<p style="text-align: center;"><strong>March 5-July 10, 2004</strong></p>
In “Coconautas” Adal is critical of the practice of history revisionism and encourages self-empowerment through the process of documenting one’s own historical experience.  The exhibition was a two-component multi-media photography exhibition.  In Blue Prints Adal expresses his personal and artistic position and resistance to the attempt to assimilate or undermine the Puerto Rican culture and intellect. Adal’s work is intensely original, deeply personal, politically poignant and ironic in its tone.  Roberta Fallon, art critic for the Philadelphia Weekly, reviewed the show.