contact-field label=\'Website\' type=\'url\'/][contact-field label=\'Comment\' type=\'textarea\' required=\'1\'/][/contact-form]','Becoming a Teaching Artist','','inherit','closed','closed','','732-revision-v1','','','2013-12-14 14:56:23','2013-12-14 19:56:23','',732,'http://tallerpr.org/2013/12/14/732-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (737,2,'2013-12-14 14:59:55','2013-12-14 19:59:55','<img class=\"aligncenter size-large wp-image-8025\" src=\"http://tallerpr.org/wp-content/uploads/2017/07/Visitenos-event-1-1024x394.jpg\" alt=\"\" width=\"1024\" height=\"394\" />\n\nOur Visítenos Outreach Program brings Puerto Rican and Latino arts and culture to schools, community centers, and organizations across Philadelphia. For example, our in-school arts education program–now primarily funded by a generous grant from the William Penn Foundation as well as additional support from PECO and others–offers classes in the visual and performing arts to students at area public schools. The goals of this program are to:\n\n<ul>\n    <li>complement the academic curriculum</li>\n    <li>foster appreciation for cultural diversity</li>\n    <li>promote mutual understanding and respect</li>\n</ul>\n\nTeaching Artists provide hands-on learning experiences in various art forms, from dance, drama, music, and other performing arts, to drawing, painting, ceramics, and other visual arts, reaching thousands of students a year.\n\nTaller initiated its in-school residency program in 2003 as a continuation of the efforts by the School District Museum Teacher Program, retired in 2001. Since then, the program has grown to include high quality in school programming and school-based artist residencies at no cost to the students that reinforce curricular topics and concepts. Taller’s in-school residency program helps to compensate for the dramatic cuts in arts funding in Philadelphia public schools. We hope to sustain this program well into the future.\n\n<p style=\"text-align: center;\"><iframe src=\"https://player.vimeo.com/video/223907736\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\n\n<a href=\"https://vimeo.com/223907736\">William Cramp Elementary In-School Art Residency 2016-17</a> from <a href=\"https://vimeo.com/tallerpr\">Taller Puertorriqueño</a> on <a href=\"https://vimeo.com\">Vimeo</a>.\n\nFor more information on this program, contact Dora Viacava, Outreach Director, at <strong>215-426-3311</strong> or <u>dviacava@tallerpr.org</u>\n\n<a href=\"http://www.williampennfoundation.org\"><img class=\"size-medium wp-image-7844 aligncenter\" src=\"http://tallerpr.org/wp-content/uploads/2014/01/William-Penn-Logo-2-1748x984-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" /></a>','Visítenos (Visit Us) in the Community','','publish','closed','closed','','vistenos-in-the-community','','','2017-07-18 12:27:23','2017-07-18 16:27:23','<img class=\"aligncenter size-large wp-image-8025\" src=\"http://tallerpr.org/wp-content/uploads/2017/07/Visitenos-event-1-1024x394.jpg\" alt=\"\" width=\"1024\" height=\"394\" />\r\n\r\nOur Visítenos Outreach Program brings Puerto Rican and Latino arts and culture to schools, community centers, and organizations across Philadelphia. For example, our in-school arts education program–now primarily funded by a generous grant from the William Penn Foundation as well as additional support from PECO and others–offers classes in the visual and performing arts to students at area public schools. The goals of this program are to:\r\n<ul>\r\n 	<li>complement the academic curriculum</li>\r\n 	<li>foster appreciation for cultural diversity</li>\r\n 	<li>promote mutual understanding and respect</li>\r\n</ul>\r\nTeaching Artists provide hands-on learning experiences in various art forms, from dance, drama, music, and other performing arts, to drawing, painting, ceramics, and other visual arts, reaching thousands of students a year.\r\n\r\nTaller initiated its in-school residency program in 2003 as a continuation of the efforts by the School District Museum Teacher Program, retired in 2001. Since then, the program has grown to include high quality in school programming and school-based artist residencies at no cost to the students that reinforce curricular topics and concepts. Taller’s in-school residency program helps to compensate for the dramatic cuts in arts funding in Philadelphia public schools. We hope to sustain this program well into the future.\r\n<p style=\"text-align: center;\"><iframe src=\"https://player.vimeo.com/video/223907736\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<a href=\"https://vimeo.com/223907736\">William Cramp Elementary In-School Art Residency 2016-17</a> from <a href=\"https://vimeo.com/tallerpr\">Taller Puertorriqueño</a> on <a href=\"https://vimeo.com\">Vimeo</a>.\r\n\r\nFor more information on this program, contact Dora Viacava, Outreach Director, at <strong>215-426-3311</strong> or <u>dviacava@tallerpr.org</u>\r\n\r\n<a href=\"http://www.williampennfoundation.org\"><img class=\"size-medium wp-image-7844 aligncenter\" src=\"http://tallerpr.org/wp-content/uploads/2014/01/William-Penn-Logo-2-1748x984-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" /></a>',1371,'http://tallerpr.org/?page_id=737',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (738,2,'2013-12-14 14:59:55','2013-12-14 19:59:55','The kits are detailed grade-specific curriculums (grades k-4, 5-8, 9-12) providing teachers a script, discussion topics, questions and activities relating to the corresponding slides on each of the two themes. Lessons within each packet include age-appropriate craft projects. Each teacher packet was thoroughly researched and offers supplemental materials for study, for learning about community resources in North Philadelphia, and a bibliography. The kits are self-contained packages for easy use and implementation in an educational setting. The text includes information about the history, culture, art, geography, and social transformations, in this case, Puerto Rico. Each curriculum was made to meet School District guidelines and standards. The kits are available for rent at a fee of $35 each (with a $65 deposit, refundable if returned undamaged), and for sale at $100 plus shipping and handling.\r\n\r\nPlease call Taller Puertorriqueño at (215) 426-3311 for more information.','Educational Kits','','inherit','closed','closed','','737-revision-v1','','','2013-12-14 14:59:55','2013-12-14 19:59:55','',737,'http://tallerpr.org/2013/12/14/737-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (739,2,'2013-12-14 15:11:01','2013-12-14 20:11:01',' ','','','publish','closed','closed','','739','','','2017-07-21 15:31:43','2017-07-21 19:31:43','',1371,'http://tallerpr.org/?p=739',13,'nav_menu_item','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (740,2,'2013-12-14 15:11:01','2013-12-14 20:11:01',' ','','','publish','closed','closed','','740','','','2017-07-21 15:31:44','2017-07-21 19:31:44','',1371,'http://tallerpr.org/?p=740',14,'nav_menu_item','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (741,2,'2013-12-14 15:11:01','2013-12-14 20:11:01',' ','','','publish','closed','closed','','741','','','2017-07-21 15:31:45','2017-07-21 19:31:45','',1371,'http://tallerpr.org/?p=741',15,'nav_menu_item','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (743,2,'2013-12-14 15:20:12','2013-12-14 20:20:12','[caption id=\"attachment_1425\" align=\"alignleft\" width=\"300\"]<a href=\"http://tallerpr.org/wp-content/uploads/2013/12/8167148313_b7e5408fd2_o.jpg\"><img class=\"wp-image-1425 size-medium\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/8167148313_b7e5408fd2_o-300x203.jpg\" alt=\"Taller Puertorriqueño in the 1970\'s\" width=\"300\" height=\"203\" /></a> Taller Puertorriqueño in the 1970\'s[/caption]\n\n<strong>Mission</strong>\n\nTaller Puertorriqueño, Inc. (Taller) is a community-based cultural organization whose primary purpose is to preserve, develop and promote Puerto Rican arts and culture, grounded in the conviction that embracing one’s cultural heritage is central to community empowerment.  Taller is also committed to the representation and support of other Latino cultural expressions and our common roots.\n\n<strong>Organizational Goals</strong>\n\n<em>Through the following goals, Taller is committed to work that promotes social justice and equality:</em>\n\n•   To serve as an educational vehicle in the advancement of the Puerto Rican/Latino community’s pursuit of cultural identity and reaffirmation.\n\n•   To strive for the continued development of the Puerto Rican/Latino community through the arts.\n\n•   To preserve and promote the contributions and accomplishments of all Puerto Rican communities and support the work of Latin@ artists of all disciplines.\n\n•   To support increased understanding and appreciation of other cultures within the wider community.\n\n&nbsp;\n\n[caption id=\"attachment_1426\" align=\"alignleft\" width=\"300\"]<img class=\"wp-image-1426 size-medium\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/8167119049_9ea0d955e3_b-300x204.jpg\" alt=\"We started as a silkscreen workshop\" width=\"300\" height=\"204\" /> We started as a silkscreen workshop[/caption]\n\n<strong>History</strong>\n\nFounded in 1974 by Puerto Rican and Latino artists and activists in the North Kensington area of Philadelphia, Taller Puertorriqueño (Taller) stands as a testament to the wealth of possibilities they created. Motivated by the absence of creative outlets, Taller’s founders developed a community-based graphic arts workshop to provide cultural training alternatives to local youth.\n\n<em>For almost four decades</em>, Taller has continued to be a vital resource for progress in the Barrio and the region. It is recognized as a model organization that uses the arts as a vehicle for social change. In its evolution, Taller has gone from a grassroots, Puerto Rican graphic arts community center to a respected institution that celebrates the arts of Puerto Rico, Latin America, and the Caribbean. Providing an outlet for neighborhood children and youth by providing after-school activities and programming rich in artistic and cultural discipline, remains central to the organization\'s mission and ongoing work.\n\n[caption id=\"attachment_1427\" align=\"alignleft\" width=\"300\"]<img class=\"wp-image-1427 size-medium\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/8186353669_fb5d59be29_b-300x250.jpg\" alt=\"Student achievements \" width=\"300\" height=\"250\" /> Student achievements[/caption]\n\nKnown as El Corazón Cultural del Barrio, The Cultural Heart of Latino Philadelphia, Taller Puertorriqueño promotes local and international artists while doing the daily work of transforming children and youth’s artistic visions into realities. Taller Puertorriqueño now encompasses the Julia de Burgos Gift Shop, the Lorenzo Homar Gallery, the Robert E. Hernández Theater, and educational classrooms along Philadelphia’s historically Latino North 5th Street commercial corridor.\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n<h4>Equal Employment Opportunity and Non-Discrimination Policy</h4>\n\nTaller Puertorriqueño is committed to the principles of equality in employment, as such, Taller is an equal opportunity care provider and employer.\n\nIn accordance with the provisions of Section 504 of the Rehabilitation Act of 1973, the Americans With Disabilities Act, and all regulations properly issued there under to protect the rights of disabled persons, it is Taller\'s policy that no program or activity administered by Taller shall exclude from participation, deny benefits to or subject to discrimination any individual solely by reason of his/her disability. We further affirm that we will provide reasonable accommodation to the known physical or mental limitations of an otherwise qualified disabled employee or applicant.\n\n<h4>Igualdad de Oportunidades de Empleo y Regulaciones No-Discriminatorias</h4>\n\n<em>El Taller Puertorriqueño está comprometido con los principios de igualdad en el empleo, como tal el Taller es un proveedor de servicios que ofrece empleos y oportunidades iguales.\n</em>\n\n<em>De acuerdo con los estatutos de la Sección 504 de 1973, Acto para los Americanos Incapacitados, y todas las regulacions propiamente establecidas para proteger los derechos de personal con incapacidader, es la polítical del Taller que ningún programa o actividad administrada por el Taller excluya de participar, niegue beneficios o exponga a discriminación a ningun individuo a razón de su incapacidad.   Además afirmamos que proveeremos acomodo razonable para responder a la incapacidad física o limitación mental conocida de un empleado o solicitante cualificado. </em>\n\n&nbsp;','Our Story','','publish','closed','closed','','our-story','','','2017-07-10 13:02:23','2017-07-10 17:02:23','[caption id=\"attachment_1425\" align=\"alignleft\" width=\"300\"]<a href=\"http://tallerpr.org/wp-content/uploads/2013/12/8167148313_b7e5408fd2_o.jpg\"><img class=\"wp-image-1425 size-medium\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/8167148313_b7e5408fd2_o-300x203.jpg\" alt=\"Taller Puertorriqueño in the 1970\'s\" width=\"300\" height=\"203\" /></a> Taller Puertorriqueño in the 1970\'s[/caption]\r\n\r\n<strong>Mission</strong>\r\n\r\nTaller Puertorriqueño, Inc. (Taller) is a community-based cultural organization whose primary purpose is to preserve, develop and promote Puerto Rican arts and culture, grounded in the conviction that embracing one’s cultural heritage is central to community empowerment.  Taller is also committed to the representation and support of other Latino cultural expressions and our common roots.\r\n\r\n<strong>Organizational Goals</strong>\r\n\r\n<em>Through the following goals, Taller is committed to work that promotes social justice and equality:</em>\r\n\r\n•   To serve as an educational vehicle in the advancement of the Puerto Rican/Latino community’s pursuit of cultural identity and reaffirmation.\r\n\r\n•   To strive for the continued development of the Puerto Rican/Latino community through the arts.\r\n\r\n•   To preserve and promote the contributions and accomplishments of all Puerto Rican communities and support the work of Latin@ artists of all disciplines.\r\n\r\n•   To support increased understanding and appreciation of other cultures within the wider community.\r\n\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1426\" align=\"alignleft\" width=\"300\"]<img class=\"wp-image-1426 size-medium\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/8167119049_9ea0d955e3_b-300x204.jpg\" alt=\"We started as a silkscreen workshop\" width=\"300\" height=\"204\" /> We started as a silkscreen workshop[/caption]\r\n\r\n<strong>History</strong>\r\n\r\nFounded in 1974 by Puerto Rican and Latino artists and activists in the North Kensington area of Philadelphia, Taller Puertorriqueño (Taller) stands as a testament to the wealth of possibilities they created. Motivated by the absence of creative outlets, Taller’s founders developed a community-based graphic arts workshop to provide cultural training alternatives to local youth.\r\n\r\n<em>For almost four decades</em>, Taller has continued to be a vital resource for progress in the Barrio and the region. It is recognized as a model organization that uses the arts as a vehicle for social change. In its evolution, Taller has gone from a grassroots, Puerto Rican graphic arts community center to a respected institution that celebrates the arts of Puerto Rico, Latin America, and the Caribbean. Providing an outlet for neighborhood children and youth by providing after-school activities and programming rich in artistic and cultural discipline, remains central to the organization\'s mission and ongoing work.\r\n\r\n[caption id=\"attachment_1427\" align=\"alignleft\" width=\"300\"]<img class=\"wp-image-1427 size-medium\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/8186353669_fb5d59be29_b-300x250.jpg\" alt=\"Student achievements \" width=\"300\" height=\"250\" /> Student achievements[/caption]\r\n\r\nKnown as El Corazón Cultural del Barrio, The Cultural Heart of Latino Philadelphia, Taller Puertorriqueño promotes local and international artists while doing the daily work of transforming children and youth’s artistic visions into realities. Taller Puertorriqueño now encompasses the Julia de Burgos Gift Shop, the Lorenzo Homar Gallery, the Robert E. Hernández Theater, and educational classrooms along Philadelphia’s historically Latino North 5th Street commercial corridor.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h4>Equal Employment Opportunity and Non-Discrimination Policy</h4>\r\nTaller Puertorriqueño is committed to the principles of equality in employment, as such, Taller is an equal opportunity care provider and employer.\r\n\r\nIn accordance with the provisions of Section 504 of the Rehabilitation Act of 1973, the Americans With Disabilities Act, and all regulations properly issued there under to protect the rights of disabled persons, it is Taller\'s policy that no program or activity administered by Taller shall exclude from participation, deny benefits to or subject to discrimination any individual solely by reason of his/her disability. We further affirm that we will provide reasonable accommodation to the known physical or mental limitations of an otherwise qualified disabled employee or applicant.\r\n<h4>Igualdad de Oportunidades de Empleo y Regulaciones No-Discriminatorias</h4>\r\n<em>El Taller Puertorriqueño está comprometido con los principios de igualdad en el empleo, como tal el Taller es un proveedor de servicios que ofrece empleos y oportunidades iguales.\r\n</em>\r\n\r\n<em>De acuerdo con los estatutos de la Sección 504 de 1973, Acto para los Americanos Incapacitados, y todas las regulacions propiamente establecidas para proteger los derechos de personal con incapacidader, es la polítical del Taller que ningún programa o actividad administrada por el Taller excluya de participar, niegue beneficios o exponga a discriminación a ningun individuo a razón de su incapacidad.   Además afirmamos que proveeremos acomodo razonable para responder a la incapacidad física o limitación mental conocida de un empleado o solicitante cualificado. </em>\r\n\r\n&nbsp;',18,'http://tallerpr.org/?page_id=743',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (744,2,'2013-12-14 15:20:12','2013-12-14 20:20:12','Founded in 1974 by Puerto Rican and Latino artists and activists in the North Kensington area of Philadelphia, Taller Puertorriqueño (Taller) stands as testament to the wealth of possibilities they created. Motivated by the absence of creative outlets, Taller’s founders developed a community-based graphic arts workshop to provide cultural training alternatives to local youth.\r\n\r\nFor almost four decades, Taller has continued to be a vital resource for progress in the Barrio and the region. It is now recognized as a model organization that uses the arts as a vehicle for social change. In its evolution, Taller has gone from a grassroots, Puerto Rican graphic arts community center to a respected institution that celebrates the arts of Puerto Rico, Latin America and the Caribbean. Providing an outlet for neighborhood children and youth, by providing after-school activities and programming rich in artistic and cultural discipline, remains central to the organizations ongoing work.\r\n\r\nKnown as El Corazón Cultural del Barrio, The Cultural Heart of Latino Philadelphia, Taller Puertorriqueño promotes local and international artists while doing the daily work of transforming children and youth’s artistic visions into realities. Taller Puertorriqueño now encompasses the Julia de Burgos Gift Shop, the Lorenzo Homar Gallery, the Robert E. Hernández Theater, and educational classrooms along Philadelphia’s historically Latino North 5th Street commercial corridor.','Our Story','','inherit','closed','closed','','743-revision-v1','','','2013-12-14 15:20:12','2013-12-14 20:20:12','',743,'http://tallerpr.org/2013/12/14/743-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (748,2,'2013-12-14 15:26:43','2013-12-14 20:26:43','<img class=\"aligncenter size-full wp-image-1689\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/1970s-2-Taller-Artists.jpg\" alt=\"1970\'s 2 Taller Artists\" width=\"1300\" height=\"500\" />\n\n<h4><strong>The Latinos of Philadelphia</strong></h4>\n\nSince the 1920’s, the City of Philadelphia has been an enclave for Latino immigrant workers in the manufacturing sector, giving rise to a vibrant Latino– still predominantly Puerto Rican– community. The largest wave of Puerto Ricans to Philadelphia was in the decades of the 50’s and 60’s when they arrived, from the island of Puerto Rico, mainly via the farms of New Jersey, or the cities of New York and Chicago. During those years, a vibrant manufacturing industry in North Philadelphia and near the piers, especially the sector of Northern Liberties, provided the conditions for work, housing and community.\n\nIn the 1950’s major Puerto Rican neighborhoods evolved around jobs, civic centers, small businesses and church in the sectors of Kensington, Northern Liberties, Spring Garden and Southwark. Similar to other communities, the drain of manufacturing jobs in the late 60’s and 70\'s, and the return of veterans from the Korean War, displaced many wage earners forcing many into welfare or to engage in informal economies to sustain their families. During the late 60’s and early 70’s a small group of Puerto Rican artists realized the need and importance of creating a gathering space to promote and practice Puerto Rican arts and culture. It was also an effort to teach youth, especially Puerto Rican youth about their culture through the rich tradition of Puerto Rican arts.  That was the beginning of Taller Puertorriqueño (Taller).\n\nHere is a short video on North Philadelphia and the area known as el Centro de Oro that Taller produced in partnership with <a title=\"HACE\" href=\"https://www.facebook.com/HACECDC?rf=163558540330119\" target=\"_blank\">HACE</a> and <a title=\"Raices Culturales\" href=\"http://www.raicesculturales.org\" target=\"_blank\">Raices Culturales</a>.\n\n<iframe src=\"//player.vimeo.com/video/84250556\" width=\"500\" height=\"373\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\n\n<a href=\"http://vimeo.com/84250556\">El Centro de Oro/ The Golden Center</a> from <a href=\"http://vimeo.com/tallerpr\">Taller Puertorriqueño</a> on <a href=\"https://vimeo.com\">Vimeo</a>.\n\n&nbsp;\n\n<h4 style=\"text-align: left;\"><strong>Building Community through Art Since 1974</strong></h4>\n\n[caption id=\"\" align=\"alignleft\" width=\"240\"]<img title=\"Print artist Taller\" src=\"http://farm4.staticflickr.com/3672/13226217473_e14800ece4_m.jpg\" alt=\"Print artist Taller\" width=\"240\" height=\"240\" /> Artist Printmaker at Taller[/caption]\n\nTaller\'s work fills the gap of cultural programming on a community-wide basis.  Through our primarily free events, performances and gallery exhibitions, we strive to give quality Latino arts and cultural programming to those who have little access. Taller has thrived in a community struggling with high unemployment and dropout rates, drugs, prejudice, and violence. This stands as a testament to the role Taller plays in celebrating this community’s strength, resilience, diversity and cultural richness.\n\nAt Taller, we believe everyone has the right to experience art and cultural programming, so we strive to make our programs and performances as accessible to our community as possible. In 2011, about 5,000 more people attended our events than comparable organizations in Philadelphia. Additionally, approximately 11,600 more people attended our events free-of-cost than within the same comparison group of Philadelphia organizations (Pennsylvania Cultural Data Project, 2012). Our visual, literary and performing arts programming celebrate the community through arts and culture in all manifestations, a unique opportunity and draw for all audiences. Taller brings Philadelphians together, locally and city-wide, to experience the magical and transformational power of the arts.\n\n&nbsp;\n\n<h4></h4>\n\n<h4></h4>\n\n&nbsp;\n\n&nbsp;','About the Area','','publish','closed','closed','','fact-sheet','','','2015-06-24 11:27:50','2015-06-24 15:27:50','<img class=\"aligncenter size-full wp-image-1689\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/1970s-2-Taller-Artists.jpg\" alt=\"1970\'s 2 Taller Artists\" width=\"1300\" height=\"500\" />\n\n<h4><strong>The Latinos of Philadelphia</strong></h4>\n\nSince the 1920’s, the City of Philadelphia has been an enclave for Latino immigrant workers in the manufacturing sector, giving rise to a vibrant Latino– still predominantly Puerto Rican– community. The largest wave of Puerto Ricans to Philadelphia was in the decades of the 50’s and 60’s when they arrived, from the island of Puerto Rico, mainly via the farms of New Jersey, or the cities of New York and Chicago. During those years, a vibrant manufacturing industry in North Philadelphia and near the piers, especially the sector of Northern Liberties, provided the conditions for work, housing and community.\n\nIn the 1950’s major Puerto Rican neighborhoods evolved around jobs, civic centers, small businesses and church in the sectors of Kensington, Northern Liberties, Spring Garden and Southwark. Similar to other communities, the drain of manufacturing jobs in the late 60’s and 70\'s, and the return of veterans from the Korean War, displaced many wage earners forcing many into welfare or to engage in informal economies to sustain their families. During the late 60’s and early 70’s a small group of Puerto Rican artists realized the need and importance of creating a gathering space to promote and practice Puerto Rican arts and culture. It was also an effort to teach youth, especially Puerto Rican youth about their culture through the rich tradition of Puerto Rican arts.  That was the beginning of Taller Puertorriqueño (Taller).\n\nHere is a short video on North Philadelphia and the area known as el Centro de Oro that Taller produced in partnership with <a title=\"HACE\" href=\"https://www.facebook.com/HACECDC?rf=163558540330119\" target=\"_blank\">HACE</a> and <a title=\"Raices Culturales\" href=\"http://www.raicesculturales.org\" target=\"_blank\">Raices Culturales</a>.\n\n<iframe src=\"//player.vimeo.com/video/84250556\" width=\"500\" height=\"373\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\n\n<a href=\"http://vimeo.com/84250556\">El Centro de Oro/ The Golden Center</a> from <a href=\"http://vimeo.com/tallerpr\">Taller Puertorriqueño</a> on <a href=\"https://vimeo.com\">Vimeo</a>.\n\n&nbsp;\n\n<h4 style=\"text-align: left;\"><strong>Building Community through Art Since 1974</strong></h4>\n\n[caption id=\"\" align=\"alignleft\" width=\"240\"]<img title=\"Print artist Taller\" src=\"http://farm4.staticflickr.com/3672/13226217473_e14800ece4_m.jpg\" alt=\"Print artist Taller\" width=\"240\" height=\"240\" /> Artist Printmaker at Taller[/caption]\n\nTaller\'s work fills the gap of cultural programming on a community-wide basis.  Through our primarily free events, performances and gallery exhibitions, we strive to give quality Latino arts and cultural programming to those who have little access. Taller has thrived in a community struggling with high unemployment and dropout rates, drugs, prejudice, and violence. This stands as a testament to the role Taller plays in celebrating this community’s strength, resilience, diversity and cultural richness.\n\nAt Taller, we believe everyone has the right to experience art and cultural programming, so we strive to make our programs and performances as accessible to our community as possible. In 2011, about 5,000 more people attended our events than comparable organizations in Philadelphia. Additionally, approximately 11,600 more people attended our events free-of-cost than within the same comparison group of Philadelphia organizations (Pennsylvania Cultural Data Project, 2012). Our visual, literary and performing arts programming celebrate the community through arts and culture in all manifestations, a unique opportunity and draw for all audiences. Taller brings Philadelphians together, locally and city-wide, to experience the magical and transformational power of the arts.\n\n&nbsp;\n\n<h4></h4>\n\n<h4></h4>\n\n&nbsp;\n\n&nbsp;',18,'http://tallerpr.org/?page_id=748',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (749,2,'2013-12-14 15:26:43','2013-12-14 20:26:43','From its founding in 1974, Taller Puertorriqueño&nbsp;has been elevating and preserving Puerto Rican and&nbsp;Latino culture through children’s cultural education programs, youth art programs, community and cultural tours, and by bringing writers and scholars to speak in the community at its Meet the Author Series. Through Visítenos, its outreach program, Taller engages children and adults from the tri-state area in cultural enrichment workshops to foster greater awareness and understanding of Latino culture.&nbsp;&nbsp;In its evolution from a community based graphics workshop, it has been showcasing Puerto Rican and Latino artists in its Lorenzo Homar Gallery from the local community, and nationally. It also promotes the work of Latino artists through collaborations, and satellite exhibitions.\r\n\r\nTaller Programs are:\r\n\r\n<!--?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"no\"?--> Since the 1920’s, the City of Philadelphia has been an enclave for Latino immigrant workers in the manufacturing sector, and a vibrant Latino –mainly Puerto Rican community was formed. The largest wave of Puerto Ricans to Philadelphia was in the decades of the 50’ and 60’s when they arrived mainly via the farms of NJ, the island of Puerto Rico or the cities of New York and Chicago. … At that time there were many factories in North Philadelphia and near the piers, especially the sector of Northern Liberties where they worked and lived. In the 1950’s major Puerto Rican neighborhoods evolved around jobs, civic centers, small businesses and church in the sectors of Kensington, Northern Liberties, Spring Garden and Southwark. Similar to other communities, the loss of manufacturing jobs in the late 60’s and the return of veterans from the war left many without work forcing many to get on welfare or engage in informal economies to sustain.. During the late 60’s and early 70’s a small group of Puerto Rican artists realized the need and importance of creating a gathering space to promote and practice Puerto Rican arts and culture. It was also an effort to teach youth, especially Puerto Rican youth about their culture through the rich tradition of Puerto Rican arts..&nbsp;&nbsp;That is how Taller was formed and came alive.\r\n\r\n&nbsp;','Fact Sheet','','inherit','closed','closed','','748-revision-v1','','','2013-12-14 15:26:43','2013-12-14 20:26:43','',748,'http://tallerpr.org/2013/12/14/748-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (769,2,'2013-12-14 16:04:26','2013-12-14 21:04:26','','Gallery Program','','publish','closed','closed','','gallery-program','','','2017-07-21 15:31:40','2017-07-21 19:31:40','',0,'http://tallerpr.org/?p=769',9,'nav_menu_item','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (770,2,'2013-12-14 16:14:14','2013-12-14 21:14:14','','Education Program','','publish','closed','closed','','education-program','','','2017-07-21 15:31:37','2017-07-21 19:31:37','',0,'http://tallerpr.org/?p=770',3,'nav_menu_item','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (771,2,'2013-12-14 16:43:24','2013-12-14 21:43:24','','TPR Sign Up','','publish','closed','closed','','tpr-sign-up','','','2017-08-31 10:06:03','2017-08-31 14:06:03','',0,'http://tallerpr.org/?post_type=action-box&#038;p=771',0,'action-box','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (772,2,'2013-12-14 16:50:17','2013-12-14 21:50:17','<span style=\"font-size: small;\"><a title=\"IMG_3572\" href=\"http://www.flickr.com/photos/58941148@N03/8267415816/\" rel=\"\"><img class=\"alignleft\" style=\"float: left;\" title=\"IMG_3572\" alt=\"IMG_3572\" src=\"http://farm9.staticflickr.com/8345/8267415816_1dc686e209_q.jpg\" width=\"150\" height=\"150\" /></a> From its founding in 1974, Taller Puertorriqueño</span> has been elevating and preserving Puerto Rican and Latino culture through children\'s cultural education programs, youth art programs, community and cultural tours, and by bringing writers and scholars to speak in the community at its Meet the Author Series. Through Visítenos, its outreach program, Taller engages children and adults from the tri-state area in cultural enrichment workshops to foster greater awareness and understanding of Latino culture.  In its evolution from a community based graphics workshop, it has been showcasing Puerto Rican and Latino artists in its Lorenzo Homar Gallery from the local community, and nationally. It also promotes the work of Latino artists through collaborations, and satellite exhibitions.\r\n\r\n&nbsp;\r\n\r\n<em>Taller Puertorriqueño is a non‐profit organization qualified by the Internal Revenue Service as a tax‐exempt 501 (c)(3). Donations to this capital campaign are tax‐deductible to the extent allowed by the law.</em>\r\n\r\n<em>The official registration and financial information of Taller Puertorriqueño may be obtained from the Pennsylvania Department of State by calling toll‐free, within Pennsylvania, 1‐800‐732‐0999. Registration does not imply endorsement. </em>','Who We Are','','inherit','closed','closed','','18-revision-v1','','','2013-12-14 16:50:17','2013-12-14 21:50:17','',18,'http://tallerpr.org/2013/12/14/18-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (773,2,'2013-12-14 16:52:23','2013-12-14 21:52:23','<a title=\"IMG_3562\" href=\"http://www.flickr.com/photos/58941148@N03/8266341571/\" rel=\"\"><img class=\"alignleft\" style=\"float: left;\" title=\"IMG_3562\" alt=\"IMG_3562\" src=\"http://farm9.staticflickr.com/8337/8266341571_c2f7e7a6a6_n.jpg\" width=\"320\" height=\"240\" /></a>Taller’s Visual Arts Program is focused on the constant evaluation of art, in particular the artistic/cultural representation of Puerto Rico and Latin America as it supports the work of Puerto Rican and Latin@ artists. We aim to present quality exhibitions that are educational and relevant to the audiences we serve. We believe in looking at history to learn as we contemplate the future of Latino art and artists.\r\n\r\nFor nearly four decades, Taller’s Visual Arts Program and its primary exhibition hall, the Lorenzo Homar Gallery, has provided the region’s only space/s dedicated to Puerto Rican and Latin American art, highlighting contemporary artists from Philadelphia, the United States and Puerto Rico. We give voice to artists who challenge contemporary stereotypes and/or limitations and who are able to utilize their understanding of the roots of our traditions within a contemporary context.\r\n\r\nWe select artists in consultation with our Arts Advisory Committee, a choice group of artists, curators, and community members. Yearly exhibition cycles are often planned two years in advance. Although we do not exhibit all the artists who submit work, we do encourage artists to keep us informed of their work, as opportunities do arise.\r\n\r\nLORENZO HOMAR GALLERY HOURS:\r\nMonday through Friday 9 a.m. to 5 p.m.\r\nSaturday 10 a.m. to 6 p.m. and special events\r\nClosed daily 12 noon -1 pm and on Sundays','Visual Arts Program','','inherit','closed','closed','','22-revision-v1','','','2013-12-14 16:52:23','2013-12-14 21:52:23','',22,'http://tallerpr.org/2013/12/14/22-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (775,2,'2016-12-22 09:01:02','2016-12-22 14:01:02','<h2 style=\"text-align: center;\"><a href=\"http://tallerpr.org/wp-content/uploads/2016/12/Taller-Outside-Slider.jpg\"><img class=\"aligncenter wp-image-6932 size-large\" src=\"http://tallerpr.org/wp-content/uploads/2016/12/Taller-Outside-Slider-1024x341.jpg\" width=\"1024\" height=\"341\" /></a></h2>\n\nTaller Puertorriqueño’s enduring success has been reflected in the <em>unwavering commitment</em> of those who believe that arts and cultural institutions benefit the entire community. <strong>We thank you in advance for your generosity.</strong>\n\nTo donate materials, volunteer, or for more information on membership, donations or Taller\'s mission, please call Dora Viacava at 215.426.3311, or send her an email at <a href=\"mailto:dviacava@tallerpr.org\">dviacava@tallerpr.org</a>.\n\n*Once on the page, check the box to designate your gift to a particular fund, and then select El Corazón Cultural Center.\n\n<table style=\"height: 73px;\" border=\"0\" width=\"1394\" cellspacing=\"0\" cellpadding=\"0\" bgcolor=\"#FFEC99\">\n<tbody>\n<tr>\n<td colspan=\"1\" rowspan=\"1\" align=\"left\">\n<h5><strong style=\"color: #ff0000; font-family: inherit; font-size: 18px; line-height: 18px;\">Complete the form below to make a one-time or recurring donation to Taller.  </strong></h5>\n</td>\n</tr>\n</tbody>\n</table>\n\n[seamless-donations]\n\n<strong><em>*Some employers make matching one-to-one donations. Ask your employer if they have a gift-matching program, and double your impact!</em></strong><em>\n</em>\n\n<a href=\"http://www.guidestar.org/organizations/23-1946165/taller-puertorriqueno.aspx\" target=\"_blank\"><img src=\"http://widgets.guidestar.org/gximage2?o=7105590&amp;l=v4\" alt=\"\" />\n</a><strong>Taller Puertorriqueño is committed to transparency:</strong><strong> </strong>\n<strong><a href=\"http://tallerpr.org/wp-content/uploads/2016/04/TallerPR-990-2014-15.pdf\" rel=\"\">Taller PR 990 2014-15</a> </strong>\n<strong><a href=\"http://tallerpr.org/wp-content/uploads/2016/04/Accomplishments-2014-15.pdf\" rel=\"\">Taller PR Annual Report 2014-15</a>\n<a href=\"http://tallerpr.org/wp-content/uploads/2016/04/Taller-PR-Audit-2014-15-copy.pdf\" rel=\"\">Taller PR Audit 2014-15</a></strong>','Donation','','inherit','closed','closed','','602-autosave-v1','','','2016-12-22 09:01:02','2016-12-22 14:01:02','',602,'http://tallerpr.org/2013/12/15/602-autosave-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (776,2,'2013-12-15 08:10:19','2013-12-15 13:10:19','Thank you in advance for your support. Choose the fund where  Learn about the levels <a title=\"Membership Levels\" href=\"http://tallerpr.org/2013/11/30/membership-levels/\" target=\"_blank\">here</a>.\r\n\r\nTaller Puertorriqueño’s enduring success has been reflected in the unwavering commitment of those who believe that cultural institutions benefit the entire community. Become a member now and promote, support and enjoy Latino arts and culture at the same time receive discounts to events, programs Julia de Burgos Books and Crafts Store and receive members only perks, including\r\n\r\nTo donate materials, volunteer or for more information on membership, donations or on Taller\'s mission, please call  215.426.3311.\r\n\r\n<em>*Some employers make matching one-to-one donations. Ask your employer if they have a gift-matching program, and double your impact!</em>\r\n\r\n<em>*The official registration and financial information of Taller Puertorriqueño, Inc. may be obtained from the Pennsylvania Department of State by calling toll free, within Pennsylvania, 1 (800) 732-0999. Registration does not imply endorsement.</em>\r\n\r\n[dgx-donate]','Capital Campaign & Sustaining our Programs','','inherit','closed','closed','','602-revision-v1','','','2013-12-15 08:10:19','2013-12-15 13:10:19','',602,'http://tallerpr.org/2013/12/15/602-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (777,2,'2013-12-15 08:16:17','2013-12-15 13:16:17','<strong>Thank you in advance for your donation!</strong>\r\n\r\n<strong></strong>Complete the form below and choose your fund for the donation or become a member here.\r\n\r\nTaller Puertorriqueño’s enduring success has been reflected in the unwavering commitment of those who believe that cultural institutions benefit the entire community. Become a member now and promote, support and enjoy Latino arts and culture at the same time receive discounts to events, programs Julia de Burgos Books and Crafts Store and receive members only perks, including\r\n\r\nTo donate materials, volunteer or for more information on membership, donations or on Taller\'s mission, please call  215.426.3311.\r\n\r\n<em>*Some employers make matching one-to-one donations. Ask your employer if they have a gift-matching program, and double your impact!</em>\r\n\r\n<em>*The official registration and financial information of Taller Puertorriqueño, Inc. may be obtained from the Pennsylvania Department of State by calling toll free, within Pennsylvania, 1 (800) 732-0999. Registration does not imply endorsement.</em>\r\n\r\n[dgx-donate]','Capital Campaign & Sustaining our Programs','','inherit','closed','closed','','602-revision-v1','','','2013-12-15 08:16:17','2013-12-15 13:16:17','',602,'http://tallerpr.org/2013/12/15/602-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (779,2,'2013-12-15 17:28:59','2013-12-15 22:28:59','','Taller\'s Heart Logo ','','inherit','closed','closed','','tallerprheartalpha-250','','','2013-12-15 17:28:59','2013-12-15 22:28:59','',0,'http://tallerpr.org/wp-content/uploads/2013/12/TallerPRHeartAlpha-250.png',0,'attachment','image/png',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (784,2,'2013-12-15 21:57:34','2013-12-16 02:57:34','<img class=\"alignleft size-full wp-image-315\" alt=\"Taller\'s Heart Logo\" src=\"http://tallerpr.org/wp-content/uploads/2013/11/TPPHeart-Logo129pixsAppleTouch.png\" width=\"129\" height=\"129\" />As a sustaining member you will enjoy all the benefits membership plus help us sustain our arts and education programs.','Thank you for membership!','','publish','closed','closed','','thank-you-for-membership','','','2014-03-11 10:01:03','2014-03-11 14:01:03','',602,'http://tallerpr.org/?page_id=784',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (785,2,'2013-12-15 21:57:34','2013-12-16 02:57:34','As a sustaining member you will enjoy all the benefits membership plus help us maintain our arts and education programs','Thank you for membership!','','inherit','closed','closed','','784-revision-v1','','','2013-12-15 21:57:34','2013-12-16 02:57:34','',784,'http://tallerpr.org/2013/12/15/784-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (786,2,'2013-12-15 21:58:26','2013-12-16 02:58:26','As a sustaining member you will enjoy all the benefits membership plus help us sustain our arts and education programs.','Thank you for membership!','','inherit','closed','closed','','784-revision-v1','','','2013-12-15 21:58:26','2013-12-16 02:58:26','',784,'http://tallerpr.org/2013/12/15/784-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (787,2,'2013-12-15 22:01:28','2013-12-16 03:01:28','<img class=\"alignleft size-full wp-image-315\" alt=\"Taller\'s Heart Logo\" src=\"http://tallerpr.org/wp-content/uploads/2013/11/TPPHeart-Logo129pixsAppleTouch.png\" width=\"129\" height=\"129\" />As a sustaining member you will enjoy all the benefits membership plus help us sustain our arts and education programs.','Thank you for membership!','','inherit','closed','closed','','784-revision-v1','','','2013-12-15 22:01:28','2013-12-16 03:01:28','',784,'http://tallerpr.org/2013/12/15/784-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (788,2,'2013-12-15 22:05:10','2013-12-16 03:05:10','<img class=\"alignleft size-thumbnail wp-image-663\" alt=\"Taller at Masterman\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/5527123616_e410c6e37e_z-150x150.jpg\" width=\"150\" height=\"150\" />Please call us at 215-426-3311 if you wish to be a member.','Sorry about this','','publish','closed','closed','','sorry-about-this','','','2014-01-26 19:16:00','2014-01-27 00:16:00','',0,'http://tallerpr.org/?page_id=788',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (789,2,'2013-12-15 22:05:10','2013-12-16 03:05:10','<img class=\"alignleft size-thumbnail wp-image-663\" alt=\"Taller at Masterman\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/5527123616_e410c6e37e_z-150x150.jpg\" width=\"150\" height=\"150\" />Call us if you wish to be a member.','Sorry about this','','inherit','closed','closed','','788-revision-v1','','','2013-12-15 22:05:10','2013-12-16 03:05:10','',788,'http://tallerpr.org/2013/12/15/788-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (793,2,'2013-12-15 23:10:29','2013-12-16 04:10:29','','Taller kids reading','','inherit','closed','closed','','tallers-kids-reading','','','2013-12-15 23:10:29','2013-12-16 04:10:29','',24,'http://tallerpr.org/wp-content/uploads/2013/11/Tallers-kids-reading.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (794,2,'2013-12-15 23:26:55','2013-12-16 04:26:55','','Gallery Reception','','inherit','closed','closed','','gallery-reception','','','2013-12-15 23:26:55','2013-12-16 04:26:55','',22,'http://tallerpr.org/wp-content/uploads/2013/11/Gallery-Reception.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (795,2,'2013-12-16 00:07:57','2013-12-16 05:07:57','[caption id=\"attachment_900\" align=\"alignleft\" width=\"300\"]<img class=\"size-medium wp-image-900\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/New-Building-Interior-Rendering-300x266.jpg\" alt=\"New Building Interior Rendering by WRT\" width=\"300\" height=\"266\" /> El Corazón Cultural Center Interior rendering by WRT[/caption]\n\nAfter eleven years of planning and fundraising, and for the last year, building, we await with much anticipation the Grand Opening of El Corazón Cultural Center. Stay tuned to this page for frequent updates as construction is completed!  <strong>The Grand Opening is now scheduled for Wednesday, December 7th, with an Open House on Saturday, December 10th, 2016. Look for more details on the Grand Opening and its schedule of events.</strong>\n\nEl Corazón Cultural Center belongs to our community– everyone can play a part. <strong>To secure success, we are continuing to collect donations for the Building Fund </strong>continuing until the day of the Grand Opening. $100 or more adds your name (or that of a loved one, if donated in honor or memory of someone) to the prominently-displayed Naming Wall to be installed in the new building. <strong>The larger the donation, the bigger the name will appear. Be a visible part of El Corazón Cultural Center- click <a href=\"http://www.tallerpr.org/donate-online\">here</a> to visit our donation page.</strong> Once on the page, check the box to designate your gift to a particular fund, and then select El Corazón Cultural Center. To dedicate your donation to a loved one, please check the box under “Tribute Gift” and fill in the required information. <em>Questions? Call us at 215-426-3311.</em>\n\nWe truly value every dollar we receive, which we stretch to maximize the impact of your contribution. Puerto Rican and Latino arts and culture continue to guide every aspect of our efforts to strengthen our community and the Philadelphia region through creativity and innovation. <strong>To all the individuals, foundations, corporations, and government entities that have already contributed to the campaign, we can’t thank you enough for making this dream a reality.</strong>\n\n<p style=\"padding-left: 30px;\"><strong>• <a href=\"http://wp.me/p4iyl5-1dr\">Click here to learn about work opportunities.</a></strong><strong><a href=\"http://tallerpr.org/details-on-el-corazon-cultural-center/\">\n</a>•<a href=\"http://tallerpr.org/details-on-el-corazon-cultural-center/\"> Click here for more detailed information.</a></strong>\n<img src=\"https://www.paypalobjects.com/en_US/i/scr/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" /></p>','About the New El Corazón Cultural Center','','publish','closed','closed','','about-the-new-cultural-center','','','2016-10-13 09:34:34','2016-10-13 13:34:34','[caption id=\"attachment_900\" align=\"alignleft\" width=\"300\"]<img class=\"size-medium wp-image-900\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/New-Building-Interior-Rendering-300x266.jpg\" alt=\"New Building Interior Rendering by WRT\" width=\"300\" height=\"266\" /> El Corazón Cultural Center Interior rendering by WRT[/caption]\r\n\r\nAfter eleven years of planning and fundraising, and for the last year, building, we await with much anticipation the Grand Opening of El Corazón Cultural Center. Stay tuned to this page for frequent updates as construction is completed!  <strong>The Grand Opening is now scheduled for Wednesday, December 7th, with an Open House on Saturday, December 10th, 2016. Look for more details on the Grand Opening and its schedule of events.</strong>\r\n\r\nEl Corazón Cultural Center belongs to our community– everyone can play a part. <strong>To secure success, we are continuing to collect donations for the Building Fund </strong>continuing until the day of the Grand Opening. $100 or more adds your name (or that of a loved one, if donated in honor or memory of someone) to the prominently-displayed Naming Wall to be installed in the new building. <strong>The larger the donation, the bigger the name will appear. Be a visible part of El Corazón Cultural Center- click <a href=\"http://www.tallerpr.org/donate-online\">here</a> to visit our donation page.</strong> Once on the page, check the box to designate your gift to a particular fund, and then select El Corazón Cultural Center. To dedicate your donation to a loved one, please check the box under “Tribute Gift” and fill in the required information. <em>Questions? Call us at 215-426-3311.</em>\r\n\r\nWe truly value every dollar we receive, which we stretch to maximize the impact of your contribution. Puerto Rican and Latino arts and culture continue to guide every aspect of our efforts to strengthen our community and the Philadelphia region through creativity and innovation. <strong>To all the individuals, foundations, corporations, and government entities that have already contributed to the campaign, we can’t thank you enough for making this dream a reality.</strong>\r\n<p style=\"padding-left: 30px;\"><strong>• <a href=\"http://wp.me/p4iyl5-1dr\">Click here to learn about work opportunities.</a></strong><strong><a href=\"http://tallerpr.org/details-on-el-corazon-cultural-center/\">\r\n</a>•<a href=\"http://tallerpr.org/details-on-el-corazon-cultural-center/\"> Click here for more detailed information.</a></strong>\r\n<img src=\"https://www.paypalobjects.com/en_US/i/scr/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" /></p>',0,'http://tallerpr.org/?page_id=795',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (797,2,'2013-12-16 00:07:57','2013-12-16 05:07:57','<strong>THE NEW TALLER PUERTORRIQUEÑO</strong>  designed by Philadelphia’s Wallace Roberts &amp; Todd architects. The firms\' principles aim to protect natural resources, promote social justice and economic well-being, and create spaces that show local heritage, culture, and values. The principal architect is Antonio Fiol‐Silva.\r\n\r\nThe new Taller Puertorriqueño will include the following amenities:\r\n\r\n• A larger and more accessible gift shop.\r\n\r\n• A more spacious and more flexible exhibition gallery with the latest climate control systems\r\n\r\n• Classrooms with the latest technology.\r\n\r\n• Dance and theatre studios that can combine into a 250 seat multi-use event space\r\n\r\n• An outdoor play area for children in our programs.\r\n\r\n• An outdoor art patio for social functions and private contemplation.\r\n\r\n<strong> Resulting in many advantages:</strong>\r\n\r\nFull accessibility; this will be a one‐story building meeting all ADA requirements. This code compliance will enable Taller to become a Certified Child Care Center site, meeting expanded community demand for child care and providing a significant new source of revenue.\r\n\r\nA parking lot for 100 cars and safe drop-off points will meet the needs of parents dropping off children; mini‐buses that bring seniors to Taller from other service centers and residences; school buses bringing students , and visitors coming to our events.\r\n\r\nAbility to show exhibitions with more works and larger objects.\r\n\r\nAbility to accommodate larger groups.\r\n\r\nA more visible gift shop will translate into more sales.\r\n\r\nCloser proximity to public transportation.\r\n\r\nOpportunity to create an attractive and architecturally significant gateway to El Centro de Oro.\r\n\r\nTruly, the new Taller Puertorriqueño will be an anchor, a source of pride, serving the region’s growing Latino population and educating the wider public about Latino cultural contributions.\r\n\r\n<strong>ACTION IS NECESSARY NOW!</strong>\r\n\r\nIn December 2007, the City of Philadelphia transferred a 2 1⁄4 acre parcel on the corner of 5th and Huntingdon Streets to Taller Puertorriqueño. Through working with Wallace Roberts &amp; Todd, LLC, a national collaborative practice of city and regional planners, urban designers, landscape architects, and architects headquartered in Philadelphia, as well as with Eduardo Díaz, Surale Phillips, Rosales Communications and Mastroieni and Associates, Inc. a detailed study was conducted of this property, as well as community perceptions and needs. More than 600 community voices were heard.\r\n\r\nFor more information download the Capital Campaign Catalog <a title=\"Capital Campaign Catalog \" href=\"http://tallerpr.org/wp-content/uploads/2013/11/Taller-PR-Capital-Campaign-Catalog.pdf\" target=\"_blank\">here</a>.\r\n\r\nFor information on naming opportunity or about the project,  contact Carmen Febo San Miguel at 215-426-3311/ Email cfeboo@tallerpr.org\r\n\r\nTo make a donation go <a title=\"Capital Campaign &amp; Sustaining our Programs\" href=\"http://tallerpr.org/donate-to-online/\">here</a>.\r\n\r\n&nbsp;','About the New Cultural Center','','inherit','closed','closed','','795-revision-v1','','','2013-12-16 00:07:57','2013-12-16 05:07:57','',795,'http://tallerpr.org/2013/12/16/795-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (799,2,'2013-12-16 00:14:25','2013-12-16 05:14:25','<div id=\"stcpDiv\"><a title=\"DSC04374\" href=\"http://www.flickr.com/photos/58941148@N03/10976827866/\" rel=\"\"><img class=\"alignleft\" style=\"float: left;\" title=\"DSC04374\" alt=\"DSC04374\" src=\"http://farm4.staticflickr.com/3771/10976827866_db27fa3042_m.jpg\" width=\"240\" height=\"180\" /></a>Children and youth are full of creative energy and a deep craving to learn about their cultures. Taller’s culturally specific arts programs fulfill this want, keeping them engaged and excited, boosting self-esteem and artistic and academic achievement. When young people are encouraged to believe they are significant, talented, unique, necessary, and heard, this positive assurance impacts the entire community. Taller\'s out of school time arts programs provide art classes led by experienced teaching artists in various culturally-relevant disciplines that help develop self-esteem, self-expression, and creativity, while also providing academic support. Our programs are geared toward and divided into three age groups: 5-10, 11-14, and 15-18. More information about each program is available at the links above. For ages 5-14, click <a title=\"Cultural Exploration Program\" href=\"http://tallerpr.org/education/cultural-exploration-program/\">CEP</a>, and for 15-18, click <a title=\"Youth Artist Program\" href=\"http://tallerpr.org/education/youth-artist-program/\">YAP</a>.</div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div>Check out our program Photos on our Flickr page <a title=\"Flickr Children\'s\" href=\"http://www.flickr.com/photos/tpr_visual_arts/collections/72157631943706015/\" target=\"_blank\">here</a>.</div>','Education','','inherit','closed','closed','','24-revision-v1','','','2013-12-16 00:14:25','2013-12-16 05:14:25','',24,'http://tallerpr.org/2013/12/16/24-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (802,2,'2013-12-16 03:20:33','2013-12-16 08:20:33','<strong>THE NEW TALLER PUERTORRIQUEÑO</strong>  designed by Philadelphia’s Wallace Roberts &amp; Todd architects. The firms\' principles aim to protect natural resources, promote social justice and economic well-being, and create spaces that show local heritage, culture, and values. The principal architect is Antonio Fiol‐Silva.\r\n\r\nThe new Taller Puertorriqueño will include the following amenities:\r\n\r\n• A larger and more accessible gift shop.\r\n\r\n• A more spacious and more flexible exhibition gallery with the latest climate control systems\r\n\r\n• Classrooms with the latest technology.\r\n\r\n• Dance and theatre studios that can combine into a 250 seat multi-use event space\r\n\r\n• An outdoor play area for children in our programs.\r\n\r\n• An outdoor art patio for social functions and private contemplation.\r\n\r\n<strong> Resulting in many advantages:</strong>\r\n\r\nFull accessibility; this will be a one‐story building meeting all ADA requirements. This code compliance will enable Taller to become a Certified Child Care Center site, meeting expanded community demand for child care and providing a significant new source of revenue.\r\n\r\nA parking lot for 100 cars and safe drop-off points will meet the needs of parents dropping off children; mini‐buses that bring seniors to Taller from other service centers and residences; school buses bringing students , and visitors coming to our events.\r\n\r\nAbility to show exhibitions with more works and larger objects.\r\n\r\nAbility to accommodate larger groups.\r\n\r\nA more visible gift shop will translate into more sales.\r\n\r\nCloser proximity to public transportation.\r\n\r\nOpportunity to create an attractive and architecturally significant gateway to El Centro de Oro.\r\n\r\nTruly, the new Taller Puertorriqueño will be an anchor, a source of pride, serving the region’s growing Latino population and educating the wider public about Latino cultural contributions.\r\n\r\n<strong>ACTION IS NECESSARY NOW!</strong>\r\n\r\nIn December 2007, the City of Philadelphia transferred a 2 1⁄4 acre parcel on the corner of 5th and Huntingdon Streets to Taller Puertorriqueño. Through working with Wallace Roberts &amp; Todd, LLC, a national collaborative practice of city and regional planners, urban designers, landscape architects, and architects headquartered in Philadelphia, as well as with Eduardo Díaz, Surale Phillips, Rosales Communications and Mastroieni and Associates, Inc. a detailed study was conducted of this property, as well as community perceptions and needs. More than 600 community voices were heard.\r\n\r\nFor more information download the Capital Campaign Catalog <a title=\"Capital Campaign Catalog \" href=\"http://tallerpr.org/wp-content/uploads/2013/11/Taller-PR-Capital-Campaign-Catalog.pdf\" target=\"_blank\">here</a>.\r\n\r\nFor information on naming opportunity or about the project,  contact Carmen Febo San Miguel at 215-426-3311/ Email cfeboo@tallerpr.org\r\n\r\nTo make a donation click on the donation button below.\r\n\r\n<a href=\"http://wp.me/P48ebi-9I\"><img class=\"alignleft  wp-image-722\" alt=\"Donate now\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Join-Now.jpg\" width=\"433\" height=\"127\" /></a>\r\n\r\n&nbsp;','About the New Cultural Center','','inherit','closed','closed','','795-revision-v1','','','2013-12-16 03:20:33','2013-12-16 08:20:33','',795,'http://tallerpr.org/2013/12/16/795-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (803,2,'2013-12-16 03:22:52','2013-12-16 08:22:52','<strong>THE NEW TALLER PUERTORRIQUEÑO</strong>  designed by Philadelphia’s Wallace Roberts &amp; Todd architects. The firms\' principles aim to protect natural resources, promote social justice and economic well-being, and create spaces that show local heritage, culture, and values. The principal architect is Antonio Fiol‐Silva.\r\n\r\nThe new Taller Puertorriqueño will include the following amenities:\r\n\r\n• A larger and more accessible gift shop.\r\n\r\n• A more spacious and more flexible exhibition gallery with the latest climate control systems\r\n\r\n• Classrooms with the latest technology.\r\n\r\n• Dance and theatre studios that can combine into a 250 seat multi-use event space\r\n\r\n• An outdoor play area for children in our programs.\r\n\r\n• An outdoor art patio for social functions and private contemplation.\r\n\r\n<strong> Resulting in many advantages:</strong>\r\n\r\nFull accessibility; this will be a one‐story building meeting all ADA requirements. This code compliance will enable Taller to become a Certified Child Care Center site, meeting expanded community demand for child care and providing a significant new source of revenue.\r\n\r\nA parking lot for 100 cars and safe drop-off points will meet the needs of parents dropping off children; mini‐buses that bring seniors to Taller from other service centers and residences; school buses bringing students , and visitors coming to our events.\r\n\r\nAbility to show exhibitions with more works and larger objects.\r\n\r\nAbility to accommodate larger groups.\r\n\r\nA more visible gift shop will translate into more sales.\r\n\r\nCloser proximity to public transportation.\r\n\r\nOpportunity to create an attractive and architecturally significant gateway to El Centro de Oro.\r\n\r\nTruly, the new Taller Puertorriqueño will be an anchor, a source of pride, serving the region’s growing Latino population and educating the wider public about Latino cultural contributions.\r\n\r\n<strong>ACTION IS NECESSARY NOW!</strong>\r\n\r\nIn December 2007, the City of Philadelphia transferred a 2 1⁄4 acre parcel on the corner of 5th and Huntingdon Streets to Taller Puertorriqueño. Through working with Wallace Roberts &amp; Todd, LLC, a national collaborative practice of city and regional planners, urban designers, landscape architects, and architects headquartered in Philadelphia, as well as with Eduardo Díaz, Surale Phillips, Rosales Communications and Mastroieni and Associates, Inc. a detailed study was conducted of this property, as well as community perceptions and needs. More than 600 community voices were heard.\r\n\r\nFor more information download the Capital Campaign Catalog <a title=\"Capital Campaign Catalog \" href=\"http://tallerpr.org/wp-content/uploads/2013/11/Taller-PR-Capital-Campaign-Catalog.pdf\" target=\"_blank\">here</a>.\r\n\r\nFor information on naming opportunity or about the project,  contact Carmen Febo San Miguel at 215-426-3311/ Email cfeboo@tallerpr.org\r\n\r\nTo make a donation click on the donation button below.\r\n\r\n<a href=\"http://wp.me/P48ebi-9I\"><img class=\"alignleft size-full wp-image-721\" alt=\"Donate Now Button\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Donate-Now-Button-e1387020477246.jpg\" width=\"200\" height=\"76\" /></a>','About the New Cultural Center','','inherit','closed','closed','','795-revision-v1','','','2013-12-16 03:22:52','2013-12-16 08:22:52','',795,'http://tallerpr.org/2013/12/16/795-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (807,2,'2013-12-16 04:17:59','2013-12-16 09:17:59','','Vejigantes of Puerto Rico (Home)','','inherit','closed','closed','','vejigante-wp-slider','','','2013-12-16 04:17:59','2013-12-16 09:17:59','',0,'http://tallerpr.org/wp-content/uploads/2013/12/Vejigante-WP-Slider.png',0,'attachment','image/png',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (814,2,'2013-12-16 05:13:46','2013-12-16 10:13:46','Have a Happy New Year!','Closed New Years Day','','inherit','closed','closed','','353-autosave-v1','','','2013-12-16 05:13:46','2013-12-16 10:13:46','',353,'http://tallerpr.org/2013/12/16/353-autosave-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (823,2,'2013-12-16 06:02:17','2013-12-16 11:02:17','<span style=\"font-size: small;\"><img class=\"alignleft size-full wp-image-315\" alt=\"Taller\'s Heart Logo\" src=\"http://tallerpr.org/wp-content/uploads/2013/11/TPPHeart-Logo129pixsAppleTouch.png\" width=\"129\" height=\"129\" /> From its founding in 1974, Taller Puertorriqueño</span> has been elevating and preserving Puerto Rican and Latino culture through children\'s cultural education programs, youth art programs, community and cultural tours, and by bringing writers and scholars to speak in the community at its Meet the Author Series. Through Visítenos, its outreach program, Taller engages children and adults from the tri-state area in cultural enrichment workshops to foster greater awareness and understanding of Latino culture.  In its evolution from a community based graphics workshop, it has been showcasing Puerto Rican and Latino artists in its Lorenzo Homar Gallery from the local community, and nationally. It also promotes the work of Latino artists through collaborations, and satellite exhibitions.\r\n\r\n&nbsp;\r\n\r\n<em>Taller Puertorriqueño is a non‐profit organization qualified by the Internal Revenue Service as a tax‐exempt 501 (c)(3). Donations to this capital campaign are tax‐deductible to the extent allowed by the law.</em>\r\n\r\n<em>The official registration and financial information of Taller Puertorriqueño may be obtained from the Pennsylvania Department of State by calling toll‐free, within Pennsylvania, 1‐800‐732‐0999. Registration does not imply endorsement. </em>','Who We Are','','inherit','closed','closed','','18-revision-v1','','','2013-12-16 06:02:17','2013-12-16 11:02:17','',18,'http://tallerpr.org/2013/12/16/18-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (831,2,'2013-12-16 06:26:47','2013-12-16 11:26:47','[caption id=\"attachment_315\" align=\"alignleft\" width=\"129\"]<img class=\"size-full wp-image-315\" alt=\"Taller\'s Heart Logo\" src=\"http://tallerpr.org/wp-content/uploads/2013/11/TPPHeart-Logo129pixsAppleTouch.png\" width=\"129\" height=\"129\" /> Taller is known as El Corazón Cultural Del Barrio,<br />The Cultural Heart of Latino Philadelphia[/caption]\r\n\r\n<span style=\"font-size: small;\"> From its founding in 1974, Taller Puertorriqueño</span> has been elevating and preserving Puerto Rican and Latino culture through children\'s cultural education programs, youth art programs, community and cultural tours, and by bringing writers and scholars to speak in the community at its Meet the Author Series. Through Visítenos, its outreach program, Taller engages children and adults from the tri-state area in cultural enrichment workshops to foster greater awareness and understanding of Latino culture.  In its evolution from a community based graphics workshop, it has been showcasing Puerto Rican and Latino artists in its Lorenzo Homar Gallery from the local community, and nationally. It also promotes the work of Latino artists through collaborations, and satellite exhibitions.\r\n\r\n&nbsp;\r\n\r\n<em>Taller Puertorriqueño is a non‐profit organization qualified by the Internal Revenue Service as a tax‐exempt 501 (c)(3). Donations to this capital campaign are tax‐deductible to the extent allowed by the law.</em>\r\n\r\n<em>The official registration and financial information of Taller Puertorriqueño may be obtained from the Pennsylvania Department of State by calling toll‐free, within Pennsylvania, 1‐800‐732‐0999. Registration does not imply endorsement. </em>','Who We Are','','inherit','closed','closed','','18-revision-v1','','','2013-12-16 06:26:47','2013-12-16 11:26:47','',18,'http://tallerpr.org/2013/12/16/18-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (833,2,'2013-12-16 06:57:06','2013-12-16 11:57:06','&nbsp;\n\n[caption id=\"attachment_2829\" align=\"alignleft\" width=\"200\"]<img class=\"size-medium wp-image-2829\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Carmen-Febo-San-Miguel-2-200x300.jpg\" alt=\"Carmen Febo-San Miguel\" width=\"200\" height=\"300\" /> Carmen Febo-San Miguel, Executive Director, cfebo@tallerpr.org[/caption]\n\n<strong>Dr. Carmen Febo San Miguel, M.D.</strong>, Taller\'s Executive Director, was born in Ciales, Puerto Rico, graduating magna cum laude, followed by medical school, both at the University of Puerto Rico. She moved to Philadelphia for her residency in Family Practice at Hahnemann Hospital and Medical Center, in 1974. Upon completion of her residency, she became Medical Director of the Spring Garden Family Health Services Center in Philadelphia, serving a primarily poor Puerto Rican and African-American population. After moving back to Puerto Rico in 1979 to work at the Naranjito Health Center serving a rural population, Dr. Febo San Miguel returned to Philadelphia in 1984, where she assumed the position of Medical Director of Germantown Family Medicine Associates, managing all aspects of a private medical practice.\n\nShe became Taller’s Executive Director in 1999 after 14 years as Board Chair. Dr. Febo San Miguel is deeply committed to Taller’s goals and mission of education and dissemination about the rich cultural heritage of Puerto Rico, Latino and related groups including African Americans. She served on the Mayor’s Commission on Arts and Culture under Mayor Goode and currently as a member of the Advisory Council on Arts, Culture and the Creative Economy under Mayor Nutter. Under her tenure, first as Chair of its Board, and then as Executive Director, Taller has grown from an almost extinct organization to one managing two buildings, a budget of over $850,000 and a permanent staff of 13. As Executive Director since 1999, she has led Taller’s programmatic agenda in the expansion of Art Residencies into School District and other charter schools through the the Visit Us program, developed new collaborations to exhibit Taller’s art collection at off-sites, led the coordination of the ever expanding Feria del Barrio and has been called to produce programming for the Kimmel’s International Festival for the Arts, the Philadelphia Museum of Art and the Barnes Foundation.  She recently successfully concluded the production of the seven events related to the Knight Foundation grant at the site of Taller’s new facility project under the title Café Under the Stars.\n\nDr. Febo San Miguel is the recipient of numerous awards. Those more recent and relevant to arts and education include:\n\n<ul>\n    <li>Creative Connector of Leadership Philadelphia for 2011-12 8-11</li>\n    <li>Bread and Roses Paul Robeson Life Achievement Award 9-10</li>\n    <li>Philadelphia Multicultural Affairs Congress Pioneer Award 10-08</li>\n    <li>Honoree The Philadelphia Association of Hispanic School Administrators 7/03</li>\n    <li>The Philadelphia Commission on Human Relations 10/02 (Human Rights Award for Arts and Culture)</li>\n</ul>','About the Executive Director','','publish','closed','closed','','a-message-from-the-director','','','2017-07-10 13:08:38','2017-07-10 17:08:38','&nbsp;\r\n\r\n[caption id=\"attachment_2829\" align=\"alignleft\" width=\"200\"]<img class=\"size-medium wp-image-2829\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Carmen-Febo-San-Miguel-2-200x300.jpg\" alt=\"Carmen Febo-San Miguel\" width=\"200\" height=\"300\" /> Carmen Febo-San Miguel, Executive Director, cfebo@tallerpr.org[/caption]\r\n\r\n<strong>Dr. Carmen Febo San Miguel, M.D.</strong>, Taller\'s Executive Director, was born in Ciales, Puerto Rico, graduating magna cum laude, followed by medical school, both at the University of Puerto Rico. She moved to Philadelphia for her residency in Family Practice at Hahnemann Hospital and Medical Center, in 1974. Upon completion of her residency, she became Medical Director of the Spring Garden Family Health Services Center in Philadelphia, serving a primarily poor Puerto Rican and African-American population. After moving back to Puerto Rico in 1979 to work at the Naranjito Health Center serving a rural population, Dr. Febo San Miguel returned to Philadelphia in 1984, where she assumed the position of Medical Director of Germantown Family Medicine Associates, managing all aspects of a private medical practice.\r\n\r\nShe became Taller’s Executive Director in 1999 after 14 years as Board Chair. Dr. Febo San Miguel is deeply committed to Taller’s goals and mission of education and dissemination about the rich cultural heritage of Puerto Rico, Latino and related groups including African Americans. She served on the Mayor’s Commission on Arts and Culture under Mayor Goode and currently as a member of the Advisory Council on Arts, Culture and the Creative Economy under Mayor Nutter. Under her tenure, first as Chair of its Board, and then as Executive Director, Taller has grown from an almost extinct organization to one managing two buildings, a budget of over $850,000 and a permanent staff of 13. As Executive Director since 1999, she has led Taller’s programmatic agenda in the expansion of Art Residencies into School District and other charter schools through the the Visit Us program, developed new collaborations to exhibit Taller’s art collection at off-sites, led the coordination of the ever expanding Feria del Barrio and has been called to produce programming for the Kimmel’s International Festival for the Arts, the Philadelphia Museum of Art and the Barnes Foundation.  She recently successfully concluded the production of the seven events related to the Knight Foundation grant at the site of Taller’s new facility project under the title Café Under the Stars.\r\n\r\nDr. Febo San Miguel is the recipient of numerous awards. Those more recent and relevant to arts and education include:\r\n<ul>\r\n 	<li>Creative Connector of Leadership Philadelphia for 2011-12 8-11</li>\r\n 	<li>Bread and Roses Paul Robeson Life Achievement Award 9-10</li>\r\n 	<li>Philadelphia Multicultural Affairs Congress Pioneer Award 10-08</li>\r\n 	<li>Honoree The Philadelphia Association of Hispanic School Administrators 7/03</li>\r\n 	<li>The Philadelphia Commission on Human Relations 10/02 (Human Rights Award for Arts and Culture)</li>\r\n</ul>',18,'http://tallerpr.org/?page_id=833',0,'page','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (834,2,'2013-12-16 06:56:32','2013-12-16 11:56:32','','Carmen Febo San Miguel','','inherit','closed','closed','','carmen-febo-san-miguel','','','2013-12-16 06:56:32','2013-12-16 11:56:32','',833,'http://tallerpr.org/wp-content/uploads/2013/12/Carmen-Febo-San-Miguel.jpg',0,'attachment','image/jpeg',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (835,2,'2013-12-16 06:57:06','2013-12-16 11:57:06','<div><b><img class=\"alignleft size-full wp-image-834\" alt=\"Carmen Febo San Miguel\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Carmen-Febo-San-Miguel.jpg\" width=\"604\" height=\"453\" />Carmen Febo San Miguel, MD</b>, was born in Ciales, Puerto Rico, graduating magna cum laude followed by Medical School both at the University of Puerto Rico.  She moved to Philadelphia for her residency in Family Practice at Hahnemann Hospital and Medical Center in 1974.  Upon completion of her residency, she became Medical Director of the Spring Garden Family Health Services Center in Philadelphia, serving a primarily poor Puerto Rican and African American population.  After moving back to Puerto Rico in 1979 to work at the Naranjito Health Center serving a rural population, Dr. Febo returned to Philadelphia in 1984 were she assumed the position of Medical Director of Germantown Family Medicine Associates, managing all aspects of a private medical practice.</div>\r\n<div></div>\r\n<div>She became Taller’s <b>Executive Director</b> in 1999 after 14 years as Board Chair.  Dr. Febo is deeply committed to Taller’s goals and mission of education and dissemination about the rich cultural heritage of Puerto Rico, Latino and related groups including African Americans.  She served on the Mayor’s Commission on Arts and Culture under Mayor Goode and currently as a member of the Advisory Council on Arts, Culture and the Creative Economy under Mayor Nutter.  Under her tenure, Taller has grown from an almost extinct organization to one managing 2 buildings, an expansion she headed as board chair and chair of the facilities committee, a budget of $870,000 and a permanent staff of 13.  As Executive Director since 1999, she has led Taller’s programmatic agenda in the expansion of Art Residencies into School District and other charter schools, the Visit Us program, developed new collaborations to exhibit Taller’s art collection at off-sites, has led the coordination of the ever expanding Feria del Barrio and has been called to produce programming for the Kimmel’s International Festival for the Arts, and the Philadelphia Museum of Art.  She just successfully concluded the production of the 7 events related to the Knight Foundation grant at the site of Taller’s new facility project.</div>\r\n<div></div>\r\n<div>She has received numerous awards.  Those that are relevant to the arts and education include:</div>\r\n<div></div>\r\n<div><b>Creative Connector of Leadership Philadelphia for 2011-12</b>8-11</div>\r\n<div></div>\r\n<div><b>Bread and Roses Paul Robeson Life Achievement Award9-10</b></div>\r\n<div></div>\r\n<div><b>Philadelphia Multicultural Affairs Congress Pioneer Award10-08</b></div>\r\n<div></div>\r\n<div><b>The Philadelphia Association of Hispanic School Administrators7/03</b></div>\r\n<div>2003 Honoree</div>\r\n<div></div>\r\n<div><b>The Philadelphia Commission on Human Relations</b>10/02</div>\r\n<div><b>2002 Human Rights Award for Arts and Culture</b></div>','A Message from the Director','','inherit','closed','closed','','833-revision-v1','','','2013-12-16 06:57:06','2013-12-16 11:57:06','',833,'http://tallerpr.org/2013/12/16/833-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (836,2,'2013-12-16 06:58:03','2013-12-16 11:58:03','<div><b><img class=\"alignleft size-full wp-image-834\" alt=\"Carmen Febo San Miguel\" src=\"http://tallerpr.org/wp-content/uploads/2013/12/Carmen-Febo-San-Miguel.jpg\" width=\"604\" height=\"453\" />Carmen Febo San Miguel, MD</b>, was born in Ciales, Puerto Rico, graduating magna cum laude followed by Medical School both at the University of Puerto Rico.  She moved to Philadelphia for her residency in Family Practice at Hahnemann Hospital and Medical Center in 1974.  Upon completion of her residency, she became Medical Director of the Spring Garden Family Health Services Center in Philadelphia, serving a primarily poor Puerto Rican and African-American population.  After moving back to Puerto Rico in 1979 to work at the Naranjito Health Center serving a rural population, Dr. Febo returned to Philadelphia in 1984 were she assumed the position of Medical Director of Germantown Family Medicine Associates, managing all aspects of a private medical practice.</div>\r\n<div></div>\r\n<div>She became Taller’s <b>Executive Director</b> in 1999 after 14 years as Board Chair.  Dr. Febo is deeply committed to Taller’s goals and mission of education and dissemination about the rich cultural heritage of Puerto Rico, Latino and related groups including African Americans.  She served on the Mayor’s Commission on Arts and Culture under Mayor Goode and currently as a member of the Advisory Council on Arts, Culture and the Creative Economy under Mayor Nutter.  Under her tenure, Taller has grown from an almost extinct organization to one managing 2 buildings, an expansion she headed as board chair and chair of the facilities committee, a budget of $870,000 and a permanent staff of 13.  As Executive Director since 1999, she has led Taller’s programmatic agenda in the expansion of Art Residencies into School District and other charter schools, the Visit Us program, developed new collaborations to exhibit Taller’s art collection at off-sites, has led the coordination of the ever expanding Feria del Barrio and has been called to produce programming for the Kimmel’s International Festival for the Arts, and the Philadelphia Museum of Art.  She just successfully concluded the production of the 7 events related to the Knight Foundation grant at the site of Taller’s new facility project.</div>\r\n<div></div>\r\n<div>She has received numerous awards.  Those that are relevant to the arts and education include:</div>\r\n<div></div>\r\n<div><b>Creative Connector of Leadership Philadelphia for 2011-12</b>8-11</div>\r\n<div></div>\r\n<div><b>Bread and Roses Paul Robeson Life Achievement Award9-10</b></div>\r\n<div></div>\r\n<div><b>Philadelphia Multicultural Affairs Congress Pioneer Award10-08</b></div>\r\n<div></div>\r\n<div><b>The Philadelphia Association of Hispanic School Administrators7/03</b></div>\r\n<div>2003 Honoree</div>\r\n<div></div>\r\n<div><b>The Philadelphia Commission on Human Relations</b>10/02</div>\r\n<div><b>2002 Human Rights Award for Arts and Culture</b></div>','A Message from the Director','','inherit','closed','closed','','833-revision-v1','','','2013-12-16 06:58:03','2013-12-16 11:58:03','',833,'http://tallerpr.org/2013/12/16/833-revision-v1/',0,'revision','',0);
